True Black Metal: Authenticity, Nostalgia, and Transgression in The
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“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
All-City Annual
ALL-CITY ANNUAL 1 Cover: John Watson HOLA. Thank you for your friendship and support IN our efforts to do good work, make nice things, and further the culture and community of cycling. XOXO, THE ALL-CITY TEAM 1 2 LOG LADY We love singletrack; we love being in the woods; we love it when the going gets tight, techy and nasty. We are beyond excited to bring that love further into the All-City lexicon with our first true mtb: The Log Lady. A.C.E. tubing, 27.5 wheels, singlespeed perfection All photos: John Watson 4 Charlie B. Ward #SQUAD For 2016, the All-City X Fulton cross team is 35 members strong and will be organizing 3 of the races on our local calendar. We are very proud of their contribution to our local cross community. With the addition of All-City X Blackhand in the mid-Atlantic and All-City X Alpha in Colorado, we’re expanding into several other areas of the country this Fall. Look for an All-City team rider on a cross course near you! 5 Todd Bauer NATURE GIRL: RIDE IT ALL WEEK RACE IT ON THE WEEKEND 6 Todd Bauer 7 KOSHI: SPEED & STYLE Our main man in Japan, Masahiro Koshiyama, or “Koshi” to his friends, is the only Category 1 cross racer in Japan to exclusively race single speed. He’s also an active BMX’er, helping to run many events and contests in his home country. His mantra is “Speed & Style” and he never fails to make cross racing look good! Photos: Kei Tsuji 8 Ryohei Wada 9 10 that could help me turn the page of my story. -
Chao Ab Ordo(*)
CHAO AB ORDO Chao ab Ordo(*) (*) The source of the oft used Latin phrase Ordo ab Chao has its roots deeply embedded in the origin story of the Scottish Rite of Freemasonry in the Americas. Georges M. Halpern, MD, DSc with Yves P. Huin 1 CHAO AB ORDO Antipasti “Here's to the crazy ones. The misfits. The rebels. The troublemakers. The round pegs in the square holes. The ones who see things differently. They're not fond of rules. And they have no respect for the status quo. You can quote them, disagree with them, glorify or vilify them. About the only thing you can't do is ignore them. Because they change things. They push the human race forward. And while some may see them as the crazy ones, we see genius. Because the people who are crazy enough to think they can change the world, are the ones who do.” Rob Siltanen You may never have read a single line of La Divina Commedia, and yet you’ve been influenced by it. But it’s just one line of the 14,233 that make up The Divine Comedy. The three-part epic poem published in 1320 by the Florentine bureaucrat -turned visionary storyteller- Dante Alighieri. In late 13th Century Florence, books were sold in apothecaries, a solid evidence that words on paper (or parchment) could affect minds with their ideas, as much as any drug. And what an addiction The Divine Comedy inspired: a literary work endlessly adapted, pinched from, referenced and remixed, inspiring painters and sculptors for centuries! More than the authors of the Bible itself, Dante provided us with the vision of Hell that remains with us and has been painted by Botticelli and Blake, Delacroix and Dalí, turned into sculpture by Rodin –whose The Kiss depicts Dante’s damned lovers Paolo and Francesca – and illustrated in the pages of X-Men comics by John Romita. -
The Construction of Pagan Identity in Lithuanian “Pagan Metal” Culture
