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DEPARTMENT OF THE HISTORY OF ART AND ARCHITECTURE, TCD, LIBRARY CATALOGUE, 2020-21, PART 1 L’ABBAYE S. WANDRILLE DE FONTE nos. 9-15 (1959-65); no. 17 (1967); no. 19 (1969) M19-M27 ABSTRACT PAINTING: see Michel Seuphor WADD 1 (Seminar Room) ABSTRACTION: Towards a New Art-Painting 1910-20 London, Tate Gallery, 1980 Introduction by Alan Bowness MO47 PATHS TO ABSTRACTION 1867-1917: Edited by Terence Maloon In association with the exhibition ‘Paths to Abstraction 1867-1917’ 26 June-19 September, 2010 Published by Art Gallery of New South Wales Sydney, 2010. (Donated by M. Johnson) (Seminar Room) MO282 (Seminar Room) ACADEMIES, MUSEUMS AND CANONS OF ART: Edited by Gill Perry and Colin Cunningham From series Art and Its Histories Published by Yale University Press, New Haven and London in association with The Open University, 1999. AH155 THE GALLERIA DELLA ACCADEMIA FLORENCE: Guide to the Gallery and Complete Catalogue By Giorgio Bansanti, Director of the Gallery Published by Editrice Giusti di Becocci & C. e. Scala, Instituo Fotografico Editoriale, SpA, Firence, 1990 AGM 2 ACKERMAN: James S. Palladio By James S. Ackerman Published by Penguin Books Ltd., London, 1991 (Donated by anonymous donor) R175 (Seminar Room) ACKERMANN: M. Max Ackermann Gemälde 1908-1967 (Paintings) Mittelrhein Museum Koblenz 2 September -29 October, 1967 (Gift of Anne Crookshank) MO253 (Seminar Room) 1 ACTON: M. Learning to look at Modern Art By Mary Acton Published by Routledge, London, 2004 (Gift of Ben Power) AH178 ACTON: M. Learning to look at Paintings By Mary Acton Published by Routledge, London, 2001 (Gift of Ben Power) AH188 ADAMS: B. Portrait of an artist-William Debell published by Hutchinson of Australia, 1983 MO107 ADAMS: Laurie Art on Trial: from Whistler to Rothko by Laurie Adams New York: Walker and Company, 1976 AH12 AFTER THE PARTY: Warhol Works 1956-86 catalogue of exhibition held at the Irish Museum of Modern Art published by Irish Museum of Modern Art, Kilmainham, Dublin 8 November, 1997 MO168 (outsize) see also under WARHOL THE AGE OF MIGRATING IDEAS: Early Medieval Art in Northern Britain and Ireland editors: R. Michael Spearman and John Higgitt Proceedings of the Second International Conference on Insular Art held in the National Museums of Scotland in Edinburgh, 3-6 January 1991 published by National Museums of Scotland and Alan Sutton Publishing, 1993 M57 2 AIB ART 2: A Selection from the AIB Collection of Modern Irish Art Edited by Dr Frances Ruane Research by Riann Coulter Photography by John Kellett Published by AIB Group, Bankcentre, Ballsbridge, Dublin 4, 2002 (Gift of Ben Power) RS95 AICA: Proceedings of the 14th Congress of the International Association of Art Critics (AICA), held in Trinity College, Dublin, Ireland, August-September 1980. published by AICA, Irish Section, Section Irlandaise de l’AICA Dublin 1983 P85 AIKEMA: B & BROWN: L. see RENAISSANCE VENICE AND THE NORTH R119 ALAZARD: Jean The Florentine Portrait by Jean Alazard New York: Schocken Boods, 1968 (two copies) R32 JOSEF ALBERS HIS WORK AS CONTRIBUTION TO VISUAL ARTICULATION IN THE TWENTIETH CENTURY: By Eugen Gomringer Published by George Wittenborn Inc., New York, 1967 (Donated by Theo and Vivienne Waddington) WADD 86 seminar room ALBERTI: L. B. Leon Battista Alberti on Painting translated with introduction and notes by John R.Spencer published by Yale University Press, New Haven and London revised edition, 1966 AH44 Second Copy Translated by Cecil Grayson with an introduction and notes by Martin Kemp Published by Penguin Classics, 1991 (Gift of Ben Power) R152 3 ALBERTI: L. B. The Ten Books of Architecture by Leon Battista Alberti The 1755 Leoni Edition published by Dover Publications, Inc. New York, 1986 R87 ALECHINSKY À LA LIGNE: Avec prédelle de Joyce Mansour et huit photographies-témoins produites par Folon Published by Weber éditeur, Paris (gift of Theo and Vivienne Waddington) WADD 2 (Seminar Room) PIERRE ALECHINSKY PAINTINGS AND WRITINGS: With Three Approaches by Eugène Ionesco Translated