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Opera in Latin America
Let Freedom Sing! Four African-American Concert Singers in Nineteenth-Century America
Italo-Ibero-American Relationships in the Musical Theatre
(Museum of Ventriloquial Objects): Reconfiguring Voice Agency in the Liminality of the Verbal and the Vocal
UNIVERSITY of CALIFORNIA RIVERSIDE the 1964 Festival Of
Parola Scenica: Towards Realism in Italian Opera Etdhendrik Johannes Paulus Du Plessis
Ópera Y Masonería: El Cántico Fúnebre De José María Velásquez Revista De Estudios Históricos De La Masonería Latinoamericana Y Caribeña, Vol
Malena Kuss: Publications
Four Recent Productions of Dido and Aeneas
Libretto Spring 2020
Reconfiguring Voice Agency in the Liminality of the Verbal and the Vocal
T Ransnational O Pera S Tudies C Onference @ Bern.2017 2Nd Transnational Opera Studies Conference University of Bern, Switzerland 5 – 7 July 2017
What Is “Lyric Diction”
Singers, Directors, Agents, Promoters, Etc
Film As Lore and Opera As Metaphor in Werner ... -.:Elitelore World
AMS/SMT San Antonio 2018 Abstracts Thursday Afternoon 2:15–3:45
European Opera in Latin America During the Long Nineteenth Century
“Melodramma,” Market and Modernity: Opera in Late
Tosc@ Programme.Pdf
Top View
The Impact of Jules Massenet's Operas in Milan
Central Opera Service Bulletin
Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
Operaonthemove.Pdf
Tosca and Verismo Reconsidered Author(S): Arman Schwartz Source: 19Th-Century Music, Vol
Chronology the Early Romantic Period
AMS Newsletter February 2018
AMS Preliminary Program
Oxford Music Online Page 1 of 1
SALALM, the First Fifty Years : a Handlist of Publications with Author Index
IDENTMERS *Music Composer; *Zipoli (Domenico)