DOCSLIB.ORG

Chronology the Early Romantic Period

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Chronology the Early Romantic Period Chronology The Early Romantic Period MUSIC AND MUSICIANS POLITICS, WAR AND RULERS 1789 Philadelphia Harmony, a book of popular 1789 French Revolution begins with the American and European sacred music, storming of the Bastille on 14 July; on published. Daniel Gottlob Tiirk 4 August, Declaration of the Rights of (1750-1813) publishes his Clavierschule. Man by the new French National For a performance of the oratorio Hiob by Assembly. Carl Ditters von Dittersdorf ( 1739-99), citizens are first able to buy tickets for the Berlin court opera. 1790 Cosi fan tulle by W. A. Mozart 1790 Death ofjoseph II of Austria; ( 17 56-91) given, Vienna. Euphrosine by succeeded by Leopold II, Grand Duke of E. N. Mehul (1763-1817), given, Paris. Tuscany. Concert Spirituel, Paris, founded in 1725, closes down. 1791 Mozart's La clemenza di Tito given, Prague, and Die Zauber.fliite, Vienna; he dies (35). First visit to England (-1792) of Joseph Haydn ( 1732-1809): symphonies nos.93-8. Lodoiska by Luigi Cherubini (1760-1842) given, Paris. 1792 Death of Leopold II of Austria; 1792 Ludwig van Beethoven (1770-1827) succeeded by Franz II, the last Holy settles in Vienna. 1/ matrimonio segreto by Roman Emperor. Execution of Domenico Cimarosa ( 1749-180 I) given, Louis XVI; French Republic established, Vienna. Berlin Singakademie founded by with National Convention until 1795. C. F. C. Fasch (I 736-1800). Teatro La Assassination of Gustavus III of Sweden Fenice, Venice, opens. Annotated music by dissatisfied nobles; succeeded by bibliography by J. N. Forkel (1749-1818) Gustavus IV. published. 1793 Britain, the United Provinces, Spain, 1794 Haydn's second visit to England Portugal, Naples, Tuscany and the Holy (-1795): symphonies nos. 99-104. Roman Empire declare war on France. 1795 Beethoven's first two piano concertos performed, Vienna. Paris Conservatoire 1795 The Directoire in France (-1799). founded. 1796 The first two of Haydn's late masses 1796 Death of Empress Catherine II of composed, Vienna. Russia; succeeded by Paul I. 1797 Haydn's op. 76 string quartets 1797 Death of Friedrich Wilhelm II of composed. Cherubini's Midie given, Paris. Prussia; succeeded by Friedrich Wilhelm III. 1798 Haydn's The Creation given, Vienna. Beethoven's op.l3 piano sonata 1798 Battle of the Nile; Horatio Nelson ('Pathetique') written. First collected plays a leading part in the destruction of edition of Mozart's works begun. The the French fleet. Allgemeine musikalische Zeitung, Leipzig, founded. 1799 The Consulat in France, with Napoleon Bonaparte as First Consul; the 1799 Lithography developed for the reform of civil law (the Code Napolion) printing of music. completed 1804. 294 Chronology, 1789-1799 LITERATURE, SCIENCE, FINE AND PHILOSOPHY, TECHNOLOGY, DECORATIVE ARTS, RELIGION DISCOVERY ARCHITECTURE 1789 William Jones 1789 Antoine Lavoisier 1789 Francisco Goya y ( 1746-1794) translates (I 74 3-94) produces his Lucientes (1746-1828) the Sanskrit drama first memoir on becomes court painter to Sakuntala into English, respiration, Traite Charles IV of Spain. making Hindu language ilimentaire de chimie, The monumental and literature accessible laying the foundations entrance to Edinburgh to Europeans and laying for the study of human University built the foundations of metabolism. Alessandro by Robert Adam comparative philology. Malaspina ( 1754-1810) ( l 728-92), considered explores the north-west his masterpiece. 1790 N. M. Karamzin coast of America (1766-1826) publishes (-1794). 1791 Thomas Sheraton Letters of a Russian (1751-1806) publishes Traveller, becoming the The Cabinet Maker and first Russian writer to Upholsterer's Drawing gain an international Book, extensively reputation (-1802). used both sides of the Atlantic (-1794). 