NATIONAL GALLERY STAFF PUBLICATIONS

April 2016 – March 2017

NELLY VON ADERKAS ALAN CROOKHAM SARAH HERRING Conservation Scientist – Research Centre Manager Isaiah Berlin Associate Curator of Post-1800 Paintings (Organic analysis of paint samples) Book review: Simon Knell, National Galleries: ‘A Critical Reassessment of Six Landscape ‘Goya’s Portraits in the : The Art of Making Nations (Routledge, 2016), Paintings by Charles-François Daubigny Their Technique, Materials and Development’, Museum Worlds: Advances in Research, 4 (2016) belonging to the National Gallery’, National National Gallery Technical Bulletin, vol. 37 ‘Im Angesicht der Moderne. Die Gründung Gallery Technical Bulletin, vol. 37 (2016), (2016), pp. 78–104 (with Marika Spring, der Britischen Nationalsammlung moderner pp. 38–59 (with Hayley Tomlinson, Ashok Roy, Rachel Billinge, Letizia Treves, Catherine ausländischer Gemälde 1914–18’, in Christina Gabriella Macaro and David Peggie) Higgitt, Annelies van Loon and Joris Dik) Kott und Bénédicte Savoy (eds), Mars und ‘Mineral Spirits-based Microemulsions: Museum. Europäische Museen im Ersten Weltkrieg, CATHERINE HIGGITT A Novel Cleaning System for Painted Vienna 2016, pp. 99–116 (with Anne Robbins) Principal Scientific Officer Surfaces’, Journal for the American Institute ‘Goya’s Portraits in the National Gallery: for Conservation, vol. 55, issue 1 (2016), JILL DUNKERTON Their Technique, Materials and Development’, pp. 12–31 (with Bronwyn Ormsby, Senior Restorer National Gallery Technical Bulletin, vol. 37 Mindy Keefe, Alan Phenix, Tom Learner, ‘Pigments, Media and Varnish Layers on the (2016), pp. 78–104 (with Marika Spring, Christopher Tucker and Christopher Kozak) Portrait of Margaret van Eyck’, in C. Currie, Rachel Billinge, Letizia Treves, Nelly von B. Fransen, V. Henderiks, C. Stroo and Aderkas, Annelies van Loon and Joris Dik) SUSANNA AVERY-QUASH D. Vanwijnsberghe (eds), Van Eyck Studies. Senior Research Curator (History of Collecting) Papers Presented at the Eighteenth Symposium LARRY KEITH Exhibition review: ‘Winifred Knights’, for the Study of Underdrawing and Technology Head of Conservation and Keeper, The Burlington Magazine, vol. CLVIII in Painting, Brussels, 19–21 September 2012, and Interim Director of Collections (September 2016), pp. 755–7 Leuven 2017, pp. 271–9 (with Rachel Morrison ‘Colour Change and Restoration’, in Rhiannon Exhibition review: ‘John Gibson’, The Burlington and Ashok Roy) Clarricoates, Helen Dowding and Alexandra Magazine, vol. CLVIII (November 2016), Gent (eds), Colour Change in Paintings, pp. 913–14 GABRIELE FINALDI 2016 Book review: Lucilla Burn, The Fitzwilliam Director ‘Le Christ dans la maison de Marthe et Marie Museum: A History (Philip Wilson, 2016) , The Drawings. Catalogue raisonné de Velázquez: Décoloration et restauration’, The Burlington Magazine, vol. CLVIII (published in conjunction with the exhibition Revue de l’Art, no. 194 (2016) (December 2016), p. 980 Ribera. Master of Drawing, , ; Meadows Museum, Dallas), Madrid ANNA KOOPSTRA RACHEL BILLINGE 2016 (with Elena Cenalmor and Edward Payne); Simon Sainsbury Curatorial Assistant, Paintings before 1500 Research Associate, Conservation Spanish language edition, José de Ribera. Dibujos. ‘A Saint Jerome after Palma il Giovane: ‘Fra Bartolommeo’s Virgin Adoring the Child Catalogo razonado Artistic Invention and the Practice of Painting with Saint Joseph: New Evidence on its Creation Velázquez, Murillo, Sevilla, exh. cat., on Copper in the Age of Printmaking’, and Origins’, National Gallery Technical Bulletin, Fundación Fondo de Cultura