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Symphonic black metal
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)
True Black Metal: Authenticity, Nostalgia, and Transgression in The
Music As Transgression: Masking and Sonic Abjection in Norwegian Black Metal
Considering Genre in Metal Music © Benjamin Hillier, 2020. The
Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology
Avast – a Fuckin’ Freak Show of Musical Preferences
Cultural Heritage and History in the Metal Scene
Extreme Metal Music and Its Feeling Community
Black Metal, Islam and Blasphemy in Turkey and Saudi Arabia
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Celebrating 25 Years of Christian Heavy Metal
Blacker Than Death: Recollecting the “Black Turn” in Metal Aesthetics Ian Reyes University of Rhode Island,
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Adorno and Black Metal
Man Vs. Machine a Comparative Study on MIDI Programmed and Recorded Drums
PRECIOUS METAL “This Page Left Intentionally Blank.” 0306818066-Mudrian 01:Layout 1 5/4/09 1:28 PM Page Iii
Why Collect Heavy Metal?
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Un Aperçu De La Diversité Du Metal
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Ghostly Voices Is Correct at the Time of Printing
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A Comparative Analysis of Metal Subgenres in Terms of Lexical
Heavy Metal“ Inzwischen Nur Mehr Ein Bestimmtes Subgenre Bezeichnet, Wird in Der Broschüre Der Überbegriff „Metal“ Für Die Gesamtheit Der Strömungen Verwendet