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The Keystone
THE KEYSTONE SOUTHWESTERN WRITERS COLLECTION | WITTLIFF GALLERY OF SOUTHWESTERN & MEXICAN PHOTOGRAPHY FALL 2006 | SPECIAL COLLECTIONS AT THE ALKEK LIBRARY | WWW. LIBRARY. TXSTATE. EDU/ SPEC- COLL UNIVERSITY SAN MARCOS A member of the Texas State University System from the CURATOR (right) Raymond, ¡Saludos! are extensively represented in the Wittliff Gallery, tells the (left) Sally Wittliff, 1991, Keith Carter The power of art in life is a story of a cleaning woman who said to him that in the the Bill Wittliff, Dawn Jones, Tommy Lee recurring motif here at the building where she worked there was one of his pictures— Jones, Sam Shepard, THANK YOU Collections, vividly set an old blind man petting a bunch of tiny kittens that were in & John Graves to all contributors forth once again by Graci- his lap and crawling over his shirt—eyes not open yet, blind of (seated)* who made gifts ela Iturbide in her book, like him. An edgy, unsentimental portrait that nevertheless Spirit (center) Emcee this fiscal year for Evan Smith, editor- Eyes to Fly With, upcoming reaches into every single chamber of your heart. She told general support or in-chief of TEXAS in the Wittliff Gallery Keith that she looked at it each day before she started work MONTHLY** to sponsor specific Series (p. 12). In the rare because it made her feel so good. anniversary gala projects: Place (below) revelatory text she ex- The life-changing power of art is not for the practition- Debbie & Jim # Azadoutioun Epperson, president plains how, after the death ers of art alone—it’s for all of us. -
Edition 1 | 2019-2020
2 AUSTIN OPERA austinopera.org WHAT'S INSIDE Welcome From the Board Chair ���������������������������������������������������������������������������������������� 7 Q&A with Austin Opera General Director & CEO Annie Burridge �������������� 9 Rigoletto Sponsors ������������������������������������������������������������������������������������������������������������� 5 Spotlight Artist: Carolyn Hoehle ��������������������������������������������������������������������� 13 Directors Note ������������������������������������������������������������������������������������������������ 15 Staff ������������������������������������������������������������������������������������������������������������������� 18 Board ���������������������������������������������������������������������������������������������������������������� 19 Title Page ���������������������������������������������������������������������������������������������������������� 21 Production Page �����������������������������������������������������������������������������������������������23 Synopsis ������������������������������������������������������������������������������������������������������������24 Cast �������������������������������������������������������������������������������������������������������������������28 Creative Team ��������������������������������������������������������������������������������������������������32 Chorus ��������������������������������������������������������������������������������������������������������������35 Orchestra -
Volume 10, Issue 3 March 2018
Volume 10, Issue 3 March 2018 Copyright © 2018 Peel, Inc. Lakeway Voice - March 2018 1 107 BELLA MONTAGNA CIRCLE A new standard in senior living A unique residential experience for older adults, nestled in Northwest Austin. A community built to high standards with thoughtful design, warm hospitality and innovative programming for a variety of lifestyles and needs. LAKEWAY Opening Summer 2018. Now accepting reservations. Independent Living | Assisted Living | Award-Winning Memory Care Distinctive Residential Settings | Chef-Prepared Dining and Bistro Premier Health and Wellness Programs | Enrichment and Social Activities Professionally Supervised Fitness, Therapy and Rehabilitation Services Information Center Now Open at Lakeway Commons 900 Ranch Road 620 South, Suite A100 • 512-402-1800 The Community Built for Life.