Joseph Maunsell Hone Papers P229 UCD ARCHIVES
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The Ulster Women's Unionist Council and Ulster Unionism
“No Idle Sightseers”: The Ulster Women’s Unionist Council and Ulster Unionism (1911-1920s) Pamela Blythe McKane A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN POLITICAL SCIENCE YORK UNIVERSITY TORONTO, ONTARIO JANUARY 2015 ©Pamela Blythe McKane 2015 Abstract Title: “No Idle Sightseers”: The Ulster Women’s Unionist Council and Ulster Unionism (1911-1920s) This doctoral dissertation examines the Ulster Women’s Unionist Council (UWUC), an overlooked, but historically significant Ulster unionist institution, during the 1910s and 1920s—a time of great conflict. Ulster unionists opposed Home Rule for Ireland. World War 1 erupted in 1914 and was followed by the Anglo-Irish War (1919- 1922), the partition of Ireland in 1922, and the Civil War (1922-1923). Within a year of its establishment the UWUC was the largest women’s political organization in Ireland with an estimated membership of between 115,000 and 200,000. Yet neither the male- dominated Ulster unionist institutions of the time, nor the literature related to Ulster unionism and twentieth-century Irish politics and history have paid much attention to its existence and work. This dissertation seeks to redress this. The framework of analysis employed is original in terms of the concepts it combines with a gender focus. It draws on Rogers Brubaker’s (1996) concepts of “nation” as practical category, institutionalized form (“nationhood”), and contingent event (“nationness”), combining these concepts with William Walters’ (2004) concept of “domopolitics” and with a feminist understanding of the centrality of gender to nation. -
The Life and Works of Beatrice Elvery, 1881-1920
Nationalism, Motherhood, and Activism: The Life and Works of Beatrice Elvery, 1881-1920 Melissa S. Bowen A Thesis Submitted to the Department of History California State University Bakersfield In Partial Fulfillment of the Requirements for the Degree of Master of Arts in History May 2015 Copyright By Melissa S. Bowen 2015 Acknowledgments I am incredibly grateful for the encouragement and support of Cal State Bakersfield’s History Department faculty, who as a group worked closely with me in preparing me for this fruitful endeavor. I am most grateful to my advisor, Cliona Murphy, whose positive enthusiasm, never- ending generosity, and infinite wisdom on Irish History made this project worthwhile and enjoyable. I would not have been able to put as much primary research into this project as I did without the generous scholarship awarded to me by Cal State Bakersfield’s GRASP office, which allowed me to travel to Ireland and study Beatrice Elvery’s work first hand. I am also grateful to the scholars and professionals who helped me with my research such as Dr. Stephanie Rains, Dr. Nicola Gordon Bowe, and Rector John Tanner. Lastly, my research would not nearly have been as extensive if it were not for my hosts while in Ireland, Brian Murphy, Miriam O’Brien, and Angela Lawlor, who all welcomed me into their homes, filled me with delicious Irish food, and guided me throughout the country during my entire trip. List of Illustrations Sheppard, Oliver. 1908. Roisin Dua. St. Stephen's Green, Dublin. 2 Orpen, R.C. 1908. 1909 Seal. The Royal Institute of the Architects of Ireland, Dublin. -
An Artistic Praxis: Phenomenological Colour and Embodied Experience
