Iranian New Wave
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- Asghar Farhadi's the Past from a Postmofernist Perspective
- By Kara Abdolmaleki a Thesis Submitted in Partial Fulfillment of The
- Film Teacher Support Material First Assessment 2019
- Making the Figure of Women in Film, Contemplation on the Iranian New- Wave Cinema of the Past Decade
- Art and Politics of the Iranian New Wave Cinema, 1960-79 Farbod Honarpisheh
- Global Neorealism. the Transnational History of a Film Style
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- The Camera in House Arrest. Tactics of Non-Cinema in Jafar Panahi's Films
- A.N.T., Agency and Cinematic Authorship by Ali Bassidji
- Iran, Nation and Cinema
- Copyright © and Moral Rights for This Phd Thesis Are Retained by the Author And/Or Other Copyright Owners
- Women and Expanded Cinema in Contemporary Iran
- Postcolonial Narratives And
- Film Festivals: Cinema and Cultural Exchange
- Negotiating the Politics of Representation in Iranian Women's
- Film Festival 2011
- Transnational Film Circulation in the Iranian Context: from Conjunctural Crisis to Discursive Heterotopia
- Naderi's the Runner