® belmontvillage.com/lakeway Artist’s rendering. © 2018 Belmont Village, L.P. 2 Lakeway Voice - March 2018 Copyright © 2018 Peel, Inc. IMPORTANT NUMBERS AROUND LAKEWAY EMERGENCY NUMBERS 4 LAKEWAY LAKERS SWIM TEAM EMERGENCY ...............................................................911 Fire ...................................................................................... 911 5 EAGLE SCOUTS Ambulance .......................................................................... 911 6 NEW HORIZONS BAND Lakeway Police Department ................................512-314-7590 Sheriff – Non-Emergency ....................................512-974-0845 6 BIG BAND BASH Travis County ESD No.6/Lake Travis Fire Rescue 6 ST. PATTY’S BLOOD -
Toscanini in Stereo a Report on RCA's "Electronic Reprocessing"
Toscanini in Stereo a report on RCA's "electronic reprocessing" MARCH ERS 60 CENTS FOR STEREO FANS! Three immortal recordings by Arturo Toscanini and the NBC Symphony have been given new tonal beauty and realism by means of a new RCA Victor engineering development, Electronic Stereo characteristics electronically, Reprocessing ( ESR ) . As a result of this technique, which creates stereo the Toscanini masterpieces emerge more moving, more impressive than ever before. With rigid supervision, all the artistic values have been scrupulously preserved. The performances are musically unaffected, but enhanced by the added spaciousness of ESR. Hear these historic Toscanini ESR albums at your dealer's soon. They cost no more than the original Toscanini monaural albums, which are still available. Note: ESR is for stereo phonographs only. A T ACTOR records, on the 33, newest idea in lei RACRO Or AMERICA Ask your dealer about Compact /1 CORPORATION M..00I sun.) . ., VINO .IMCMitmt Menem ILLCr sí1.10 ttitis I,M MT,oMC Mc0001.4 M , mi1MM MCRtmM M nm Simniind MOMSOMMC M Dvoìtk . Rn.psthI SYMPHONY Reemergáy Ravel RRntun. of Rome Plue. of Rome "FROM THE NEW WORLD" Pictures at an Exhibition TOSCANINI ARTURO TOSCANINI Toscanini NBC Symphony Orchestra Arturo It's all Empire -from the remarkable 208 belt- driven 3 -speed turntable -so quiet that only the sound of the music distinguishes between the turntable at rest and the turntable in motion ... to the famed Empire 98 transcription arm, so perfectly balanced that it will track a record with stylus forces well below those recommended by cartridge manufacturers. A. handsome matching walnut base is pro- vided. -
Library of Congress Magazine November/December 2016
INSIDE PLUS Documentary Photography Pictures at an Exhibition Women Behind Opera Before Instagram the Camera Photos on Social Media LIBRARY OF CONGRESS MAGAZINE NOVEMBER/DECEMBER 2016 THE POWER OF PHOTOGRAPHY LOC.GOV NOVEMBER/DECEMBER 2016 LIBRARY OF CONGRESS MAGAZINE In This Issue Library of Congress Magazine FEATURES Vol. 5 No. 6: November/December 2016 Mission of the Library of Congress The Library’s central mission is to provide The Power of Photography Congress, the federal government, and the 12 From daguerreotypes to digital images, the Library’s photograph American people with a rich, diverse, and collections illustrate and inspire countless new works. enduring source of knowledge that can be relied upon to inform, inspire, and engage them, and support their intellectual and creative endeavors. Witness to History 18 The documentary photo collections in the Library provide a rich visual Library of Congress Magazine is issued record of the 19th to 21st centuries. bimonthly by the Office of Communications of the Library of Congress and distributed free of charge to publicly supported libraries and research institutions, donors, academic libraries, learned societies and allied organizations in 8 Daniel A.P. Murray the United States. Research institutions and educational organizations in other countries may arrange to receive Library of Congress Magazine on an exchange basis by applying in writing DEPARTMENTS to the Library’s Director for Acquisitions and Bibliographic Access, 101 Independence Ave. S.E., Washington DC 20540-4100. LCM is available on the web at loc.gov/lcm/. All other 02 22 Trending My Job at the Library correspondence should be addressed to the Office of Communications, Library of Congress, 03 Curator’s Picks 23 Favorite Places 101 Independence Ave. -