1791James Boswell (I 740-l 795) publishes 1792 The Alexander The Life of Samuel johnson. Palace, Tsarkoe Selo, Tom Paine (1740-1809) begun by Gianomo publishes The Rights of Querenghi ( 1744- 1794 Erasmus Darwin Man in reply to Burke's 1817), a gift from (1731-1802) publishes Reflections on the French Catherine II to the Zoonomia, or The Laws of Revolution. future Alexander I Organic Life, primarily (-1796). pathological but 1794 Ann Radcliffe postulating the 1793 The Louvre opens as (1764-1823), leading mutability of species the first national art exponent of the Gothic (-1796). gallery in Europe. novel, publishes The Mysteries of Udolpho. 1795 Mungo Park Johann Gottlieb Fichte (1771-1806) explores (1762-1814), German West Africa and the Idealist philosopher, River Niger (his Travels 1796 The fantastical expounds 'ethical are published in 1799). Foothill Abbey in the pantheism' in a series of James Hutton Gothic style begun works (-1805). ( 1726-97) publishes by James Wyatt Theory of the Earth, (l746-1813).J. M. W. outlining the new Turner ( 1775-1851) 1798 First edition of science of geology. exhibits his first work in Lyrical Ballads by oils, Fishermen at Sea, at William Wordsworth the Royal Academy. (1770-1850) and Samuel Taylor 1798 Edward Jenner Coleridge ( 1772-1834): Thomas Bewick (1749-1823) publishes 1797 the beginning of the ( I 755-1828) publishes Romantic movement in his theory of vaccination against smallpox. A History of British English literature. Birds, raising the level of William Herschel the woodcut to new (1738-1822) discovers 1799 Friedrich von artistic heights (-1804). Schiller (I 759-1805) the infra-red radiation in completes his Wallenstein sunlight. trilogy, his finest drama. 295 The Early Romantic Period MUSIC AND MUSICIANS POLITICS, WAR AND RULERS 1800 Beethoven's Symphony no. I 1800 Napoleon's army crosses into Italy performed, Vienna. Cherubini's Les deux and defeats the Austrians at Marengo; joumies ('The Water Carrier') given, Paris. France in control ofltaly. The French also Carl Czerny makes his public debut, defeat the Austrians at Hochstedt and Vienna, playing a Mozart concerto. Hohenlinden. 1801 Haydn's The Seasons performed 1801 Peace between France and Austria Vienna. Cimarosa dies, Venice (51). marks the passing of the Holy Roman Empire, after 1000 years; Franz II renounces the Imperial Dignity in 1806 and becomes Emperor Franz I of Austria. Assassination ofTsar Paul I of Russia; succeeded by his son Alexander I. Danish action against British shipping provokes the Battle of Copenhagen, another victory for Nelson. 1802 Peace of Amiens between Britain and 1802John Field (1782-1837) settles in St France: a temporary peace. Napoleon Petersburg. Muzio Clementi ( 1752-1832) Bonaparte becomes President of the publishes his three large-scale piano Italian Republic and first Consul of sonatas, op. 40; he embarks on eight years France for life; annexes Elba, Piedmont, of travel. The earliest pocket scores (of Parma and Piacenza. symphonies by Haydn) are published. St Petersburg Philharmonic Society founded. 1803 Abolition of Holy Roman Empire 1803 Beethoven's Symphony no.3 ('Eroica') ecclesiastical states and free cities; composed. Peter Schmoll by Carl Maria von German states reconstituted as Weber (1786-1826) given, Augsburg. Confederation of the Rhine, under French Haydn leaves his last string quintet and Russian influence. In America, Ohio unfinished. becomes a state of the Union, and the USA buys Louisiana and New Orleans from France. 1804 Napoleon crowned Emperor Napoleon I by Pope Pius VII in Paris. 