Journal of the International Colour Association (2017): 17, 150-200 Balabanoff An Artistic Praxis: Phenomenological colour and embodied experience Doreen Balabanoff Faculty of Design, OCAD University, Toronto, Canada Email: [email protected] Artistic knowledge resides within the works that a visual artist makes. .Verbalising or discussing that knowledge is a separate exercise, often left to others, who make their own interpretations and investigations. In this introspective study of artworks spanning four decades, I look into and share insight about a practice in which knowledge about colour, light and spatial experience was developed and utilised. The process of action, reflection and new application of gained knowledge is understood as a praxis—a practice aimed at creating change in the world. The lessons learned are about human embodied experience of light, colour and darkness in spatial environments. The intent of the study (as of the artwork) is enhancement of our capacities for creating sensitive and enlivening space for human life experience and human flourishing, through understanding and use of colour and light as complex environmental phenomena affecting our mind/body/psyche. Four themes arose from reflecting upon the work. These are, in order of discussion: (1) Image and Emanation, (2) Resonance and Chord, (3) Threshold and Veil, and (4) Projection, Reflection, Light and Time. My findings include affirmation that a Goethian science (phenomenological, observational) approach to investigating and unconcealing tacit knowledge—embedded in an artistic praxis and its outcomes—has value for developing a deeper understanding of environmental colour and light. Such knowledge is important because environmental design has impact upon our bodies, our minds and our life experience. -
Bibliography
BIbLIOGRApHY PRIMARY SOURCEs: ARCHIVAL COLLECTIONS BODLEIAN LIbRARY, OXFORD H. H. Asquith BRITIsH LIbRARY Walter Long CLAYDON EsTATE, BUCKINGHAMsHIRE Harry Verney IRIsH MILITARY ARCHIVEs Bureau of Military History Contemporary Documents Bureau of Military History Witness Statements (http://www.bureauofmilitaryhis- tory.ie) Michael Collins George Gavan Duffy © The Author(s) 2019 305 M. C. Rast, Shaping Ireland’s Independence, https://doi.org/10.1007/978-3-030-21118-9 306 BIblIOgraPhY NATIONAL ARCHIVEs OF IRELAND Dáil Éireann Debates (http://oireachtas.ie) Dáil Éireann Documents Department of the Taoiseach Documents on Irish Foreign Policy (printed and http://www.difp.ie) NATIONAL LIbRARY OF IRELAND G. F. Berkeley Joseph Brennan Bryce Erskine Childers George Gavan Duffy T. P. Gill J. J. Hearn Thomas Johnson Shane Leslie Monteagle Maurice Moore Kathleen Napoli McKenna Art Ó Briain William O’Brien (AFIL) J. J. O’Connell Florence O’Donoghue Eoin O’Duffy Horace Plunkett John Redmond Austin Stack NEW YORK PUbLIC LIbRARY Horace Plunkett, The Irish Convention: Confidential Report to His Majesty the King by the Chairman (1918). PUbLIC RECORD OFFICE NORTHERN IRELAND J. B. Armour J. Milne Barbour Edward Carson Craigavon (James Craig) BIblIOgraPhY 307 Adam Duffin Frederick Crawford H. A. Gwynne Irish Unionist Alliance Theresa, Lady Londonderry Hugh de Fellenberg Montgomery Northern Ireland Cabinet Ulster Unionist Council Unionist Anti-Partition League Lillian Spender Wilfrid B. Spender The Stormont Papers: Northern Ireland Parliamentary Debates (http://stor- -
O'brien Cahirmoyle LIST 64
Leabharlann Naisiúnta na hÉireann National Library of Ireland Collection List No. 64 PAPERS OF THE FAMILY OF O’BRIEN OF CAHIRMOYLE, CO. LIMERICK (MSS 34,271-34,277; 34,295-34,299; 36,694-36,906) (Accession No. 5614) Papers of the descendents of William Smith O’Brien, including papers of the painter Dermod O’Brien and his wife Mabel Compiled by Peter Kenny, 2002-2003 Contents Introduction 7 The family 7 The papers 7 Bibliography 8 I. Land tenure 9 I.1. Altamira, Co. Cork 9 I.2 Ballybeggane 9 I.3. Bawnmore 9 I.4. Cahirmoyle 9 I.5. Clanwilliam (Barony) 11 I.6. Clorane 11 I.7. The Commons, Connello Upper 11 I.8. Connello (Barony) 11 I.9. Coolaleen 11 I.10. Cork City, Co. Cork 11 I.11. Dromloghan 12 I.12. Garrynderk 12 I.13. Glanduff 12 I.14. Graigue 12 I.15. Killagholehane 13 I.16. Kilcoonra 12 I.17. Killonahan 13 I.18. Killoughteen 13 I.19. Kilmurry (Archer) 14 I.20. Kilscannell 15 I.21. Knockroedermot 16 I.22. Ligadoon 16 I.23. Liscarroll, Co. Cork 18 I.24. Liskillen 18 I.25. Loghill 18 I.26. Mount Plummer 19 I.27. Moyge Upper, Co. Cork 19 I.28. Rathgonan 20 2 I.29. Rathnaseer 21 I.30. Rathreagh 22 I.31. Reens 22 I.32 Correspondence etc. relating to property, finance and legal matters 23 II. Family Correspondence 25 II.1. Edward William O’Brien to his sister, Charlotte Grace O’Brien 25 II.2. Edward William O’Brien to his sister, Lucy Josephine Gwynn (d. -