Let Freedom Sing! Four African-American Concert Singers in Nineteenth-Century America
LET FREEDOM SING! FOUR AFRICAN-AMERICAN CONCERT SINGERS IN NINETEENTH-CENTURY AMERICA By SONYA R. GABLE-WILSON A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2005 Copyright 2005 by Sonya R. Gable-Wilson ACKNOWLEDGMENTS Special thanks are given to my husband, Ken Wilson. Without his never-ending love, support (both mentally and financially), encouragement, and many, many sacrifices, I could not have persevered and completed this project. Throughout this task I also had the joy of working with a great committee: Elizabeth Graham, Raymond Chobaz, Arthur Jennings, Brian Ward, and David Kushner. This group gave frequent advice, new ideas, and often steered me toward a more objective direction. I am especially grateful to David Kushner, not only for his wisdom, guidance, patience, and many chats over the past several years, but also for instilling in so many students a love of musicology. Most of all, many thanks go to all of these people for believing in my success. This project would not have existed without the assistance of many individuals in various public libraries, city halls, and universities nationwide, who contributed their time and efforts in helping with this research. Special thanks are given to the University of Florida music librarians, Robena Cornwell and Michelle Wilbanks-Fox, for their knowledge and continued support over the years. Without these ladies, this huge task would have been impossible. Also, recognition and appreciation should be given to Luvada Harrison and Linda Thompson Williams for taking the time to answer questions concerning the industry. -
Italo-Ibero-American Relationships in the Musical Theatre
ABSTRACTS IMS Study Group IMS Study Group ABSTRACTS Italo-Ibero-American Relationships Anibal E. CETRANGOLO (Universidad de San Martin, Buenos Aires / Università Ca’Foscari, in the Musical Theatre Venice) “The nostalgic willow: Opera on the river” Tuesday, March 21, 14:00-17:00, H 416 This paper analyzes the penetration of lyric theatre along the rivers of South American countries. “Italian Opera in the Southern Cone. Transnational vs. National” Foreign communities - chiefly Italian ones - built opera houses on the shores of the navigable rivers of the region, above all the Paraná and the Uruguay. This kind of circulation had notable character- Session chair istics. Productions were often handled by a single impresario, which meant that the same lyrical Anibal E. CETRANGOLO (Universidad de San Martin, Buenos Aires / Università Ca’Foscari, Venice) product circulated across the borders of Argentina, Uruguay and Brazil. One can assume, then, that this huge area hosted an enormous audience that attended a unique opera season. In contrast to Session Abstract initial impressions, documentary evidence reveals that important international artists performed in The presence of opera in Latin America was not a passive phenomenon. A dichotomy was creat- these theatres. It is also evident that these theaters had a very different representative function in ed between the arrival of Italian lyric companies and the local response to these cultural migrations. comparison with opera houses in the capitals of the country. While the Colon Theater, the Solis, the This session of the RIIA examines these aspects, underlining both the transnational movement Municipal of Santiago and the Municipal of Rio, with stable orchestras and choruses, proudly rep- (marked by business dynamics), and the attempt by local groups to appropriate the lyric genre. -
(Museum of Ventriloquial Objects): Reconfiguring Voice Agency in the Liminality of the Verbal and the Vocal
