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- The Museum of Modern Art
- Chapter 28 Impressionism, Post-Impressionism, Symbolism: Europe and America, Y P 1870 to 1900 Selections From: Chapter 34 Japan
- Guillaume Apollinaire on Pablo Picasso
- Minimalism in Music: in Search of a Definition Tom Johnson
- The Evolution of the French Avant-Garde from Italian Futurism, to Surrealism, to Situationism, to the Writers of the Literary Journal Tel Quel
- Modernism and the Antimodern in the “Men of 1914”
- Toward Expressionism: Edvard Munch and James Ensor Edvard Munch, (1863-1944), Norwegian Painter, Printmaker and Draughtsman
- The Female Impressionists—A Study in a Gendered Art
- An Imminent Clash As Experienced by Three Artists
- A Study of Spirituality in Contemporary Visual Art
- A Language for Humanity?’ the Blaue Reiter, and the Failed Search for Universality Dr
- The Visual Arts in Post-1945 America
- American Impressionism
- The Philosophy of Freedom and the History of Art: an Interdisciplinary View
- An Investigation of Modern and Postmodern Paintings with Emphasis on Religious Traditions
- MINING for MEANING: a STUDY of MINIMALISM in AMERICAN LITERATURE by JEREMY ROBERT BAILEY, B.A., M.A. a DISSERTATION in ENGLISH
- The Art and Life of Kate Freeman Clark
- Impressionism, Originality, and Laissez-Faire
- Authorship and the Avant Garde
- The Demarkation of Creativity, Talent and Genius in Humans: a Systemic Aspect
- Cubism, Stravinsky and Rite of Spring
- Tropicália and the Art Criticism of Mário Pedrosa in the 1960S
- The Ford Family Foundation Names Five Oregon Visual Artists As Hallie Ford Fellows in the Visual Arts for 2018
- What Is “Postmodern”
- Modernism, Postmodernism, and Metamodernism: a Critique
- The Many Versions of the Painting of Tingqua's Studio
- Inventing a Mexican Cubism: Diego Rivera in Paris Kelsey Winiarski Grand Valley State University
- Joycean Avant-Gardes
- Conceptual Art: Property and Copyright, Hopes and Prayers
- Looking Beyond Postmodernism : Art As a Tool for Social Transformation
- Diego Rivera Mexico’S Modernist
- Historical Painting Techniques, Materials, and Studio Practice
- Conceptual Art 1962-1969: from the Aesthetic of Administration to the Critique of Institutions Author(S): Benjamin H
- Modernism, Impersonality, and Emotional Inexpressibility