Book Auction Catalogue
1. 4 Postal Guide Books Incl. Ainmneacha Gaeilge Na Mbail Le Poist 2. The Scallop (Studies Of A Shell And Its Influence On Humankind) + A Shell Book 3. 2 Irish Lace Journals, Embroidery Design Book + A Lace Sampler 4. Box Of Pamphlets + Brochures 5. Lot Travel + Other Interest 6. 4 Old Photograph Albums 7. Taylor: The Origin Of The Aryans + Wilson: English Apprenticeship 1603-1763 8. 2 Scrap Albums 1912 And Recipies 9. Victorian Wildflowers Photograph Album + Another 10. 2 Photography Books 1902 + 1903 11. Wild Wealth – Sears, Becker, Poetker + Forbeg 12. 3 Illustrated London News – Cornation 1937, Silver Jubilee 1910-1935, Her Magesty’s Glorious Jubilee 1897 13. 3 Meath Football Champions Posters 14. Box Of Books – History Of The Times etc 15. Box Of Books Incl. 3 Vols Wycliff’s Opinion By Vaughan 16. Box Books Incl. 2 Vols Augustus John Michael Holroyd 17. Works Of Canon Sheehan In Uniform Binding – 9 Vols 18. Brendan Behan – Moving Out 1967 1st Ed. + 3 Other Behan Items 19. Thomas Rowlandson – The English Dance Of Death 1903. 2 Vols. Colour Plates 20. W.B. Yeats. Sophocle’s King Oedipis 1925 1st Edition, Yeats – The Celtic Twilight 1912 And Yeats Introduction To Gitanjali 21. Flann O’Brien – The Best Of Myles 1968 1st Ed. The Hard Life 1973 And An Illustrated Biography 1987 (3) 22. Ancient Laws Of Ireland – Senchus Mor. 1865/1879. 4 Vols With Coloured Lithographs 23. Lot Of Books Incl. London Museum Medieval Catalogue 24. Lot Of Irish Literature Incl. Irish Literature And Drama. Stephen Gwynn A Literary History Of Ireland, Douglas Hyde etc 25. -
Stained Glass in Ireland
Stained Glass in Ireland By Coral - Daphne – Sofie – Uta Participant teachers in English Matters’ Programme Dublin, Ireland What? • art form • coloured glass • mosaic stained glass art can be: • Classic • Modern • Smooth • Painted • Rough • … A little bit of history… • Real origins of stained glass are lost • Egyptians and the Romans • 7th century churches and monasteries in Britain • Medieval times: western churches & mosques • 19th-20th century: revival Stained Glass in Ireland St Theresa’s, Dublin National Library, Dublin (Harry Clarke) Bewley’s Café, (Harry Clarke) Grafton Str., Dublin The An Túr Gloine ("Tower of Glass") cooperative studio • 1901 throughout the first half of the 20th century. • artists included Michael Healy, Evie Hone, Beatrice Elvery, Wilhelmina Geddes and founder Sarah Purser. • hoped to provide an alternative to the commercial stained glass imported from England and Germany • "perhaps the most noteworthy example of the newly- awakened desire to foster Irish genius" • Influences: Arts and Crafts Movement, Irish revivalism and the artistic tradition of Celtic manuscript illumination. Influences Design for Trellis Wallpaper, William Morris, 1862 Proserpine, Dante Gabriel Rossetti Harry Clarke (1889-1931) • studied at Belvedere College and the Dublin Metropolitan School of art. • commissions even outside Ireland (Australia, US) • also an illustrator • fine detail of his drawing use of rich colours (especially deep blues) an innovative integration of the window leading • influenced by the Art Nouveau and Art Deco movements the French Symbolist movement the Arts and Crafts movement and the Pre-Raphaelites in Britain the revival of the Celtic tradition Medieval as well as Gothic art Clarke’s Famous Works The Geneva Window St. -
The Banshee's Kiss: Conciliation, Class and Conflict in Cork and The