VYTAUTO DIDŢIOJO UNIVERSITETAS SOCIALINIŲ MOKSLŲ FAKULTETAS SOCIOLOGIJOS KATEDRA Agnė Petrusevičiūtė THE CONSTRUCTION OF PAGAN IDENTITY IN LITHUANIAN “PAGAN METAL” CULTURE Magistro baigiamasis darbas Socialinės antropologijos studijų programa, valstybinis kodas 62605S103 Sociologijos studijų kryptis Vadovas Prof. Ingo W. Schroeder _____ _____ (Moksl. laipsnis, vardas, pavardė) (Parašas) (Data) Apginta _________________________ ______ _____ (Fakulteto/studijų instituto dekanas/direktorius) (Parašas) (Data) Kaunas, 2010 1 Table of contents SUMMARY ........................................................................................................................................ 4 SANTRAUKA .................................................................................................................................... 6 INTRODUCTION ............................................................................................................................... 8 I. THEORIZING ―SUBCULTURE‖: LOOKING AT SCIENTIFIC STUDIES .............................. 13 1.1. Overlooking scientific concepts in ―subcultural‖ research ..................................................... 13 1.2. Assumptions about origin of ―subcultures‖ ............................................................................ 15 1.3 Defining identity ...................................................................................................................... 15 1.3.1 Identity and ―subcultures‖ ................................................................................................ -
PDF (1.85 Mib)
セM ...............................____________________ ,._ ______ ______________ セ セ セM MARCH 2, 2012 ARCADE B4 Getting to know the Gentlemen of Verona BY DERRICK TOUPS DT: How was it working specifically on "Two SENIOR STAFF WRITER Gents;' a lesser-known Shakespeare play? It's one of his earliest, so it's not as strong as his lat- er works. With a colorful cast of vampires, skate- SE: It is a pretty clumsy play. There's a horrible boarders, potheads and preps, the department ending where Pr9teus has an attempted rape, of theatre and dance opened its "Clerks"-style then Valentine discovers him, rescues Sylvia, rendition of Shakespeare's "Two Gentlemen of and decides, "Oh, you can have her because Verona," directed by Gary Rucker, Tuesday in our friendship's more important." It's definite- conjunction with The Shakespeare Festival at ly a play of problems, but it's cool to see ear- Tulane. The Arcade sat down with the two gen- ly things that Shakespeare later develops like tlemen themselves, sophomore Jesse Friedman cross-dressing, the weird attraction to those in (Valentine) and senior Stephen Eckert (Prote- drag and the sympathetic servants. us), to discuss the process of putting on the de- JF: Something that I think is attractive about partment's first Shakespeare play since "Cym- a lot of Shakespearean comedies - this may beline" in 2004. sound weird - is the naivete of his protago- nists. I think it's pretty endearing and attracts Derrick Toups: You've both worked with the audience to the characters. Shakespeare before, through monologues and scenes. -
Bertus in Stock 7-4-2014
No. # Art.Id Artist Title Units Media Price €. Origin Label Genre Release Eancode 1 G98139 A DAY TO REMEMBER 7-ATTACK OF THE KILLER.. 1 12in 6,72 NLD VIC.R PUN 21-6-2010 0746105057012 2 P10046 A DAY TO REMEMBER COMMON COURTESY 2 LP 24,23 NLD CAROL PUN 13-2-2014 0602537638949 FOR THOSE WHO HAVE 3 E87059 A DAY TO REMEMBER 1 LP 16,92 NLD VIC.R PUN 14-11-2008 0746105033719 HEART 4 K78846 A DAY TO REMEMBER OLD RECORD 1 LP 16,92 NLD VIC.R PUN 31-10-2011 0746105049413 5 M42387 A FLOCK OF SEAGULLS A FLOCK OF SEAGULLS 1 LP 20,23 NLD MOV POP 13-6-2013 8718469532964 6 L49081 A FOREST OF STARS A SHADOWPLAY FOR.. 2 LP 38,68 NLD PROPH HM. 20-7-2012 0884388405011 7 J16442 A FRAMES 333 3 LP 38,73 USA S-S ROC 3-8-2010 9991702074424 8 M41807 A GREAT BIG PILE OF LEAVE YOU'RE ALWAYS ON MY MIND 1 LP 24,06 NLD PHD POP 10-6-2013 0616892111641 9 K81313 A HOPE FOR HOME IN ABSTRACTION 1 LP 18,53 NLD PHD HM. 5-1-2012 0803847111119 10 L77989 A LIFE ONCE LOST ECSTATIC TRANCE -LTD- 1 LP 32,47 NLD SEASO HC. 15-11-2012 0822603124316 11 P33696 A NEW LINE A NEW LINE 2 LP 29,92 EU HOMEA ELE 28-2-2014 5060195515593 12 K09100 A PALE HORSE NAMED DEATH AND HELL WILL.. -LP+CD- 3 LP 30,43 NLD SPV HM. 16-6-2011 0693723093819 13 M32962 A PALE HORSE NAMED DEATH LAY MY SOUL TO. -
Descent V 1999
