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Relative pitch
Absolute and Relative Pitch Processing in the Human Brain: Neural and Behavioral Evidence
TUNING JUDGMENTS 1 1 2 3 4 Does Tuning Influence Aesthetic
Philosophy of Music Education
Effects of Harmonics on Relative Pitch Discrimination in a Musical Context
The Perception of Melodic Consonance: an Acoustical And
A Definition of Song from Human Music Universals Observed in Primate Calls
Frequency Ratios and the Perception of Tone Patterns
Perception of Relative Pitch with Different References: Some Absolute
Absolute Pitch
Relative Pitch and the Song of Black-Capped Chickadees
Universal and Non-Universal Features of Musical Pitch Perception Revealed by Singing
Neurocognition of Major-Minor and Consonance-Dissonance
Relative Pitch and L2 Lexical Tone Perception/Tone Language Comprehension by Adult Tone
Absolute Pitch and Music Comprehension
Shepard Tones
Absolute Pitch
The Psychological Representation of Musical Pitch in a Tonal Context
TRANS - Revista Transcultural De Música - Transcultural Music Review
Top View
Memory for the Absolute Pitch of Familiar Songs
Vowel Content Influences Relative Pitch Perception in Vocal Melodies
Individuals with Congenital Amusia Imitate Pitches More Accurately in Singing Than in Speaking: Implications for Music and Language Processing
Popular Music Analysis and Musicology: Bridging the Gap
Biological Relevance of Acoustic Signal Affects Discrimination Performance in a Songbird
Relative Pitch
Global Notation As a Tool for Cross-Cultural and Comparative Music Analysis
Long-Term Pitch Memory for Music Recordings Is Related to Auditory
Timbral Shepard-Illusion Reveals Perceptual Ambiguity and Context
Musical Acoustics Pitch & Frequency
Is Relative Pitch Specific to Pitch?
Impaired Short-Term Memory for Pitch in Congenital Amusia
Absolute Pitch and Tone Identification
THE SPATIAL PROPERTIES of MUSIC PERCEPTION 1 the Spatial
The Human Faculty for Music: What’S Special About It?
Learning Absolute Pitch by Children:A Cross-Sectional Study
Congenital Amusia: a Short-Term Memory Deficit for Non-Verbal, But
Pitch Perception and Production in Congenital Amusia: Evidence from Cantonese Speakers
Redalyc.Decoding the Song of the Pied Butcherbird: an Initial Survey
Consonant Intervals and Patterns in the Song of the Musician Wren
Perfect Pitch Reconsidered
Absolute Pitch and the Perception of Sequential Musical Intervals
Acquired and Congenital Disorders of Sung Performance: a Review
Auditory Illusions
Exploring the Contemporary Congregational Song Genre: Texts, Practice, and Industry
Profiles of Pitch Classes Circularity of Relative Pitch And
Music Perception, Pitch, and the Auditory System Josh H Mcdermott and Andrew J Oxenham
Music 175: Psychoacoustics Spring 2020
Chapter 8 Development of Pitch and Music Perception
Absolute Pitch" on the Perception and Evaluation of Music
Concurrent Absolute and Relative Pitch Processing by European Starlings (Sturnus Vulgaris}
Temporal Relationships in White-Throated Sparrow Song
COMMENTARY Absolute and Relative Pitch Processing in Tone Learning
Arxiv:1906.06171V2 [Cs.SD] 1 Jun 2020 Therefore Be Considered Solutions to the Problem of Partitioning of Imperfect fifths – Perfect fifths with a Tolerance for Error
Acoustics and Psychoacoustics
Emotional and Interactional Prosody Across Animal Communication Systems: a Comparative Approach to the Emergence of Language
Absolute and Relative Pitch: Global Versus Local Processing of Chords
Neuropsychology of Musical Perception: New Perspectives
Absolute Pitch and Tone Identification Abstract: Absolute Pitch (AP
BRIEF REPORTS Ethnicity Effects in Relative Pitch
Song Imitation in Congenital Amusia
Towards a Relative-Pitch Neural Network System for Chorale Composition and Harmonization
Absolute Pitch
Absolute Pitch Is Disrupted by a Memory Illusiona)
Congenital Amusia (Or Tone-Deafness) Interferes with Pitch Processing in Tone Languages
Circularity in Relative Pitch Judgments for Inharmonic Complex Tones: the Shepard Demonstration Revisited, Again
Comparing Methods of Musical Pitch Processing: How Perfect Is Perfect Pitch?
Musical Pitch Identification by Absolute Pitch Possessors