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Ruan Lingyu
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FEI Mu 費穆(1906.10.10–1951.1.30)
UC GAIA Chen Schaberg CS5.5-Text.Indd
From East Lynne to Konggu Lan: Transcultural Tour, Trans-Medial Translation
The Film Phenomenon and How Risk Pervades It
Female Subjectivity, Left-Wing Films, and the Representation Of
Eileen Chang and Cinema
Remaking Chinese Cinema: Through the Prism of Shanghai, Hong Kong
Transnational Chinese Cinemas: Identity, Nationhood, Gender
A Chinese Production with Hollywood Taste Anne Kerlan
Film Curation: Travelling Memories of Way Down West in Film Archives
ZHU Shilin 朱石麟(1899.9.1–1967.1.5) Director, Screenwriter
Copyrighted Material
Wang Renmei: the Wildcat of Shanghai Summer He Spent the Entire Vacation Living at the Educator’S Home
Press Contact Michael Krause | Foundry Communications | (212) 586-7967 |
[email protected]
In Search of Laughter in Maoist China: Chinese Comedy Film 1949-1966
Top View
AUG 10–17, 2018 TORONTO, CANADA Around China with a Movie Camera CHINA 电影眼漫游中国 14
Saggio Colet Definitvo
Roles for Women in Chinese Films Carolynn Rafman
The Way to the 1930S' Shanghai Female Stardom
Acting and Its Refusal in Theatre and Film
A HISTORY of JAZZ in CHINA: from YELLOW MUSIC to a JAZZ REVIVAL in BEIJING a Thesis Submitted to the College of the Arts of Ke
Copyright Matters
Book Review: Wang Renmei: the Wildcat of Shanghai
Newsletter 26
American Films in China's Largest Metropolis, 1920-1950
Three Actresses of the Lianhua Film Company Anne Kerlan
Shanghai Modern: the Future in Microcosm?
From Hollywood to Shanghai: American Silent Films in China
ARCHIVE – Volume 19