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Rudolph Koenig
The Tuning Fork: an Amazing Acoustics Apparatus
Apparatus Named After Our Academic Ancestors, III
Early Use of the Scott-Koenig Phonautograph for Documenting Performance G
Music and the Making of Modern Science
SIS Bulletin Index Issues 1 to 80
Of Frogs and Men: the Origins of Psychophysiological Time Experiments, 1850–1865 Henning Schmidgen
Altered Sensations Archimedes NEW STUDIES in the HISTORY of SCIENCE and TECHNOLOGY
The Philosophical Significance of the Concept of Superposition in Quantum Field Theory
Boston Symphony Orchestra Concert Programs, Summer, 1954-1956
Altered Sensations Rudolph Koenig’S Acoustical Workshop in Nineteenth-Century Paris
Early Auditory Studies Activities in the Psychology Laboratories of American Universities
Conclusion – Beyond Sensations Increasingly Divergent Points of View in Acoustics – Analytic and Holistic
Altered Sensations
Boston Symphony Orchestra Concert Programs, Season 89, 1969
Boston Symphony Orchestra Concert Programs, Season 67, 1947-1948, Trip
Dayton C. Miller's Acoustics Apparatus and Research
The Third Tone According to Hermann Von Helmholtz. Mion Marta
Altered Sensations Rudolph Koenig’S Acoustical Workshop in Nineteenth-Century Paris
Top View
SIC Bibliography 22
Pitch Perception
REVIEW: David Pantalony, Altered Sensations: Rudolph Koenig's
“Observer Effect” in Late 19Th and Early 20Th Century Measurements of Vowel Characteristic Tones
A Variable Colour Mixer