de Sevilla in Laura Fuster López et. al., Paintings on vol. 37 (2016), pp. 4–19 (with Chris Fischer (Focus), Seville 2016 Copper and other Metal Plates: Production, and Matthias Wivel) Selected catalogue entries in Letizia Treves et Degradation and Conservation Issues, Valencia ‘Not All Black and White: Drawing in Three al., Beyond , exh. cat., The National 2017, pp. 103–9 (with Roxane Sperber) Flower Paintings by Paulus Theodorus van Gallery, London 2016, pp. 116–21 Brussel’, National Gallery Technical Bulletin, GABRIELLA MACARO vol. 37 (2016), pp. 20–37 (with Marjorie SUSAN FOISTER Scientific Officer – Paintings Analyst Director of Public Engagement (and Deputy Director) E. Wiesman) ‘A Critical Reassessment of Six Landscape Book review: Marisa Anne Bass, Jan Gossart and ‘Goya’s Portraits in the National Gallery: Paintings by Charles-François Daubigny the Invention of Netherlandish Antiquity (Princeton Their Technique, Materials and Development’, belonging to the National Gallery’, 2016), The Art Newspaper, 1 January 2017 National Gallery Technical Bulletin, vol. 37 (2016), National Gallery Technical Bulletin, vol. 37 pp. 78–104 (with Marika Spring, Letizia Treves, (2016), pp. 38–59 (with Sarah Herring, Nelly von Aderkas, Catherine Higgitt, JONATHAN FRANKLIN Librarian Hayley Tomlinson, Ashok Roy and Annelies van Loon and Joris Dik) David Peggie) Contributions to Giorgia Mancini and Nicholas ‘Portrait of the Artist as a Reader: The Fritz Brandtner Library in the National Gallery of ‘A Study of Cuyp’s Materials and Techniques Penny, The Sixteenth-Century Italian Paintings: and their Correlation with the Artist’s Stylistic Volume III Bologna and Ferrara, London 2016 Canada Library and Archives’, National Gallery of Canada Review, vol. 7 (May 2016) Evolution’, in A. Wallert (ed.), Painting ‘Remarks on the Character and Functions in Techniques: History, Materials and Studio Practice, Jan van Eyck’s Underdrawing of Portraits: http://ngcr.utpjournals.press/doi/abs/10.3138/ ngcr.7.Franklin 5th International Symposium, Rijksmuseum, The Case of Margaretha van Eyck. Part 1’, in Amsterdam, 18–20 September 2013, Amsterdam C. Currie, B. Fransen, V. Henderiks, C. Stroo REBECCA GILL 2016, pp. 115–22 (with Libby Sheldon, and D. Vanwijnsberghe (eds), Van Eyck Studies. Howard and Roberta Ahmanson Fellow in Art Marika Spring and Charles Ford) Papers Presented at the Eighteenth Symposium and Religion (from August 2016) for the Study of Underdrawing and Technology ‘Conception and Construction: Galeazzo Alessi ROSALIND MCKEVER in Painting, Brussels, 19–21 September 2012, and the Use of Drawings in Sixteenth Century Harry M. Weinrebe Curatorial Assistant Leuven 2017, pp. 233–40 Architectural Practice’, Architectural History, ‘Benedetta Marinetti and the Postwar Market for 59 (2016), pp. 181–219 Umberto Boccioni Sculptures’, Getty Research CAROLINE CAMPBELL Journal, 9 (2017), pp. 111–26 The Jacob Rothschild Head of the Provenances for Matthias Wivel (ed.), Michelangelo Curatorial Department GILL HART Head of Education & Sebastiano, exh. cat., The National Gallery, ‘Giovanni da Rimini, Scenes from the Lives ‘A Little Less Conversation: Exploring how London 2015, pp. 242–53 of the Virgin and other Saints, 1300–5’ and Choreographed Gallery Experiences can ‘Luca Signorelli, Man on a Ladder, 1504–5’, in Impact upon Depth of Engagement’, Engage The National Gallery Review of the Year: April International Journal of Visual Art and Gallery 2015 – March 2016, London 2016, pp. 10–13 Education, vol. 38, Special Issue on Visual Literacy (December 2016), p. 76