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UCL Discovery MUVE (Museum of Ventriloquial Objects) Reconfiguring Voice Agency in the Liminality of the Verbal and the Vocal Laura Malacart UCL PhD in Fine Art I, Laura Malacart confirm that the work presented in the thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Laura Malacart ABSTRACT MUVE (Museum of Ventriloquial Objects) Reconfiguring Voice Agency in the Liminality of the Verbal and the Vocal This project aims at reconfiguring power and agency in voice representation using the metaphor of ventriloquism. The analysis departs from ‘ventriloquial objects’, mostly moving image, housed in a fictional museum, MUVE. The museum’s architecture is metaphoric and reflects a critical approach couched in liminality. A ‘pseudo-fictional’ voice precedes and complements the ‘theoretical’ voice in the main body of work. After the Fiction, an introductory chapter defines the specific role that the trope of ventriloquism is going to fulfill in context. If the voice is already defined by liminality, between inside and outside the body, equally, a liminal trajectory can be found in the functional distinction between the verbal (emphasis on a semantic message) and the vocal (emphasis on sonorous properties) in the utterance. This liminal trajectory is harnessed along three specific moments corresponding to the three main chapters. They also represent the themes that define the museum rooms journeyed by the fictional visitor. Her encounters with the objects provide a context for the analysis and my practice is fully integrated in the analysis with two films (Voicings, Mi Piace). -
UNIVERSITY of CALIFORNIA RIVERSIDE the 1964 Festival Of
UNIVERSITY OF CALIFORNIA RIVERSIDE The 1964 Festival of Music of the Americas and Spain: A Critical Examination of Ibero- American Musical Relations in the Context of Cold War Politics A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Alyson Marie Payne September 2012 Dissertation Committee: Dr. Leonora Saavedra, Chairperson Dr. Walter Clark Dr. Rogerio Budasz Copyright by Alyson Marie Payne 2012 The Dissertation of Alyson Marie Payne is approved: ______________________________________________________________ ______________________________________________________________ _______________________________________________________________ Committee Chairperson University of California, Riverside Acknowledgments I would like to acknowledge the tremendous help of my dissertation committee, Dr. Leonora Saavedra, Dr. Walter Clark, and Dr. Rogerio Budasz. I am also grateful for those that took time to share their first-hand knowledge with me, such as Aurelio de la Vega, Juan Orrego Salas, Pozzi Escot, and Manuel Halffter. I could not have completed this project with the support of my friends and colleagues, especially Dr. Jacky Avila. I am thankful to my husband, Daniel McDonough, who always lent a ready ear. Lastly, I am thankful to my parents, Richard and Phyllis Payne for their unwavering belief in me. iv ABSTRACT OF THE DISSERTATION The 1964 Festival of Music of the Americas and Spain: A Critical Examination of Ibero- American Musical Relations in the Context of Cold War Politics by Alyson Marie Payne Doctor of Philosophy, Graduate Program in Music University of California, Riverside, September 2012 Dr. Leonora Saavedra, Chairperson In 1964, the Organization of American States (OAS) and the Institute for Hispanic Culture (ICH) sponsored a lavish music festival in Madrid that showcased the latest avant-garde compositions from the United States, Latin America, and Spain. -
Marcia Edwards
NNoottee WWoorrtthhyy A publication of The Wednesday Morning Music Club (Austin) Website: musicclubaustin.org Jan. 18, 2017 WMMC - Member Highlight – Marcia Edwards My two brothers and I grew up on a farm in central Illinois with a Shetland pony, a collie, and one black and white spotted cat. In 2nd grade, I began piano lessons with the woman who was our Methodist Church organist and our elementary school music teacher. My mother was not a musician, but she made sure that we practiced regularly. In high school, I was asked to accompany the school chorus. I also played piano with the jazz band and for my senior class production of “Oklahoma.” In addition, I played clarinet in the high school concert and marching bands. My undergraduate major at the University of