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Improv Everywhere
미적 경험으로서의 펄베이시브 퍼블릭 퍼포먼스와 펄베이시브 게임
Shawyer Dissertation May 2008 Final Version
Cultural Activism T HAMYRIS
Contemporary Graffiti's Contra-Community" (2015)
Trespassory Art
Interventionist Artworks and the Creative Disruption of the Everyday
The Performance and Reception of Flash Mobs: Authenticity, Youtube, and the Fantastic
Grunge Template
Networked Disruption Rethinking Oppositions in Art, Hacktivism and the Business of Social Networking
Make-Believe: Parafiction and Plausibility
The Little Book of the Cultural Hijacker
Flash Mobs and the Futility(?) of Contemporary Urban Youth Culture
D.I.Y. OR DIE: How to Survive As an Independent Artist | Laug
Invisible Theater P
A Historical, Cultural, and Philosophical Analysis of the Flash Mob Rebecca Walker Louisiana State University and Agricultural and Mechanical College
The Contentious Performances of Culture Jamming : Art, Repertoires of Contention, and Social Movement Theory David M
M Cooley Courses
Networked Disruption Networked
Top View
Stephen Colbert and the Evolution of Recursive Parody
Make-Believe: Parafiction and Plausibility*
Assignment 1: a Literature Review of New Media Activism
Your Ad Here: the Cool Sell of Guerrilla Marketing
GUERRILLA - INTERVENTIONIST - SOCIAL - POLITICAL Art Links
Perpetual Motion Electronic Mediations
Improv Everywhere and Urban Public Pranks an Essay
Theatrale Interventionen: Subversiv-Mimetische
Neoliberalism and the Struggle for American Democracy Since the 1960S Dawson Barrett University of Wisconsin-Milwaukee
Performing in the Public Sphere: Flash Mobs and Their Participants
Art and Design in the Digital Age