The Banshee’s Kiss: Conciliation, Class and Conflict in Cork and the All for Ireland League. Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor of Philosophy by Patrick Joseph Murphy. August 2019 1 The Banshee’s Kiss: Conciliation, Class and Conflict in Cork and the All for Ireland League. ABSTRACT Historians have frequently portrayed constitutional nationalism as being homogeneous - ‘the Home Rule movement’- after the reunification of the Irish parliamentary party in 1900. Yet there were elements of nationalist heterodoxy all over the country, but it was only in Cork where dissent took an organised form in the only formal breakaway from the Irish party when the All for Ireland League (A.F.I.L.) was launched in 1910. The AFIL took eight of the nine parliamentary seats in Cork and gained control of local government in the city and county the following year. Existing historical accounts do not adequately explain why support for the Home Rule movement collapsed in Cork, but also why the AFIL flourished there but failed, despite the aspiration of its name, to expand beyond its regional base. The AFIL is chiefly remembered for its visionary policy of conciliation with unionists following the Damascene conversion of its leader William O’Brien, transformed from the enemy of the landed classes to an apostle of a new kind of bi- confessional politics. This would, he claimed, end the ‘Banshee’s Kiss’, a cycle of conflict in which each new generation attempts to achieve Irish freedom. However, conciliation was a policy which was unpopular with both nationalists and unionists and O’Brien therefore needed to develop an electoral base by other means with more popular policies. -
A Most Thankless Job: Augustine Birrell As Irish
A MOST THANKLESS JOB: AUGUSTINE BIRRELL AS IRISH CHIEF SECRETARY, 1907-1916 A Dissertation by KEVIN JOSEPH MCGLONE Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Chair of Committee, R. J. Q. Adams Committee Members, David Hudson Adam Seipp Brian Rouleau Peter Hugill Head of Department, David Vaught December 2016 Major Subject: History Copyright 2016 Kevin McGlone ABSTRACT Augustine Birrell was a man who held dear the classical liberal principles of representative democracy, political freedom and civil liberties. During his time as Irish Chief Secretary from 1907-1916, he fostered a friendly working relationship with the leaders of the Irish Party, whom he believed would be the men to lead the country once it was conferred with the responsibility of self-government. Hundreds of years of religious and political strife between Ireland’s Nationalist and Unionist communities meant that Birrell, like his predecessors, took administrative charge of a deeply polarized country. His friendship with Irish Party leader John Redmond quickly alienated him from the Irish Unionist community, which was adamantly opposed to a Dublin parliament under Nationalist control. Augustine Birrell’s legacy has been both tarnished and neglected because of the watershed Easter Rising of 1916, which shifted the focus of the historiography of the period towards militant nationalism at the expense of constitutional politics. Although Birrell’s flaws as Irish Chief Secretary have been well-documented, this paper helps to rehabilitate his image by underscoring the importance of his economic, social and political reforms for a country he grew to love. -
The Devlinite Irish News, Northern Ireland's "Trapped" Nationalist Minority, and the Irish Boundary Question, 1921-1925
WITHOUT A "DOG'S CHANCE:" THE DEVLINITE IRISH NEWS, NORTHERN IRELAND'S "TRAPPED" NATIONALIST MINORITY, AND THE IRISH BOUNDARY QUESTION, 1921-1925 by James A. Cousins Master ofArts, Acadia University 2000 Bachelor ofArts, Acadia University 1997 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the Department ofHistory © James A. Cousins 2008 SIMON FRASER UNIVERSITY Summer 2008 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission ofthe author. APPROVAL Name: James A. Cousins Degree: Doctor of Philosophy Title ofProject: Without a "Dog's Chance:" The Devlinite Irish News, Northern Ireland's "Trapped" Nationalist Minority, and the Irish Boundary Question, 1921-1925 Examining Committee: Chair Dr. Alexander Dawson, Associate Professor Department ofHistory Dr. John Stubbs, Professor Senior Supervisor Department ofHistory Dr. Wil1een Keough, Assistant Professor Supervisor Department ofHistory Dr. Leith Davis, Professor Supervisor Department ofEnglish Dr. John Craig, Professor Internal Examiner Department ofHistory Dr. Peter Hart, Professor External Examiner Department ofHistory, Memorial University of Newfoundland Date Approved: 11 SIMON FRASER UNIVERSITY LIBRARY Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. -
