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Namburbi
Plants, Animals, and Bodies of Water the Significance of Color Terminology in the Nature Omens of the Omen Series Šumma Ālu Ina Mēlê Šakin
Burn Your Way to Success Studies in the Mesopotamian Ritual And
MESOPOTAMIAN MAGIC in TEXT and PERFORMANCE Sam Mirelman
Akkadian Healing Therapies in the Babylonian Talmud
Copyright by Ryan Conrad Davis 2016
Catalogue of Texts
Assyrian and Babylonian Scholarly Text Catalogues Die Babylonisch-Assyrische Medizin in Texten Und Untersuchungen
Perceptions of the Serpent in the Ancient Near East: Its Bronze Age Role in Apotropaic Magic, Healing and Protection
Dissertation
Démons Et Exorcismes En Mésopotamie Et En Judée
Downloaded from Brill.Com09/30/2021 12:35:17AM Via Free Access 100 Chapter 5
Kiṣir-Aššur's Mašmaššu-Phase
Marqasi'den Namburbi Ritüeline Ait Bir Tablet: Nisan Ayinda Görülen Yilanin Uğursuzluğu
Puabi's Adornment for the Afterlife: Materials And
The Diagnostic Series SA.GIG: Ancient Innovations and Adaptations
VOLUME LXXII • 2010 in Honour of the SEVENTIETH BIRTHDAY Of
Babylonian Poems of Pious Sufferers
Demons and Monsters in the Mesopotamian Textual and Artistic Tradition
Top View
Ancient Magic and Divination
Text and Performance: Tayyartu, “Repetition,” in a Mīs Pî-Type Incantation and an Emesal Prayer
Divination in 1 Samuel 28 and Beyond: an African Study in the Politics of Translation
Advice from the Stars: the Micro-Zodiac in Seleucid Babylonia by M
Assur-Ah-Iddina „Tisztátalansága” Vér Ádám
ISSN 0989-5671 N°3 (Septembre) NOTES BRÈVES
The Relation of Babylonian Astronomy to Its Culture and Society
Medicine in Ancient Assur
The Witchcraft Series Maqlû
1/1. the Akkadian Namburbi Texts
Greek ‘Cultural Translation’ of Chaldean Learning
Boivin Thesis Sealand I with Modif
WITCHCRAFT and WAR: the RITUAL FRAGMENT Ki 1904-10-9, 18 (BM 98989)
Letters from Mesopotamia
Bohové, Chrámy, Obřady a Lidé Ivan Hrůša
Eski Mezopotamya Ve Anadolu'da
The History of Science and Ancient Mesopotamia
I University of January 1975 PERSONAL RELIGION IN
The Epic of Gilgamesh: Thoughts on Genre and Meaning∗