1805 Beethoven's Fidelio (first version) 1805 21 October: Battle of Trafalgar, where given, Vienna. Nicolo Paganini Lord Nelson's in5pired action against the (1782-1840) composes his 24 Caprices French and Spanish fleets ensure British op.l. naval supremacy for 100 years. December: Russian and Austrian armies defeated by Napoleon at Austerlitz; Austria forced to give up the Tyrol, Bavaria, Baden, Wiirttemberg and possessions in Dalmatia and Italy. 1806 Napoleon creates his brothers joseph King of Naples and Louis King of Holland (in 1807,Jerome King ofWestphalia). France defeats Prussia atjena and 1806 Beethoven's symphony no. 4, Violin Napoleon occupies Berlin; continental Concerto and Appassionata Sonata ports closed to British ships to cripple the composed. economy. 296 Chronology~ 1800-1806 LITERATURE, SCIENCE, FINE AND PHILOSOPHY, TECHNOLOGY, DECORATIVE ARTS, RELIGION DISCOVERY ARCHITECTURE 1800 Mme de Stael 1800 The invention of the 1800Jacques Louis David (1766-1817) publishes electric battery or (1748--1825), a central De Ia litteralure, treating Voltaic cell by figure of neo-classicism, it as a product of social Alessandro Volta paints his exemplary history and (1745-1827) enables work of heroic official environment. research on electrolysis art, Napolion au Grand St by Davy, Faraday and Bernard, and his Mme others. Ricamier. 1801 Karl Gauss (1777-1855) publishes his Disquisitiones arithmeticae, establishing 1802J.-N.-L. Durand the theories of cyclotomy (1796-1834) publishes and arithmetical forms, Precis et [efons d'architecture and begins his (-1809). calcuations on the orbit 1802 Franc;:ois, Vicomte of Ceres, just discovered 1803 John ·Crome de Chateaubriand by G. Piazzi. (1768-1821) founds the (1768--1848), publishes Norwich Society of Ginie du christianisme, 1803 Essai de statique Artists, with John Sell a defence of Catholic chimique by Claude Cotman (1782-1842) as Christianity against the Berthollet (1748-1822), Vice-President (1806). rationalist philosophers. arguing that the focus of Henry Raeburn chemical affinity must (1756-1823), the 1803 Sunday School be proportional to the leading portrait painter Union founded. masses of the reacting in Scotland, paints The substances. Macnab. 1804
Load more

Recommended publications
  • The Transformation of Pushkin's Eugene Onegin Into Tchaikovsky's Opera
    THE TRANSFORMATION OF PUSHKIN'S EUGENE ONEGIN INTO TCHAIKOVSKY'S OPERA Molly C. Doran A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2012 Committee: Eftychia Papanikolaou, Advisor Megan Rancier © 2012 Molly Doran All Rights Reserved iii ABSTRACT Eftychia Papanikolaou, Advisor Since receiving its first performance in 1879, Pyotr Il’yich Tchaikovsky’s fifth opera, Eugene Onegin (1877-1878), has garnered much attention from both music scholars and prominent figures in Russian literature. Despite its largely enthusiastic reception in musical circles, it almost immediately became the target of negative criticism by Russian authors who viewed the opera as a trivial and overly romanticized embarrassment to Pushkin’s novel. Criticism of the opera often revolves around the fact that the novel’s most significant feature—its self-conscious narrator—does not exist in the opera, thus completely changing one of the story’s defining attributes. Scholarship in defense of the opera began to appear in abundance during the 1990s with the work of Alexander Poznansky, Caryl Emerson, Byron Nelson, and Richard Taruskin. These authors have all sought to demonstrate that the opera stands as more than a work of overly personalized emotionalism. In my thesis I review the relationship between the novel and the opera in greater depth by explaining what distinguishes the two works from each other, but also by looking further into the argument that Tchaikovsky’s music represents the novel well by cleverly incorporating ironic elements as a means of capturing the literary narrator’s sardonic voice.