by Michael Fineberg Published by Museum of Art, Carnegie Institute (gift of Theo and Vivienne Waddington) WADD 3 (Seminar Room) ALEXANDER:J.J.G. Insular Manuscripts 6thc to the 9thc: a survey of manuscripts illuminated in the British Isles by J.J. Alexander- London Harvey Millar, 1978 M61 (Outsize) ALEXANDRE: N. The Unknown Modigliani by Noel Alexandre, 1994 MO157 ALL SAINTS MARGARET STREET: A Pitkin Guide Foreward by Sir Roy Strong published by Pitkin Pictorials, 1990 AH92 4 ALLAN: J.W. Islamic Ceramics by James W. Allan published by the Ashmolean Museum, Oxford, 1991 IS.47 ALLEY: Ronald Portrait of a primitive: the art of Henri Rousseau/ by Ronald Alley- New York: E.P. Dutton, 1978 MO11 THE ALLIED IRISH BANK COLLECTION: Twentieth Century Art written by Dr. Frances Ruane published by the Douglas Hyde Gallery, 1986 (gift of the Visual Arts Society) IR67 ALPATOW: M. W. Die Dresdner Galerie Alte Meister By Michael W. Alpatow Published by VEB Verlag der Kunst Dresden (gift of Anatole Tchikine) AGM 18 THE ALTE PINAKOTHEK MUNICH: By Erich Steingräber, Director General of the Bavarian State Paintings Collections Published by Philip Wilson Publishers Ltd., and Summerfield Press Ltd, 1985 (Gift of Ben Power) AGM 3 AMADUCCI: A. B. The Brancacci Chapel and the art of Masaccio by Alberto B. Amaducci Florence: Saverio Becocci, 1978 RII 5 AMERICA’S EYE: Irish Paintings from the Collection of Brian P. Burns Boston College Museum of Art edited by Adele M. Dalsimer and Vera Kreilkamp Published by the Boston College Museum of Art to coincide with exhibition held at Boston College Museum of Art from 26th January to 19th May 1996 and the Hugh Lane Gallery Dublin from 19th June to 25th August 1996. Catalogue entries by Catherine Marshall, Christiana Kennedy and Daire O’Connell. IR44 THE AMERICAN IRISH HISTORICAL SOCIETY: The Recorder vol. 43, 1982 AH139 AMERICAN PAINTING: By Donald Goddard with an introduction by Robert Rosenblum Published by Harkavy Publishing Service, New York, 1990 (Gift of Ben Power) MO219 (Seminar Room) AMERICAN REALISM: By Edward Lucie-Smith Published by Thames and Hudson Ltd., London, 1994 (Gift of Ben Power) MO220 (Seminar Room) AMERICAN VISIONS: See HUGHES: R MO185 AMHARC OIDHREACHT EIREANN: Folk Tradition in Irish Art An Exhibition of Paintings from the Collection of the Department of Irish Folklore, University College Dublin Newman House, St. Stephen’s Green, Dublin published by Department of Irish Folklore, University College Dublin, 1993 IR46 ANDREWS: M. Landscape and Western Art by Malcolm Andrews Published by Oxford University Press, 1999 (gift of Ben Power) AH175 6 ANGELS & URCHINS: Angels & Urchins-The Fancy Picture in 18th-Century British Art by Martin Postle Djanogly Art Gallery, University of Nottingham 28th March-4th May 1998 Kenwood House, Hamptead, London 14th May-9th August 1998 NR69 ANGELS NOBLES & UNICORNS: Art and Patronage in Medieval Scotland A handbook published in conjunction with an Exhibition held at the National Museum of Scotland August 12-September 26, 1982 Published by National Museum of Antiquities of Scotland, Edinburgh, 1982 (Gift of Roger Stalley) M107 (Seminar Room) ANGLESEA: M. The Royal Ulster Academy of Arts: a centennial history by Martin Anglesea. (Belfast) The Royal Ulster Academy of Arts, 1981 RS109 ANGRAND: P. Monsieur Ingres et Son Epoque by Pierre Angrand Paris; La Bibliotheque des Arts, 1967 NR6 ANTAL: F. Classicism and Romanticism 1966 Icon Editions-Harper and Row Publishers NR3 APPEARANCE, OPINION, CHANGE: evaluating the Look of Paintings Papers given at a conference held jointly by the United Kingdom Institute for Conservation and the Association of Art Historians June, 1990 RE5 APOLLINAIRE: G. The Cubist Painters Aesthetic Meditations, 1913 MO123 7 APOLLO: 1964-78 ARCHITECTURE BOSTON: The Boston Society of Architects Introduction by Walter Muir Whitehill Text by Joseph L. Eldredge F.A.I.A. 1976, MO187 (gift of Edward McParland) ARCHITECTURE GOTHIQUE: By Louis Grodecki with the collaboration of Anne Prache and Roland Recht Published by Berger-Levrault, Paris, 