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38° Festival International D'opéra Baroque & Romantique 2020

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38° Festival International D'opéra Baroque & Romantique 2020 38e festival international d’opéra baroque BEAUNE & romantique 38° Festival International d’Opéra Baroque & Romantique 2020 from 10th July to 2 Augustnd . 4 weekend Cour des Hospices . Basilique Notre-Dame festival international d’opéra baroque BEAUNE & romantique 38° Festival International d’Opéra Baroque & Romantique 2020 th nd from 10 July to 2 August . 4 weekends Cour d’Honneur des Hospices de Beaune XV c. Basilique Notre-Dame XIIth & XIVth c. C o n t e n t s Artistic programme th Presentation of 38 festival 5 Calender 6 Operas and Oratorios 7 à 15 Concerts and recitals 16 à 20 Buffets & tastings 21 Supports & Partnerships 22 Pratical informations 23 Festival’s history 24 e F E S T I V A L D E B E A U N E 38 E D I T I O N 2 0 2 0 4 > PRESENTATION OF 38th FESTIVAL 2020 On the program of this 38th edition: compositions in which the constantly renewed 7 operas and oratorios musical writing knows how to take advantage of the great variety of the dramatic situations. > The festival starts with Jérémie Rhorer > After he brilliantly conducted Les Indes who will conduct, en primeur in Beaune, the galantes last summer, the 24 year old Valentin amazing “The Magic Flute”, magic and fairy-like Tournet comes back to Beaune with his musical opera that Mozart composed in the last months of ensemble, La Chapelle harmonique, to perform his life and that, at every moment, fascinates and the complete 6 Bach Motets, in German. carries us with Tamino and Pamina into the «Real Composed for the funeral ceremonies of high life», where Good and Evil, Day and Night, Love dignitaries, these motets are considered as and Hatred alternate in a perpetual dance. Bach’s most completed works and a climax in > Christophe Rousset and his Talens Western sacred music. Thus the famous Lyriques continue their exploration and the masterpieces – Jesu meine Freude and Komm, rediscovery of the work of Antonio Salieri, Jesu, Komm – show a perfect balance in composer, contemporary although controversial celebrating man’s farewell to his body and to the of Mozart, one of the most important of his time, world. They thoroughly lead to an astonishing and by performing his opera Armida, the one of his moving performance. greatest successes, which they will give in world > Leonardo Garcia Alarcon will conduct premiere. By associating the musical characters “The Magnificat”, one of Bach’s most famous of the French operas and Italian operas. sacred music. With a confusing wealth of > With “Il Ritorno d’Ulisse in Patria”, we invention, the Cantor demonstrates his sense of open a trilogy of Monteverdi’s operas led by a image, his desire to put musical expression in line new guest conductor, Stéphane Fuget, one of his with the symbols of the libretto. most eminent performers. Monteverdi, at the > After the sensational 9th Symphony peak of his art, composes for this Ulysses several last summer, Jérémie Rhorer continues his of the most grandiose scenes of dramatic Beethoven cycle, with two new symphonies: the literature, particular in Act 1, the lament of Symphony No. 3, called «Eroïca», which revisits Penelope who deplores the never ending waiting with sensitivity the heroic and martial style that for the return of Ulysses («Torna, torna, deh had invaded many European symphonies during torna, deh torna Ulisse «). the years 1790-1815 and the Symphony No. 5 > William Christie and Robert Carsen with its famous motif of Destiny knocking on the offer a program designed in the form of a door, before irrigating all the musical material. pasticcio, as it was so popular with the Baroque > 3 recitals: Mari Eriksmoen, a audience: a delicious patchwork of musical jewels wonderful Norwegian soprano, performs Mozart’s selected from the finest pages in the European and Haendel’s opera arias around the great music repertoire. Seventeenth and eighteenth heroines he has so magnified. Chiara Skerath, a centuries will be performed by two exceptional young soprano, performs Gluck’s and Mozart’s soloists’ mezzo-soprano Lea Desandre and arias. At the end of this 38th edition, Andreas counter-tenor Jakub Jozef Orlinski. Scholl, fetish countertenor of the festival, since > Ottavio Dantone conducts “Il Trionfo 1994, offers us a program entirely focused on del Tempo e del Disinganno”, Haendel’s first Neapolitan cantatas and arias of the 17th and oratorio composed at the age of 22 in Rome 18th centuries. during his trip to Italy, and which already bears Oberlinger. witness to the extraordinary stylistic mastery of a musician freshly imported from multiple Anne Blanchard virtuosities. Directrice Artistique > Jean-Christophe Spinosi returns to Vivaldi, a composer he had already beautifully performed in Orlando Furioso or Finda Ninfa. He conducts L’Olimpiade, one of his most beautiful e F E S T I V A L D E B E A U N E 38 E D I T I O N 2 0 2 0 5 Calender WEEKEND 1 F 10. 