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Marco Coltellini
Swr2 Oper
L'armonica
Carlo Goldoni As Musical Reformer
Antigona Van Tommaso Traetta Wo 2, Do 3 April 2003 Om Dramaturgische Redenen Zijn in De Partituur Enige Coupures Aangebracht
Les Talens Lyriques Announces 20-21 Season with First Modern Performances of Salieri’S Armida
Operatic Reform in Turin
The Magic Flute
Antonio Salieri Armida Lenneke Ruiten · Florie Valiquette · Teresa Iervolino · Ashley Riches Chœur De Chambre De Namur Les Talens Lyriques Christophe Rousset
Translating, Adapting, and Performing Opera in Eighteenth-Century Cosmopolitan Europe: Lorenzo Da Ponte at the King's Theatre" (2017)
Italian Opera in Vienna in the 1770S: Repertoire and Reception – Data and Facts
Fra Tradizione E Riforma: Il Telemaco Di Coltellini E Gluck
Mozart's "Mezzos": a Comparative Study Between Castrato and Female Roles in Mozart's Operas
WOLFGANG AMADEUS MOZART Works for the Stage
Music Comprehensive 01
View the Program!
Antonio Salieri, Liszt Ferenc Tanára
"La Finta Semplice" Di Mozart
Gluck's Armide and the Creation of Supranational Opera By
Top View
Gluck “Resta, O Cara” from Il Trionfo Di Clelia
The Dramatic Functions of the Ensemble in the Operas of Wolfgang Amadeus Mozart
Carlo Goldoni and the Dramma Giocoso Per Musica
38° Festival International D'opéra Baroque & Romantique 2020
The Society for Eighteenth-Century Music and the Royal Swedish Academy of Music
Bruno Forment: Antigona (1772)
Roberto Pugliese La Finta Semplice
Italian Opera Librettos with Similar Plot: Plagiarism Or Established Practice?
ANTIGONA Marco Coltellini Tommaso Traetta
La Finta Semplice
250 Years After the Premiere of Salieri's Armida, Les Talens Lyriques Release First Full Recording and Give First Modern Perfo
Italian-Style Opera Houses: a Historical Review
The Role of Metastasioâ•Žs Libretti in the Eighteenth Century: Opera As