THE NATIONAL GALLERY REVIEW OF THE YEAR 2016 –2017 1 NATIONAL GALLERY STAFF PUBLICATIONS

KATE NOBLE Nelly von Aderkas, Catherine Higgitt, la peinture de Vermeer et de ses contemporains’ Education Researcher Annelies van Loon and Joris Dik) and ‘Invitation à la musique’, in Adriaan Waiboer ‘Picture Thinking: The Development of Visual ‘Fading, Darkening, Browning, Blanching: A et al., Vermeer et les maîtres de la peinture de genre, Literacy in Young Children’, Engage International Review of our Current Understanding of Colour exh. cat., Musée du Louvre, Paris; National Journal of Visual Art and Gallery Education, Change and its Consequences in Old Master Gallery of Ireland, Dublin; and National Gallery vol. 38, Special Issue on Visual Literacy Paintings’, in Rhiannon Clarricoates, Helen of Art, Washington DC 2017, pp. 91–113, (December 2016), pp. 40–51 Dowding and Alexandra Gent (eds), Colour 235–41 Change in Paintings, London 2016, pp. 1–14 ‘Acquisition or Inheritance? Material Goods in JOSEPH PADFIELD ‘Jan van Eyck’s Technique and Materials: Paintings by Vermeer and his Contemporaries’ Principal Scientist Historical Perspectives and Contemporary and ‘Inviting Duets’, in Adriaan Waiboer ‘An Introduction to the Measurement and Context’, in C. Currie, B. Fransen, V. et al., Vermeer and the Masters of Dutch Comparison of Light Sources used within Henderiks, C. Stroo and D. Vanwijnsberghe Genre Painting: Inspiration and Rivalry, exh. Cultural Heritage’, in Rhiannon Clarricoates, (eds), Van Eyck Studies. Papers Presented at cat., National Gallery of Ireland, Dublin; and Helen Dowding and Alexandra Gent (eds), the Eighteenth Symposium for the Study of National Gallery of Art, Washington DC, New Colour Change in Paintings, London 2016, Underdrawing and Technology in Painting, Haven and London 2017, pp. 50–63, 135–39 pp. 90–102 Brussels, 19–21 September 2012, Leuven ‘Bernard Lens’s Miniatures for the Duke and 2017, pp. 195–220 (with Rachel Morrison) Duchess of Marlborough’, Journal of the Historians DAVID A. PEGGIE Scientific Officer – Organic Analyst ‘New Findings on the Painting Medium of of Netherlandish Art, vol. 9, no. 1 (2017) (online ‘A Critical Reassessment of Six Landscape the Washington Annunciation’, in C. Currie, publication) http://jhna.org/index.php/vol-9-1- Paintings by Charles-François Daubigny B. Fransen, V. Henderiks, C. Stroo and D. 2017/365-wieseman-marjorie-e belonging to the National Gallery’, Vanwijnsberghe (eds), Van Eyck Studies. Papers The Leiden Collection (online catalogue). National Gallery Technical Bulletin, vol. 37 Presented at the Eighteenth Symposium for the Entries on works by Gerard ter Borch, (2016), pp. 38–59 (with Sarah Herring, Study of Underdrawing and Technology in Painting, Eglon van der Neer and Caspar Netscher Hayley Tomlinson, Ashok Roy and Brussels, 19–21 September 2012, Leuven 2017, (2017; http://www.theleidencollection.com/) Gabriella Macaro) pp. 282–9 (with Melanie Gifford, John K. Delaney, Suzanne Quillen Lomax and COLIN WIGGINS Special Projects Curator CHLOË REDDAWAY Rachel Morrison) Howard and Roberta Ahmanson ‘Naked Women and Pictures of Jesus’, in George Curator in Art and Religion HAYLEY TOMLINSON Shaw, George Shaw: My Back to Nature, exh. cat., Visualising a Sacred City: London, Art and Conservator The National Gallery, London 2017, pp. 9–13 Religion, London 2016 (co-edited with ‘A Critical Reassessment of Six Landscape Ben Quash and Aaron Rosen) Paintings by Charles-François Daubigny MATTHIAS WIVEL belonging to the National Gallery’, National Curator of 16th-Century Italian Paintings CHRISTOPHER RIOPELLE