    [Show full text]
  • COCKEREL Education Guide DRAFT
    VICTOR DeRENZI, Artistic Director RICHARD RUSSELL, Executive Director Exploration in Opera Teacher Resource Guide The Golden Cockerel By Nikolai Rimsky-Korsakov Table of Contents The Opera The Cast ...................................................................................................... 2 The Story ...................................................................................................... 3-4 The Composer ............................................................................................. 5-6 Listening and Viewing .................................................................................. 7 Behind the Scenes Timeline ....................................................................................................... 8-9 The Russian Five .......................................................................................... 10 Satire and Irony ........................................................................................... 11 The Inspiration .............................................................................................. 12-13 Costume Design ........................................................................................... 14 Scenic Design ............................................................................................... 15 Q&A with the Queen of Shemakha ............................................................. 16-17 In The News In The News, 1924 ........................................................................................ 18-19
    [Show full text]
  • 2018-19 Chronological Calendar
    2018-19 (119TH SEASON) Chronological Calendar (as of January 31, 2018) OPENING NIGHT September 13 at 7:00 PM–Thursday evening—Verizon Hall at the Kimmel Center for the Performing Arts The Philadelphia Orchestra Yannick Nézet-Séguin Conductor André Watts Piano Rossini Overture to William Tell Strauss Don Juan Join us as we kick off The Philadelphia Orchestra’s 119th season in high style. The Opening Night Concert and Gala for the 2018-19 season promises to be a highlight of the cultural year. Yannick, internationally renowned pianist André Watts (who made his debut with the Orchestra in 1957, at the age of 10), and the Fabulous Philadelphians are planning a special celebratory program that features musical masterworks and audience favorites, including Rossini’s famous Overture to William Tell and Strauss’s Don Juan. Opening Night Co-Chairs Alison Avery Lerman and Lexa Edsall, Volunteer Association President Lisa Yakulis, Board Chairman Richard Worley, and the Opening Night Gala committee look forward to welcoming you to this special evening, featuring great music, high couture and black tie, and delicious food and champagne with Philadelphia’s cultural leaders and arts patrons. Contact Dorothy Byrne in the Volunteer Relations office at 215.893.3124 or via e-mail at [email protected] to make sure you are on the invitation list. Concert-only tickets for the evening are also available—simply add them to your subscription. January 31, 2018—All programs and artists subject to change. PAGE 2 The Philadelphia Orchestra 2018-19 Chronological
    [Show full text]
  • The Year's Music
    This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com fti E Y LAKS MV5IC 1896 juu> S-q. SV- THE YEAR'S MUSIC. PIANOS FOR HIRE Cramer FOR HARVARD COLLEGE LIBRARY Pianos BY All THE BEQUEST OF EVERT JANSEN WENDELL (CLASS OF 1882) OF NEW YORK Makers. 1918 THIS^BQQKJS FOR USE 1 WITHIN THE LIBRARY ONLY 207 & 209, REGENT STREET, REST, E.C. A D VERTISEMENTS. A NOVEL PROGRAMME for a BALLAD CONCERT, OR A Complete Oratorio, Opera Recital, Opera and Operetta in Costume, and Ballad Concert Party. MADAME FANNY MOODY AND MR. CHARLES MANNERS, Prima Donna Soprano and Principal Bass of Royal Italian Opera, Covent Garden, London ; also of 5UI the principal ©ratorio, dJrtlustra, artii Sgmphoiu) Cxmctria of ©wat Jfvitain, Jtmmca anb Canaba, With their Full Party, comprising altogether Five Vocalists and Three Instrumentalists, Are now Booking Engagements for the Coming Season. Suggested Programme for Ballad and Opera (in Costume) Concert. Part I. could consist of Ballads, Scenas, Duets, Violin Solos, &c. Lasting for about an hour and a quarter. Part II. Opera or Operetta in Costume. To play an hour or an hour and a half. Suggested Programme for a Choral Society. Part I. A Small Oratorio work with Chorus. Part II. An Operetta in Costume; or the whole party can be engaged for a whole work (Oratorio or Opera), or Opera in Costume, or Recital. REPERTOIRE. Faust (Gounod), Philemon and Baucis {Gounod) (by arrangement with Sir Augustus Harris), Maritana (Wallace), Bohemian Girl (Balfe), and most of the usual Oratorios, &c.