1979 (Gift of Roger Stalley) M100 (Seminar Room) ARGAN: G.C. Botticelli-translated from the Italian by James Emmons 1957 Editions d’Art Albert Skira, Geneva (Gift of G. Dawson) R42 ARGAN: G.C. Disegni di Arnoldo Bonzagni by Giulio Carlo Argan. Venice casa editrice Armena, 1980 MO144 ARNASON: H.H. History of modern art: painting, sculpture, architecture by Hjoravandua Harvard Arnason: New York: Harry N. Abrams, 1968 M030 ARNOLD: B. Mainie Jellett and the Modern Movement in Ireland by Bruce Arnold published by Yale University Press, New Haven & London, 1991 IR7 for other books on Jellett see also JELLETT ART AND ARCHITECTURE OF IRELAND/VOLUME 1 MEDIEVAL c.400-c.1600 Edited by Rachel Moss Published for the Royal Irish Academy and The Paul Mellon Centre by Yale University Press, (Dublin New Haven London) 2014 (Seminar Room) RE81 8 ART AND ARCHITECTURE OF IRELAND/VOLOME 11 PAINTING 1600-1900 Edited by Nicola Figgis Published for the Royal Irish Academy and the Paul Mellon Centre by Yale University Press, (Dublin New Haven London) 2014 (Seminar Room RE82 ART AND ARCHITECTURE OF IRELAND/VOLUME 111 SCULPTURE 1600-1900 Edited by Paula Murphy Published for the Royal Irish Academy and the Paul Mellon Centre by Yale University Press, (Dublin New Haven London) 2014 (Seminar Room) RE83 ART AND ARCHITECTURE OF IRELAND/VOLUME IV ARCHITECTURE 1600-2000 Edited by Rolf Leober, Hugh Campbell, Livia Hurley, John Montague, Ellen Rowley Published for the Royal Irish Academy and the Paul Mellon Centre by Yale University Press, (Dublin New Haven London) 2014 (Seminar Room) RE84 ART AND ARCHITECTURE OF IRELAND/VOLUME V TWENTIETH CENTURY Edited by Catherine Marshall and Peter Murray Published for the Royal Irish Academy and the Paul Mellon Centre by Yale University Press (Dublin New Haven London), 2014 (Seminar Room) RE85 ART IN THEORY 1900-1990 An Anthology of Changing Ideas edited by Charles Harrison & Paul Wood Published by Blackwell Press Oxford UK & Cambridge USA AH210 (Seminar Room) ART FOR YALE: A History of the Yale University Art Gallery By Susan B.
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  • An Artistic Praxis: Phenomenological Colour and Embodied Experience

    An Artistic Praxis: Phenomenological Colour and Embodied Experience

    Journal of the International Colour Association (2017): 17, 150-200 Balabanoff An Artistic Praxis: Phenomenological colour and embodied experience Doreen Balabanoff Faculty of Design, OCAD University, Toronto, Canada Email: [email protected] Artistic knowledge resides within the works that a visual artist makes. .Verbalising or discussing that knowledge is a separate exercise, often left to others, who make their own interpretations and investigations. In this introspective study of artworks spanning four decades, I look into and share insight about a practice in which knowledge about colour, light and spatial experience was developed and utilised. The process of action, reflection and new application of gained knowledge is understood as a praxis—a practice aimed at creating change in the world. The lessons learned are about human embodied experience of light, colour and darkness in spatial environments. The intent of the study (as of the artwork) is enhancement of our capacities for creating sensitive and enlivening space for human life experience and human flourishing, through understanding and use of colour and light as complex environmental phenomena affecting our mind/body/psyche. Four themes arose from reflecting upon the work. These are, in order of discussion: (1) Image and Emanation, (2) Resonance and Chord, (3) Threshold and Veil, and (4) Projection, Reflection, Light and Time. My findings include affirmation that a Goethian science (phenomenological, observational) approach to investigating and unconcealing tacit knowledge—embedded in an artistic praxis and its outcomes—has value for developing a deeper understanding of environmental colour and light. Such knowledge is important because environmental design has impact upon our bodies, our minds and our life experience.