July Edition 2017
Alan J. Poole Promoting British & Irish Contemporary Glass. 43 Hugh Street, London SW1V 1QJ. ENGLAND. Tel: (00 44) Ø20 7821 6040. Email: [email protected] British & Irish Contemporary Glass Newsletter. A monthly newsletter listing information relating to British & Irish Contemporary Glass events and activities, within the UK, Ireland and internationally. Covering British and Irish based Artists, those living elsewhere and, any foreign nationals that have ever resided or studied for any period of time in the UK or Ireland. JULY EDITION 2017. * indicates new and amended entries since the last edition. EXHIBITIONS, FAIRS, MARKETS & OPEN STUDIO EVENTS. 2016. 17/09/1603/09/17. Summer 2017. Ebeltoft Glasmuseet Collection Exhibition. inc: Lene Bødker. National Glass Centre. Sunderland. GB. Tel: 0191 515 5555. Email: [email protected] Website: http://www.nationalglasscentre.com/about/whatson/details/?id=740&to=2016-10- 18%2000:00:00&from=2016-10-18%2010:00:00 2017. 04/02/1704/09/17. "Glass Microbiology". Luke Jerram Solo Exhibition. The Box @ Bristol Science Centre. Bristol. GB. Tel: 0117 915 1000. Email: [email protected] Website: www.at-bristol.org.uk/event/box-presents-glass-microbiology 18/021731/12/17. "Companion Pieces". Mixed Media Permanent Collection Selected Exhibition. inc: Max Jacquard, Alison Kinnaird M.B.E. & Rachael Woodman. Shipley Art Gallery. Gateshead. GB. Tel: 0191 477 1495. Email: [email protected] Website: https://shipleyartgallery.org.uk/whats-on/companion-pieces 25/03/1701/10/17. "Jewellery: Wearable Glass". inc: James Maskrey, Joanne Mitchell, Ayako Tani & Angela Thwaites. University Of Sunderland. National Glass Centre. Sunderland. GB. Tel: 0191 515 5555. -
August Edition 2017
Alan J. Poole Promoting British & Irish Contemporary Glass. 43 Hugh Street, London SW1V 1QJ. ENGLAND. Tel: (00 44) Ø20 7821 6040. Email: [email protected] British & Irish Contemporary Glass Newsletter. A monthly newsletter listing information relating to British & Irish Contemporary Glass events and activities, within the UK, Ireland and internationally. Covering British and Irish based Artists, those living elsewhere and, any foreign nationals that have ever resided or studied for any period of time in the UK or Ireland. AUGUST EDITION 2017. * indicates new and amended entries since the last edition. EXHIBITIONS, FAIRS, MARKETS & OPEN STUDIO EVENTS. 2016. 17/09/1603/09/17. Summer 2017. Ebeltoft Glasmuseet Collection Exhibition. inc: Lene Bødker. National Glass Centre. Sunderland. GB. Tel: 0191 515 5555. Email: [email protected] Website: http://www.nationalglasscentre.com/about/whatson/details/?id=740&to=2016-10- 18%2000:00:00&from=2016-10-18%2010:00:00 2017. 04/02/1704/09/17. "Glass Microbiology". Luke Jerram Solo Exhibition. The Box @ Bristol Science Centre. Bristol. GB. Tel: 0117 915 1000. Email: [email protected] Website: www.at-bristol.org.uk/event/box-presents-glass-microbiology 18/021731/12/17. "Companion Pieces". Mixed Media Permanent Collection Selected Exhibition. inc: Max Jacquard, Alison Kinnaird M.B.E. & Rachael Woodman. Shipley Art Gallery. Gateshead. GB. Tel: 0191 477 1495. Email: [email protected] Website: https://shipleyartgallery.org.uk/whats-on/companion-pieces 25/03/1701/10/17. "Jewellery: Wearable Glass". inc: James Maskrey, Joanne Mitchell, Ayako Tani & Angela Thwaites. University Of Sunderland. National Glass Centre. Sunderland. GB. Tel: 0191 515 5555.