07 opera “Die Zauberflöte“ (The Magic Flute) of Mozart | Ch. Spirito & Orch. Le Cercle de l’Harmonie | Jérémie Rhorer | Cour des Hospices*. 9 p.m. Sa 11. 07 opera “Armida” of Salieri (recreation in world premiere) | Orchestre Les Talens Lyriques | Christophe. Rousset | Cour des Hospices* . 9 p.m. Su 12. 07 Recital Mari Eriksmoen, soprano | “Great operas arias” of Handel, Mozart | Antoine Palloc, piano | Hospices Salle des Pôvres . 9 p.m. WEEKEND 2 th F 17. 07 concert “Symphony 3 & 5” of Beethoven | 250 Beethoven’s birthday Orchestre Le Cercle de l’Harmonie | Jérémie Rhorer | Cour des Hospices* . 9 p.m. Sa 18. 07 opera “Il Ritorno d’Ulisse in Patria” of Monteverdi | Orchestre les Epopées | Stéphane Fuget | Cour des Hospices*. 9 p.m. Su 19. 07 Recital Chiara Skerath, soprano | “Great operas arias” of Mozart, Gluck | Antoine Palloc, piano | Hospices Salle des Pôvres . 9 p.m. WEEKEND 3 F 24. 07 opera Pasticcio “Tell me the Truth about Love” “ Operas arias” of Handel, Vivaldi, Rameau... Les Arts Florissants | William Christie | Basilique Notre-Dame . 9 p.m. Sa 25. 07 oratorio “Il trionfo del Tempo e del Disinganno” of Handel | Orch. Accademia Bizantina | Ottavio Dantone | Basilique Notre-Dame . 9 p.m. Su 26. 07 “Magnificat” of Bach | Ch. de Namur & Capella Mediterranea | Leonardo Garcia Alarcon | Basilique N. Dame . 9 p.m. WEEKEND 4 F 31. 07 complete 6 Motets of Bach | Choeur & orch. La Chapelle Harmonique | Valentin Tournet | Cour des Hospices*. 9 p.m. Sa 01. 08 opera “L’Olimpiade” of Vivaldi | Ensemble Matheus | Jean-Christophe Spinosi | Cour des Hospices* . 9 p.m. Su 02. 08 Recital Andreas Scholl, countertenor | “Neapolitain Cantatas” Ensemble 1700 | Dorothee Oberlinger | Basilique Notre-Dame. 9 p.m. F E S T I V A L D E B E A U N E 38e E D I T I O N 2 0 2 0 6 Operas & Oratorios THE MAGIC FLUTE | MOZART JEREMIE RHORER ARMIDA | SALIERI CHRISTOPHE ROUSSET IL RITORNO DI ULISSE IN PATRIA | MONTEVERDI STEPHANE FUGET OPERA PASTICCIO TELL ME THE TRUTH ABOUT LOVE | HANDEL, VIVALDI... WILLIAM CHRISTIE IL TRIONFO DEL TEMPO E DEL DISINGANNO | HANDEL OTTAVIO DANTONE MAGNIFICAT | BACH LEONARDO GARCIA ALARCON L’OLIMPIADE | VIVALDI JEAN-CHRISTOPHE SPINOSI F E S T I V A L D E B E A U N E 38e E D I T I O N 2 0 2 0 7 O P E R A in concert Cycle Mozart’s operas on period instruments W. A. MOZART 1756 - 1791 Die Zauberflöte (The magic Flute) th Singspiel in german in 2 acts, created the 30 september 1791 in Vienna. Libretto by Emanuel Schikaneder. LYON SPIRITO CHOIR ORCHESTRA LE CERCLE DE L’HARMONIE Conductor : JEREMIE RHORER Tamino Julian Prégardien, tenor Pamina Mari Eriksmoen, soprano The Queen of Night Sarah Traubel, soprano Papageno Andreas Wolf, baritone Papagena Elena Galitskaya, soprano Sarastro Jan Martinik, bass Monostatos Maxime Melnik, tenor Three Ladies Norma Nahoun, Katja Stuber, sopranos, Valentina Stadler, mezzo-soprano Three Boys Tölzer Knabenchor, 2 sopranos, 1 alto The Orator Guilhem Worms, baritone-bass New production on period instruments. Co-production Bremen’s Festival (Germany) After having conducted, Idomeneo, The Marriage of Figaro, Così fan tutte, Don Giovanni, with the phenomenal success that we know, Jérémie Rhorer conducts, in Beaune, The Magic Flute. The most popular and marvelous opera written by Mozart, the unrivalled magician. The opera is based on a masterful libretto of Mozart’s friend Schikaneder, librettist but also initiator of the role of Papageno. Created two months before his death, the Magic Flute is a magical fairy tale dealing with the elevation by wisdom, love and goodness of the human being to a higher morality corresponding to the ideas of the Age of Enlightenment, the Aufklärung of rationalism. Since the beginning “The Magic Flute” was a real success. At the moment Mozart leaves one world to enter another: the music of the Magic Flute marks the beginning of the 19th century. > Friday 10th july - 9 p.m . Cour des Hospices* * In case of adverse weather conditions, withdraw to the Basilique Notre-Dame PRICE A séries 1° 2° 3° 4° € 120 70 35 15 F E S T I V A L D E B E A U N E 38e E D I T I O N 2 0 2 0 8 O P E R A in concert Recreation in World Premiere ANTONIO SALIERI 1750 - 1825 DrammaArmida per musica in 3 acts, created the 2nd June 1771 in Vienna Libretto by Marco Coltellini, according to «La Gerusalemme liberatae» of Tasso ORCHESTRA LES TALENS LYRIQUES Conductor : CHRISTOPHE ROUSSET Armida Lenneke Ruiten, soprano Ismene Teresa Iervolino, soprano Rinaldo Vannina Santoni, soprano Ubaldo Ashley Riches, baritone Recreation in world premiere .
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