    [Show full text]
  • Musik-Katalog Bassetthorn Bassettklarinette
    Musik-Katalog für Bassetthorn (3604 Werke) und Bassettklarinette (189 Werke) von Thomas Graß und Dietrich Demus Stand vom 31.Mai 2020 Ergänzungen und Berichtigungen des Katalogs aus dem Sachbuch: „Das Bassetthorn. Seine Entwicklung und seine Musik“, 2. Aufl. 2004, Hrsg. T. Grass und D. Demus, BOD, ISBN 3-8311-4411-7. [email protected] [email protected] Formatierung und Druckherstellung: Michael Baasner 1 Inhaltsverzeichnis 1. Konzerte mit Solo-Bassetthorn 5 1.1 Solo für ein oder mehrere Bassetthörner und Orchester oder Sinfonisches Blasorchester ........5 1.2 Werke mit Solo-Bassetthorn, weiteren Solo-Instrumenten oder Singstimme und Orchester oder Blasorchester, auch Sinfonie Concertanti .........................................................................13 1.3 Historische Bearbeitungen für Bassetthorn und fälschlich oder fraglich dem Bassetthorn zugeschriebene Solowerke mit Orchester .................................................................................18 2 Kammermusik 19 2.1 Bassetthorn Solo ........................................................................................................................19 Duos 24 2.2 Bassetthorn und Klavier / Cembalo / Orgel / Vibraphon / elektronische Musik / Tape ..............24 2.3 Zwei Bassetthörner ....................................................................................................................34 2.4 Bassetthorn und ein anderes Instrument / Singstimme .............................................................37 2.5 Bassetthorn und Gitarre
    [Show full text]
  • Teacher Packet Arapahoe Philharmonic – Children’S Discovery Concert November 13, 2019
    Teacher Packet Arapahoe Philharmonic – Children’s Discovery Concert November 13, 2019 Links to Music Period Descriptions https://www.classicsforkids.com/music/musical_period.php?id=Baroque Description and musical examples of the Baroque period. https://www.classicsforkids.com/music/musical_period.php?id=Classical Description and musical examples of the Classical period. https://www.classicsforkids.com/music/musical_period.php?id=Romantic Description and musical examples of the Romantic period. https://www.classicsforkids.com/music/musical_period.php?id=Modern Description and musical examples of the Modern period. Link to Music Games https://www.classicsforkids.com/games.html Games to explore where composers were from, find instruments in the orchestra, compose your own song and others. This is a very fun site! Link to Map Game to Find Composers Birth Country https://www.classicsforkids.com/composers/composers_map.php Link to Descriptions and Sounds of Each Instrument https://www.classicsforkids.com/music/instruments_orchestra.php Instruments of the orchestra descriptions and listening sound bites. Music Selections Performed in the Concert (in program order) Haydn, Symphony 104 https://www.youtube.com/watch?v=OitPLIowJ70 Tchaikovsky Symphony 6, mvt 1, https://www.youtube.com/watch?v=GCLcubGgSmk Tchaikovsky Symphony 4, mvt 4 Opening and last mvt., https://www.youtube.com/watch?v=PLHj-eekdNU Strauss, Also sprach Zarathustra, opening excerpt https://www.youtube.com/watch?v=ETveS23djXM Rossini, finale fr. William Tell Overture https://www.youtube.com/watch?v=j3T8-aeOrbg
    [Show full text]
  • 1 Ludwig Van Beethoven Symphony #9 in D Minor, Op. 125 2 Johann Sebastian Bach St. Matthew Passion
    1 Ludwig van Beethoven Symphony #9 in D minor, Op. 125 2 Johann Sebastian Bach St. Matthew Passion "Ebarme dich, mein Gott" 3 George Frideric Handel Messiah: Hallelujah Chorus 4 Wolfgang Amadeus Mozart Symphony 41 C, K.551 "Jupiter" 5 Samuel Barber Adagio for Strings Op.11 6 Wolfgang Amadeus Mozart Clarinet Concerto A, K.622 7 Ludwig van Beethoven Piano Concerto 5 E-Flat, Op.73 "Emperor" (3) 8 Antonin Dvorak Symphony No 9 (IV) 9 George Gershwin Rhapsody In Blue (1924) 10 Wolfgang Amadeus Mozart Requiem in D minor K 626 (aeternam/kyrie/lacrimosa) 11 George Frideric Handel Xerxes - Largo 12 Johann Sebastian Bach Toccata And Fugue In D Minor, BWV 565 (arr Stokowski) 13 Ludwig van Beethoven Symphony No 5 in C minor Op 67 (I) 14 Johann Sebastian Bach Orchestral Suite #3 BWV 1068: Air on the G String 15 Antonio Vivaldi Concerto Grosso