Illinois was French, and I was fortunate to be able to spend my junior year living with a French family and studying in Grenoble and then Rouen. When I returned from France, I decided instead of teaching French to teach English as a 2nd Language. I attended UCLA for a master’s degree in TESL. Then I moved to Houston for a teaching job at the U of H. It was in Houston that I met George. My officemate at the U of H fixed me up with him on a blind date. A year and a half later, we were married at the Rice University Chapel. George introduced me to backpacking on our honeymoon in Glacier Park, Montana. This summer we celebrated our 40th wedding anniversary in Santa Fe with a surprise party arranged by our children. -
Support the Musicians Behind the Music
Support the musicians behind the music. Amplify Austin Day LIVE 24 hours of giving March 4–5 Double your gift! Tito’s Handmade Vodka is offering a $20,000 matching grant to be distributed among all participating Arts & Culture organizations. Enhance your symphony Experience Complement your time with the Austin Symphony Orchestra by joining our young professionals group. Due to Covid-19 restrictions, we’re improvising this season by doing things virtually, including concerts, happy hours, and behind-the-scenes exclusives! ASOBATS SymphonyBATS asobats.org | #asobats BATS Season Sponsors Mark your calendar. ASO 2020–21 SEASON UPCOMING EVENTS Masterworks Series “Symphonic Enchantment” VIRTUAL Premieres Friday, March 12, 2021 “ASO Anthology” VIRTUAL Premieres Friday, April 9, 2021 “Moonlight Moods” Saturday, May 15, 2021 (Live at Moody Amphitheater) Special Event H-E-B Austin Symphony July 4 Concert & Fireworks Sunday, July 4, 2021 Download the app: Connect: Download the app: Connect: H-E-B AUSTIN SYMPHONY JULY 4 CONCERT & FIREWORKS Download the app: Connect: Download the app: Connect: Austin Symphony Orchestra dates and information, visit: austinsymphony.org Download the app: Connect: Download the app: Connect: Download the app: Connect: Austin Symphony Orchestra EDUCATION PROGRAMS The Austin Symphony Orchestra James C. Armstrong Youth Education Endowment students from participating schools. In 2020–21, the ASO has received a sixth year of funding from the NEA to continue our Connecting with Music Interdisciplinary Initiative in partnership with AISD. This is a semester long thematic, interdisciplinary learning initiative around the concert repertoire. At the culmination of the project, students share original works based on the theme. -
The Austin Urban Life- Style Guide
ISSUE NO. 18 THE AUSTIN URBAN LIFE- STYLE GUIDE V O AUSTIN URBAN LIFESTYLE L GUIDE 18 DOWNTOWN 11 MARKET 19 2ND STREET 27 SEAHOLM 31 RED RIVER / ENTERTAINMENT 41 WAREHOUSE / CONGRESS 45 RAINEY STREET 49 SOUTH 51 S. CONGRESS / BOULDIN CREEK 57 BARTON SPRINGS / ZILKER 63 S. 1ST 71 SOUTH LAMAR / MANCHACA 77 EAST 83 E. 6TH / E. 7TH 89 MUELLER 93 E. CESAR CHAVEZ 101 E. MLK / MANOR RD 105 NORTH 111 THE DRAG / WEST CAMPUS 117 LOWER BURNET 121 WEST ANDERSON / UPPER BURNET 125 HIGHLAND / N. LOOP / AIRPORT 129 N. LAMAR / HYDE PARK 133 THE DOMAIN / GATEWAY 137 WEST 143 CLARKSVILLE 149 NORTHWEST HILLS / FAR WEST 153 TARRYTOWN 157 WESTLAKE / ROLLINGWOOD 163 EVENTS 166 SCHOOLS 168 RESOURCES 170 Don't worry about a car: you can walk to every part of Austin's multi-block, pedestrian- friendly downtown, from the vibrant Seaholm Neighborhood, to the lively warehouse district, to boutique-filled 2nd Street District. Residents proudly "Keep Austin Weird" in the 78704 zip code while neighborhoods like Travis Heights, Barton Hills and Bouldin Creek reflect highly diverse personalities: you'll discover historic homes next to modern architecture featured in magazines. A progressive, creative, personality-packed part of town, find folks who grow their own food, ride bikes to the neighborhood bar (many of Austin's "it" bars reside on the east side) and enjoy weekend farmers' markets. With a slower pace than downtown–but only a short bike ride away–this delightfully diverse area of kind folks and hip businesses is also growing into one of Austin's favorite places to hang out.