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Gabriele Finaldi
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2017 Annual Report 2017 NATIONAL GALLERY of IRELAND
Staff Publications and Commitments
Eamon Duffy Interviews Gabriele Finaldi
The National Gallery Annual Report and Accounts for the Year Ended 31 March 2017
The Randlords, Art and South Africa
Drawn to Spain: Showcasing New Research on Spanish Drawings, the Courtauld Institute
The Burlington Magazine, Nr. 1302, September 2011
Special Effect
The National Gallery Review April 2006
Library Catalogue, 2020-21,Part 1
Alleyn Club Yearbook
Botticelli Past and Present Ever, the Significant and Continued Debate About the Artist
Beauty in Relief
59954 the National Gallery Annual Report and Accounts for the Year
The Temporary Exhibition Galleries in the Sainsbury Wing, National Gallery
The National Gallery Annual Report and Accounts for the Year Ended 31 March 2007
Studying and Conserving Paintings Occasional Papers on the Samuel H
Top View
Art of England and the Continent: the Library of Patrick Noon, Senior
Review of the Year 2015–2016 the National Gallery Review of the Year 2015–2016 7 Director’S Foreword
Events Calendar
Gallery Acquires Burlington Magazine Archive
Two Hundred Years of Women Benefactors at the National Gallery: an Exercise in Mapping Uncharted Territory
Renaissance and Baroque Art
Annual Report | July 2017
Staff Publications and Commitments
Two Hundred Years of Women Benefactors at the National Gallery: an Exercise in Mapping Uncharted Territory
CARAVAGGIO: PERCEPTION SHIFTS THROUGH SELECTED TWENTIETH– and TWENTY-FIRST CENTURY MUSEUM EXHIBITIONS
April 2018 – March 2019
Caravaggism Madrid, London, Dublin and Edinburgh by JOHN GASH
Conference Programme for 'Leonardo in Britain: Collections and Reception'
Report Case Study 25
The Drawing Year Prospectus
This Artificial Eye: the Camera Obscura in Artistic Practice of the Seventeenth and Eighteenth Centuries by Anna Baccin a Thesis