in E Op. 8/1 RV 269 "Spring" 16 Tomaso Albinoni Adagio in G minor 17 Edvard Grieg Peer Gynt 1, Op.46 18 Sergei Rachmaninov Piano Concerto No 2 in C minor Op 18 (I) 19 Ralph Vaughan Williams Lark Ascending 20 Gustav Mahler Symphony 5 C-Sharp Min (4) 21 Peter Ilyich Tchaikovsky 1812 Overture 22 Jean Sibelius Finlandia, Op.26 23 Johann Pachelbel Canon in D 24 Carl Orff Carmina Burana: O Fortuna, In taberna, Tanz 25 Wolfgang Amadeus Mozart Serenade G, K.525 "Eine Kleine Nachtmusik" 26 Johann Sebastian Bach Brandenburg Concerto No 5 in D BWV 1050 (I) 27 Johann Strauss II Blue Danube Waltz, Op.314 28 Franz Joseph Haydn Piano Trio 39 G, Hob.15-25 29 George Frideric Handel Water Music Suite #2 in D 30 Wolfgang Amadeus Mozart Ave Verum Corpus, K.618 31 Johannes Brahms Symphony 1 C Min, Op.68 32 Felix Mendelssohn Violin Concerto in E minor, Op.
    [Show full text]
  • Université De Montréal Par Justin Bernard Faculté De Musique Thèse
    Université de Montréal Notes de programme. Une histoire, des pratiques et de nouveaux usages numériques par Justin Bernard Faculté de musique Thèse présentée en vue de l’obtention du grade de doctorat en musique, option musicologie Avril 2019 © Justin Bernard, 2019 RÉSUMÉ Depuis leur émergence au milieu du XIXe siècle, les notes de programme, contenant des informations parfois détaillées sur les œuvres qui s’apprêtent à être jouées, n’ont eu de cesse de s’adresser au public de concerts. Les besoins sont multiples, voire même divergents : donner des outils de compréhension intelligibles aux novices, qui découvrent la musique de compositeurs du passé ou de compositeurs actuels, et en même temps susciter la curiosité d’auditeurs déjà initiés, qui approfondissent ainsi leurs connaissances et leur culture personnelle. Il en va des notes de programme comme d’autres outils de vulgarisation musicale, partagés entre la volonté de rendre la musique classique accessible à tous et le devoir de rigueur musicologique auquel les connaisseurs sont en droit de s’attendre. Dans cette thèse, nous allions la théorie à la pratique. Outre les résultats d’une enquête réalisée en octobre 2017 dans le cadre de trois concerts produits par l’Orchestre symphonique de Montréal (ci-après, OSM) et qui porte notamment sur l’appréciation des notes de programme, nous présentons une série de courtes vidéos de vulgarisation que nous avons préparée pour l’OSM, au cours de la saison 2015-2016. La réalisation de ces nouveaux outils numériques s’appuie sur l’analyse d’un vaste corpus de notes de programme dont nous avons dégagé les tendances et les cas plus particuliers.
    [Show full text]
  • Volume 35 E-Mail: [email protected]    Tel: +39 055 603 251 / Fax: +39 055 603 383 Autumn 2015
    The Harvard University Center for Italian Renaissance Studies VILLA I TATTI Via di Vincigliata 26, 50135 Florence, Italy Volume 35 E-mail: [email protected] Tel: +39 055 603 251 / Fax: +39 055 603 383 Autumn 2015 Letter from Florence It’s the end of June 2015, and Anna and I are preparing to leave Mensola, and Boccaccio and Petrarca, and Laura Battiferra I Tatti for the last time. It has been an intense and wonderful too. We are grateful to all of them for opening our eyes to five-year period at the Villa, with exceptional groups of the beauty of this valley, and enhancing the experience of our Fellows, Visiting Professors, and guests joining us from all walk with their words. corners of the world. And it has seemed a very quick period, too. The last year has gone in a flash. It seems only yesterday Our walk also offers us a chance to talk about what’s going on that we were harvesting our grapes, and already our vineyards in the day, the ups and downs, the ins and outs of la vita tattiana: are once more covered in luxuriant foliage while the olive who is leaving, and who is coming next to I Tatti, the lectures, groves are rich with the promise of new oil for the fettunta. conferences, and concerts in preparation, and the books that Anna and I love this little Mensola valley and never miss an have just appeared and those that are due out soon. But it’s opportunity to admire the beautiful, peaceful order in which also a marvelous opportunity to see how the restoration of the everything – vigne, oliveti, giardini e case – is kept by our staff.
