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River Elegy
An Ethnography of the Spring Festival
Burro Burro Phd
Confucianism, "Cultural Tradition" and Official Discourses in China at the Start of the New Century
Post-Cold War Experimental Theatre of China: Staging Globalisation and Its Resistance
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Open Dissertation FINAL2.Pdf
Master´S Thesis 2020 Bc. Denisa Máchová
Capital Dreams: Global Consumption, Urban Imagination, And
Intellectual Effervescence in China Author(S): Tu Wei-Ming Source: Daedalus, Vol
Cultural China: the Periphery As the Center Author(S): Tu Wei-Ming Source: Daedalus, Vol
Untitled by Hung Chang (C
Culture Fever: Utopianism and Pragmatism in Chinese Intellectuals' Search for Modernization Gao Yijia Pomona
SUN YAT-SENS: CONTESTED IMAGES of a POLITICAL ICON By
Table of Contents and Contributors
Journal of Critical Reviews Review Article a HISTORICAL REVIEW OF
Owning the Olympics
Chinese Television As a Medium of National Interpellation: Diasporic Responses to the CCTV Production of the Spring Festival Gala
Chinese-English Glossary
Top View
Jackie Chan Fights Lei Feng? an Anthropological Consideration of the Televisual Representation of Heroes in Contemporary Urban China
Post-Cultural Revolution Beijing: Making a Space for Today
1 Dancing with Chains: Significant Moments on CCTV More Than A
Staging Corruption Chinese Television and Politics
Democratizing China and Taiwan: Cultural and Institutional Paradigms
Cyber-Nationalism in China
Installation, Video, and Performance Art in Reform Era China
00 Conceison Fm Ppf I-Xii
Copyright © and Moral Rights for This Phd Thesis Are Retained by the Author And/Or Other Copyright Owners
Desire, Anxiety, and the Politics of Chinese
Independent Chinese Documentary
Chinese Independent Documentary Films in Post- Socialist China
Becoming Chinese, Being Subaltern: Minzu Vs
Introduction 1 Mapping Independent Chinese Documentary
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Thoughts on River Elegy, June 1988-June 2011 David Moser
CORE-UA 512 Cultures & Contexts
Tiananmen, Television and the Public Sphere:- Internationalization of Culture and the Beijing Spring of 1989
IN CONTEMPORARY CHINESE ART by Madeline Eschenburg BA
Uva-DARE (Digital Academic Repository)
Shentu Hawii 0085A 10505.Pdf
Here It Signalled “A Rejection of the Conventional View That Every Civilized Person Belonged to a Community Among Communities” (Appiah Xiv)
How China Almost Became an American Backyard China Versus the United States in Comparative Perspective