Marco Coltellini
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- Gluck “Resta, O Cara” from Il Trionfo Di Clelia
- The Dramatic Functions of the Ensemble in the Operas of Wolfgang Amadeus Mozart
- Carlo Goldoni and the Dramma Giocoso Per Musica
- 38° Festival International D'opéra Baroque & Romantique 2020
- The Society for Eighteenth-Century Music and the Royal Swedish Academy of Music
- Bruno Forment: Antigona (1772)
- Roberto Pugliese La Finta Semplice
- Italian Opera Librettos with Similar Plot: Plagiarism Or Established Practice?
- ANTIGONA Marco Coltellini Tommaso Traetta
- La Finta Semplice
- 250 Years After the Premiere of Salieri's Armida, Les Talens Lyriques Release First Full Recording and Give First Modern Perfo
- Italian-Style Opera Houses: a Historical Review
- The Role of Metastasioâ•Žs Libretti in the Eighteenth Century: Opera As