    [Show full text]
  • Network Map of Knowledge And
    Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W.
    [Show full text]
  • The German Romantic Movement
    The German Romantic Movement Start date 27 March 2020 End date 29 March 2020 Venue Madingley Hall Madingley Cambridge CB23 8AQ Tutor Dr Robert Letellier Course code 1920NRX040 Director of ISP and LL Sarah Ormrod For further information on this Zara Kuckelhaus, Fleur Kerrecoe course, please contact the Lifelong [email protected] or 01223 764637 Learning team To book See: www.ice.cam.ac.uk or telephone 01223 746262 Tutor biography Robert Ignatius Letellier is a lecturer and author and has presented some 30 courses in music, literature and cultural history at ICE since 2002. Educated in Grahamstown, Salzburg, Rome and Jerusalem, he is a member of Trinity College (Cambridge), the Meyerbeer Institute Schloss Thurmau (University of Bayreuth), the Salzburg Centre for Research in the Early English Novel (University of Salzburg) and the Maryvale Institute (Birmingham) as well as a panel tutor at ICE. Robert's publications number over 100 items, including books and articles on the late seventeenth-, eighteenth- and early nineteenth-century novel (particularly the Gothic Novel and Sir Walter Scott), the Bible, and European culture. He has specialized in the Romantic opera, especially the work of Giacomo Meyerbeer (a four-volume English edition of his diaries, critical studies, and two analyses of the operas), the opera-comique and Daniel-François-Esprit Auber, Operetta, the Romantic Ballet and Ludwig Minkus. He has also worked with the BBC, the Royal Opera House, Naxos International and Marston Records, in the researching and preparation of productions. University of Cambridge Institute of Continuing Education, Madingley Hall, Cambridge, CB23 8AQ www.ice.cam.ac.uk Course programme Friday Please plan to arrive between 16:30 and 18:30.
    [Show full text]
  • The Art of Music :A Comprehensive Ilbrar
    1wmm H?mi BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND THE GIFT or Hetirg W, Sage 1891 A36:66^a, ' ?>/m7^7 9306 Cornell University Library ML 100.M39 V.9 The art of music :a comprehensive ilbrar 3 1924 022 385 342 Cornell University Library The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924022385342 THE ART OF MUSIC The Art of Music A Comprehensive Library of Information for Music Lovers and Musicians Editor-in-Chief DANIEL GREGORY MASON Columbia UniveTsity Associate Editors EDWARD B. HILL LELAND HALL Harvard University Past Professor, Univ. of Wisconsin Managing Editor CESAR SAERCHINGER Modem Music Society of New Yoric In Fourteen Volumes Profusely Illustrated NEW YORK THE NATIONAL SOCIETY OF MUSIC Lillian Nordica as Briinnhilde After a pholo from life THE ART OF MUSIC: VOLUME NINE The Opera Department Editor: CESAR SAERCHINGER Secretary Modern Music Society of New York Author, 'The Opera Since Wagner,' etc. Introduction by ALFRED HERTZ Conductor San Francisco Symphony Orchestra Formerly Conductor Metropolitan Opera House, New York NEW YORK THE NASTIONAL SOCIETY OF MUSIC i\.3(ft(fliji Copyright, 1918. by THE NATIONAL SOCIETY OF MUSIC, Inc. [All Bights Reserved] THE OPERA INTRODUCTION The opera is a problem—a problem to the composer • and to the audience. The composer's problem has been in the course of solution for over three centuries and the problem of the audience is fresh with every per- formance.
    [Show full text]