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Maximal evenness
Unified Music Theories for General Equal-Temperament Systems
Mto.99.5.2.Soderberg
Program and Abstracts for 2005 Meeting
Appendix A: Mathematical Preliminaries
MTO 22.4: Gotham, Pitch Properties of the Pedal Harp
Tipping the Scales . . . Functionally!
Tuning, Tonality, and 22-Tone Temperament
"T"-L--I Id Ie La Ib Lc Fig
Chord Proximity, Parsimony, and Analysis with Filtered Point-Symmetry
A Generalisation of Diatonicism and the Discrete Fourier Transform As a Mean for Classifying and Characterising Musical Scales
A Unified Theory of Chord Quality in Equal Temperaments by Ian Quinn Submitted in Partial Fulfillment of the Requirements for Th
THE GEOMETRY of MUSICAL CHORDS Dmitri Tymoczko, Princeton University
Ramsey Theory, Unary Transformations, and Webern's Op
Axiomatic Scale Theory
Rhythm Alternation Using Interval Sets
Review of Foundations of Diatonic Theory, by Timothy A. Johnson
Chromatic Harmony, Uniform Sequences, and Quantized Voice Leadings Jason Yust Abstract
A Characterization of Tonality Via the Rigidity of Chords
Top View
Maximally Even Tilings: Theory and Algorithms
(Mcm 2011) & Related Events
Geometry and the Quest for Theoretical Generality
Mod-7 Transformations in Post-Functional Music
Teaching Atonal and Beat-Class Theory, Modulo Small
MTO 23.3: Yust, Review of Amiot
Flexible Ostinati, Groove, and Formal Process in Craig Taborn's Avenging