w< >l F=Fli >w , ^ >< c Q. (5 (/) >< Q Q 3 ifl 1 u -i — — n 3 "0 3 ^ ?r S (11 • ii ir-ji I- ^ .*> a - i J The ajna Offensive is pro 1 ^ I <4 ( present a series of aui interpretations of visual / Recently the realization set in with me about my current surroundings and lack of inspirational environs, and the difference between those and newly rediscovered potentials. the self-limitations one imposes. since leaving europe it has been this way it seems, in general, the fountain of vision/creativity has been tapped a bit by a _ and shallow production outlook... it became clearer recently what was ULTRA fistic and characteristic expression and what wasn't. unfortunately, over the "ABANDONED"/ THIS LACK OF CREATIVE INFLUXLUX HAS SPILLED OVER TO MY WORK WITH THIS MAGAZINE, IT .AND FORGOTTEN' T SEVERAL NOT SO IMPORTANT (UPONON REFLECTION) IDEAS AND ATTITUDESATTITU CLOUDED OVER 7" OF MY WORK HERE, LUCKILY TYLER HAS KEPT•'-'•- THE- '- FIRE BURNING - HEART OF HANK YOU SO VERY MUCH MR. DAVIS. SO, THE DEATH ISSUE DO LLY HAVE IMPRESSIONS FROM HANS BELMER, MUCH TO DO WITH THE MAGAZINE ITSELF BUT IT'S RATHER A DOCUMENT OF PERSONAL LIMITED TO 300 COPIES ISSUES. AS I EMBARK AWAY FROM THE WEST COAST AGAIN FOR AN'T REALLY + 26 LETTERED AND SIGNED EDITIONS ENVISION WHAT IS NEXT FOR THIS PUBLICATION... OR OTHERWISE.... HER THAN ANNOUNCE OR $8 US/$10 OVERSEAS PREDICT THE NEXT MOVE AS WE HAVE IN THE PAST ;W NATURALLY THIS TIME, THE WAY IT SHOULD BE. IT'S ALWAYS A SLOW, PA IEND DESCRIBED IT) BUT MAYBE IT ALWAYS WAS SO BECAUSE VIOUS EXPECTATIONS. -
Guerra E Aliança Na Cena Black Metal Paulista
UNIVERSIDADE DE SÃO PAULO FACULDADE DE FILOSOFIA, LETRAS E CIÊNCIAS HUMANAS DEPARTAMENTO DE ANTROPOLOGIA PROGRAMA DE PÓS-GRADUAÇÃO EM ANTROPOLOGIA SOCIAL LUCAS LOPES DE MORAES “Hordas do Metal Negro”: Guerra e Aliança na Cena Black Metal Paulista Versão Corrigida São Paulo 2014 UNIVERSIDADE DE SÃO PAULO FACULDADE DE FILOSOFIA, LETRAS E CIÊNCIAS HUMANAS DEPARTAMENTO DE ANTROPOLOGIA PROGRAMA DE PÓS-GRADUAÇÃO EM ANTROPOLOGIA SOCIAL LUCAS LOPES DE MORAES “Hordas do Metal Negro”: Guerra e Aliança na Cena Black Metal Paulista Versão Corrigida São Paulo 2014 UNIVERSIDADE DE SÃO PAULO FACULDADE DE FILOSOFIA, LETRAS E CIÊNCIAS HUMANAS DEPARTAMENTO DE ANTROPOLOGIA PROGRAMA DE PÓS-GRADUAÇÃO EM ANTROPOLOGIA SOCIAL “Hordas do Metal Negro”: Guerra e Aliança na Cena Black Metal Paulista Lucas Lopes de Moraes Dissertação apresentada ao Programa de Pós-graduação do Departamento de Antropologia da Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo como pré-requisito para a obtenção do título de Mestre em Ciências Sociais (Antropologia Social). Orientador: Professor Titular José Guilherme Cantor Magnani São Paulo 2014 MORAES, Lucas Lopes de. “Hordas do Metal Negro”: Guerra e Aliança na Cena Black Metal Paulista. Dissertação apresentada ao Programa de Pós-graduação do Departamento de Antropologia da Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo como pré-requisito para a obtenção do título de Mestre em Ciências Sociais (Antropologia Social). Aprovada em: Banca Examinadora Prof. Dr. Alexandre Barbosa Pereira UNIFESP Profª Drª Rose Satiko Gitirana Hikiji PPGAS/USP Prof. Titular José Guilherme Cantor Magnani PPGAS/USP 1 DEDICATÓRIA A todos aqueles que envelheceram escutando heavy metal 2 AGRADECIMENTOS É tarefa difícil agradecer a todos aqueles que me auxiliaram no trabalho de produção dessa dissertação. -
Best-Nr. Künstler Album Preis Release 0001 100 Kilo Herz Weit Weg Von Zu Hause 17,50 € Mai
Best-Nr. Künstler Album Preis release 0001 100 Kilo Herz Weit weg von zu Hause 17,50 € Mai. 21 0002 100 Kilo Herz Stadt Land Flucht 19,00 € Jun. 21 0003 100 Kilo Herz Stadt Land Flucht 19,00 € Jun. 21 0004 100 Kilo Herz Weit weg von Zuhause 17,50 € Jun. 21 0005 100 Kilo Herz Weit weg von Zuhause 17,50 € Jun. 21 0006 123 minut Les 19,00 € 0007 123 minut Les 19,00 € 0008 17 Hippies Anatomy 23,00 € 0009 187 Straßenbande Sampler 5 26,00 € Mai. 21 0010 187 Straßenbande Sampler 5 26,00 € Mai. 21 0011 A day to remember You're welcome (ltd.) 31,50 € Mrz. 21 0012 A day to remember You're welcome 23,00 € Mrz. 21 0013 Abba The studio albums 138,00 € 0014 Aborted Retrogore 20,00 € 0015 Abwärts V8 21,00 € Mrz. 21 0016 AC/DC Black Ice 20,00 € 0017 AC/DC Live At River Plate 28,50 € 0018 AC/DC Who made who 18,50 € 0019 AC/DC High voltage 19,00 € 0020 AC/DC Back in black 17,50 € 0021 AC/DC Who made who 15,00 € 0022 AC/DC Black ice 20,00 € 0023 AC/DC Power Up 55,00 € Nov. 20 0024 AC/DC Power Up 55,00 € Nov. 20 0025 AC/DC Power Up 55,00 € Nov. 20 0026 AC/DC Power Up Limited red 31,50 € Nov. 20 0027 AC/DC Power Up Limited red 31,50 € Nov. 20 0028 AC/DC Power Up Limited red 31,50 € Nov. 20 0029 AC/DC Power Up 27,50 € Nov. -