Gallery Technical Bulletin, vol. 37 (2016), Guest editor (with Piers Baker-Bates, Helen Curator of Post 1800 Paintings pp. 38–59 (with Sarah Herring, Ashok Roy, Glanville, Ann Varick Lauder, Giorgio Editor, Australia’s Impressionists, Tim Bonyhady, Gabriella Macaro and David Peggie) Tagliaferro and Lucia Tantardini), Artibus Allison Goudie, Sarah Thomas and Wayne et Historiae, no. 74 (2016 – special issue in Tunnicliffe, with contributions by Alex J. Taylor, LETIZIA TREVES honour of Paul Joannides) exh. cat., The National Gallery, London 2016 Curator of Italian and Spanish Paintings 1600–1800 ‘Building the Brand. Titian Self-Portraits’, ‘Laurits Andersen Ring, Road in the Village Beyond Caravaggio, exh. cat., The National Gallery, Artibus et Historiae, no. 74 (2016), pp. 119–38 of Baldersbrønde (Winter Day), 1912’, in The London 2016 (with contributions by Aidan ‘Fra Bartolommeo’s Virgin Adoring the Child with National Gallery Review of the Year: April Weston-Lewis, Gabriele Finaldi, Christian Saint Joseph: New Evidence on its Creation 2015–March 2016, London 2016 pp. 14–15 Tico Seifert, Adriaan E. Waiboer, Francesca and Origins’, National Gallery Technical Bulletin, Whitlum-Cooper and Marjorie E. Wieseman) vol. 37 (2016), pp. 4–19 (with Rachel Billinge ANNE ROBBINS ‘Goya’s Portraits in the National Gallery: Their and Chris Fischer) Associate Curator of Post 1800 Paintings Technique, Materials and Development’, Book review: Tom Nichols, Titian and the End of Painters’ Paintings, exh. cat., The National Gallery, National Gallery Technical Bulletin, vol. 37 the Venetian Renaissance (Reaktion Books, 2013), London 2016 (2016), pp. 78–104 (with Marika Spring, Studi Tizianeschi, no. IX (2016), pp. 131–3 ‘Im Angesicht der Moderne. Die Gründung Rachel Billinge, Nelly von Aderkas, Catherine Michelangelo & Sebastiano, exh. cat., The National der Britischen Nationalsammlung moderner Higgitt, Annelies van Loon and Joris Dik) Gallery, London, 2017 (with contributions by ausländischer Gemälde 1914–18’, in Christina Passione Barocco: Collezione Ducrot, Rome 2016 Piers Baker-Bates, Costanza Barbieri, Silvia Kott und Bénédicte Savoy (eds), Mars und Danesi Squarzina, Timothy Verdon, Paul Museum. Europäische Museen im Ersten Weltkrieg, FRANCESCA WHITLUM-COOPER Joannides, Allison Goudie, Minna Moore Vienna 2016, pp. 99–116 (with Alan Crookham) Associate Curator of Paintings 1600–1800 Ede and Jennifer Sliwka) Contributions to Letizia Treves et al., Beyond MARIKA SPRING Caravaggio, exh. cat., The National Gallery, RICHARD WRAGG Head of Science London 2016 Archivist Contributions to Giorgia Mancini and Nicholas ‘A Civic Relationship: The Guild Book of the Penny, The Sixteenth-Century Italian Paintings: MARJORIE E. WIESEMAN Barbers and Surgeons of York as an Expression Volume III Bologna and Ferrara, London 2016 Curator of Dutch and Flemish Paintings 1600–1800 of Professional Status and City Authority’, ‘A Study of Cuyp’s Materials and Techniques ‘Savvy and Stylish: The Portrait Painting Career in Gregory Hulsman and Caoimhe Whelan and their Correlation with the Artist’s Stylistic of Godefridus Schalcken’, Wallraf-Richarts (eds), Occupying Space in Medieval and Early Evolution’, in A. Wallert (ed.), Painting Jahrbuch, 77 (2016), pp. 55–70 Modern Britain and Ireland, Court Cultures Techniques: History, Materials and Studio Practice, Contributions (selected catalogue entries of the Middle Ages and Renaissance, 4, 5th International Symposium, Rijksmuseum, and artists’ biographies) to Letizia Treves Oxford 2016, pp. 235–52 Amsterdam, 18–20 September 2013, Amsterdam et