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- Extensions on Diatonic Chords the Dominant Ninth (V9)
- CYCLIC FINGERINGS for ARPEGGIOS and SCALES for the VIOLIN by Charlie V. Ridgely a Thesis Submitted to the Faculty of the Departm
- Brain Teasers I NAME A. Major and Minor Scales and Key Signatures
- Chord Functions
- Chromatic Harmony
- 235 Piano Proficiency Test Packet
- PRACTICE EXERCISES HW 5 5 && 1Section1 1
- Scale Sheets in the Following Keys
- Ladders of Thirds and Tonal Jazz Melody
- Technique – Violin Level 1
- Lexicon of Comparative Theory Terminology
- THE PRIMARY TRIADS (I, IV, and V)
- Popular Music Analysis and Musicology: Bridging the Gap Author(S): Richard Middleton Source: Popular Music, Vol
- The Development and Use of the Augmented Sixth Chord
- Pandiatonicism in Three Ballets by Aaron Copland
- The Dominant Seventh Is the Diatonic Seventh Chord Built on the Fifth Scale Degree
- 2D and 3D Proximity Maps for Major and Minor Keys and Chords
- Scale Degrees Scale Degrees and Their Relevance in Music Theory.Every Note of the Scale Is Different and No Note in a Scale May Be Repeated
- Processing of Musical Syntax Tonic Versus Subdominant: an Event-Related Potential Study
- University of California Los Angeles Journey to the Flat
- Challenges to Classical Foreground Structures in the Music of Gustav Mahler
- UC Riverside Diagonal: an Ibero-American Music Review
- Society for Music Theory
- Tonic, Dominant and Subdominant Function As Stabilizing Harmony in a Composition
- The Tristan Chord Resolved Nathan Martin
- The Subdominant Chord
- Appendix 5 Other Seventh Chords (Major, Minor, Half Diminished, Diminished)
- ONLINE CHAPTER 1 EXTENDED CHORDS: the NINTH, ELEVENTH, and THIRTEENTH Artists in Residence: Barbara Hendricks and Walter Gieseking
- An Information Theoretic Approach to Chord Categorization and Functional Harmony
- Schenker, Schubert, and the Subtonic Chord