Darkthrone Is Absolutely Not a Political Band and We Never Were
THE ‘FAILURE’ OF YOUTH CULTURE: REFLEXIVITY, MUSIC AND POLITICS IN THE BLACK METAL SCENE Dr Keith Kahn-Harris, Independent social researcher 57 Goring Road London N11 2BT Tel: 0208 881 5742 E-mail: [email protected] Dr Keith Kahn-Harris (né Harris) received his PhD on the sociology of the global Extreme Metal music scene from Goldsmiths College in 2001. Since then he has been a fellow at the Mandel School for Advanced Jewish Educational Leadership, Jerusalem and a visiting fellow at the Monash University Centre for Jewish Civilization, Melbourne. He is currently working on a variety of projects as an independent social researcher in the British Jewish community. THE ‘FAILURE’ OF YOUTH CULTURE: REFLEXIVITY, MUSIC AND POLITICS IN THE BLACK METAL SCENE Abstract: This paper examines an enduring question raised by subcultural studies – how youth culture can be challenging and transgressive yet ‘fail’ to produce wider social change. This question is addressed through the case study of the Black Metal music scene. The Black Metal scene flirts with violent racism yet has resisted embracing outright fascism. The paper argues that this is due to the way in which music is ‘reflexively anti-reflexively’ constructed as a depoliticising category. It is argued that an investigation of such forms of reflexivity might explain the enduring ‘failure’ of youth cultures to change more than their immediate surroundings. Keywords: Subculture, reflexivity, politics, Black Metal, racism, youth culture, scenes. 1 Introduction: Subcultural theory and the ‘failure’ of youth culture It is hardly necessary to point out that cultural studies, and in particular the study of youth culture, owes a massive debt to subcultural theory, as developed by members of and those allied to the Birmingham Centre for Contemporary Cultural Studies in the 1970s (e.g. -
LAST BANDS for INFERNO METAL FESTIVAL 2020 It Is Time to Reveal the Last Five Bands for Inferno Metal Festival 2020
LAST BANDS FOR INFERNO METAL FESTIVAL 2020 It is time to reveal the last five bands for Inferno Metal Festival 2020. We are very happy to announce TRIUMPH OF DEATH, AMORPHIS, ASPHYX, ORANSSI PAZUZU and THE GREAT OLD ONES! INFERNO METAL FESTIVAL 2020: KREATOR – MAYHEM – TRIUMPH OF DEATH – AMORPHIS – VENOM – GORGOROTH – MARDUK – IHSAHN - KAMPFAR – VED BUENS ENDE – VREID – CADAVER – MYRKSKOG – RUSSIAN CIRCLES – ASPHYX – BÖLZER – ORANSSI PAZUZU – BENIGHTED – DARK FORTRESS – TULUS – WHOREDOM RIFE – UADA – DJERV – HAMFERÐ – TORCHE – DYSCARNATE – THE GREAT OLD ONES – 1914 – SOLBRUD – SYLVAINE – VALKYRJA – OKKULTOKRATI – ASAGRAUM – NACHASH – XENOBLIGHT – GOLDEN CORE – KOSMOS BRENNER – SOVEREIGN TRIUMPH OF DEATH – Hellhammer performed by Tom Gabriel Warrior's Triumph of Death Tom G. Warrior, from Celtic Frost and Triptykon, started back in 1982 a band called Hellhammer. The band existed for a mere two years, from May 1982 to May 1984. During this time, the band released three demos, one 12-inch EP, and two songs on the legendary "Death Metal" compilation album. The band disbanded when Hellhammer members Tom Gabriel Warrior and Martin Eric Ain went on to form Celtic Frost. Warrior has made it clear; Hellhammer will never return and will never be reformed. Still the music exists, and it is an extremely important part of Tom G. Warrior's life and extreme metal in general – widely credited as pioneers of extreme metal. Even if Hellhammer is a band of the past, Warrior had an urge to perform the classics on stage. This is when Triumph of Death became an reality. Triumph of Death is a band solely dedicated to perform the legendary music from Hellhammer.