Martial arts film
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- The Cinema of Hong Kong History, Arts, Identity
- Synthesizing Zhenshi (Authenticity) and Shizhan (Combativity) Reinventing Chinese Kung Fu in Donnie Yen’S Ip Man Series (2008-2015) WAYNE WONG
- MARTIAL ARTS Tuesdays, 10:00 A.M
- Copyrighted Material
- The Hong Kong Wuxia Movie: Identity and Politics, 1966-1976
- A Comparison of the Portrayal of the Japanese in Chinese and Hong Kong Martial Arts Cinema in the 1970S and 1990S
- Martial Arts Films and the Action-Cop Genre: Ideology, Violence and Spectatorship
- How to Film a Fight Scene
- Inmedia, 3 | 2013 the Multiple Facets of Enter the Dragon (Robert Clouse, 1973) 2
- The Formal Evolution of Chinese Martial Arts Action Movies and the Spread of Core Values
- Choreographing Genre in Kill Bill Vol. 1 & 2 (Quentin Tarantino, 2003
- John Wick John Wick Is a Film About a Man Who Turns from His Old Murderous Ways in the Criminal Underworld to Clean up His Act and Settle Down with His New Wife
- Transnational and Global Antagonists Within the Martial Arts Film Trilogy Ip Man Kelvin Chan [email protected]
- Film Film Film Film
- Confucian Orientalism and Western Outlook in Martial Arts Film Published Online March 11, 2021
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- Study of the Film in the Visual Cultural Context Jinliang Cao Zhijiang College of Zhejiang University of Technology, Shaoxing, Zhejiang, 312000
- The Martial Arts and American Popular Media A