al., Beyond Caravaggio, exh. cat., The 2016, pp. 115–22 (with Libby Sheldon, National Gallery, London 2016 Gabriella Macaro and Charles Ford) ‘Not All Black and White: Drawing in Three ‘Goya’s Portraits in the National Gallery: Flower Paintings by Paulus Theodorus van Their Technique, Materials and Development’, Brussel’, National Gallery Technical Bulletin, National Gallery Technical Bulletin, vol. 37 (2016), vol. 37 (2016), pp. 20–37 (with Rachel Billinge) pp. 78–104 (with Rachel Billinge, Letizia Treves, ‘Acquisition ou héritage? Les biens matériels dans

THE NATIONAL GALLERY REVIEW OF THE YEAR 2016 –2017 2 NATIONAL GALLERY STAFF EXTERNAL COMMITMENTS

April 2016 – March 2017

PAUL ACKROYD GABRIELE FINALDI CATHERINE HIGGITT Restorer Director Principal Scientific Officer Visiting Lecturer and External Examiner, Ex-officio Member of the Committee, Users’ Group for Conservation and Technology Department, Expert Advisor to the DCMS referring cases Mass Spectrometry and Chromatography The Courtauld Institute of Art to the Reviewing Committee on the Export (MaSC) Visiting Lecturer, Stichting Restauratie of Works of Art Member of the Staffordshire Hoard Research Atelier Limburg, Maastricht Member of the Board of Electors to the Slade Project Advisory Panel Professorship of Fine Art, University of Oxford Member of the Arts and Humanities Research SUSANNA AVERY-QUASH Member of the Advisory Board of the Council (AHRC) peer review college Senior Research Curator (History of Collecting) Government Art Collection Board Member, TIAMSA (The International LARRY KEITH Art Market Studies Association) Trusteeships and Memberships Head of Conservation and Keeper, Board Member, The Society for the History Trustee of the Burlington Magazine Foundation and Interim Director of Collections of Collecting (June 2015) External Examiner, Conservation of Easel Board Member, Leonardo da Vinci Society Member of the International Advisory Board Paintings postgraduate course, The Courtauld Senior Research Fellow, Humanities Research of the State Hermitage Museum Institute of Art Institute, University of Buckingham Non-Executive Director of National Gallery Conservation Advisor, Heritage Fellow of the Society of Antiquaries of London Company (August 2015) Conservation Trust External Examiner for BA (Hons) Art History, Member of the Comitato Scientifico Fondazione Member of the Rubens Ceiling Advisory Board, School of Humanities & Performing Arts, De Vito, Florence Banqueting House, Whitehall University of Plymouth Member of the Courtauld Institute of Art Member of the restoration committee for Specialist Volunteer, The National Trust Governing Board (July 2016) the Rubenshuis Rubens Self Portrait and Member of the Working Group for the National Member of the Courtauld Institute of Art Gallery Van Dyck Saint Matthew Museums Directors’ Council established to Committee (Governing Board) (October 2016) examine the issues surrounding the spoliation DENISE KING Member of the Editorial Board of Reales Sitios Photography and Imaging Manager of works of art during the Holocaust and (November 2016) World War II Member of the Committee and Events Liaison Académico correspondiente of the Real Officer, Association for Historical and Fine Academía de Bellas Artes de San Fernando, Art Photography CHRISTINA BRADSTREET Madrid (November 2016) Courses and Events Programmer MATTHEW MORGAN Honorary Secretary of the Association SUSAN FOISTER of Art Historians Adult Learning Programmer Director of Public Engagement (and Deputy Director) Trustee, The Upper Room Member of the Advisory Board, Cranach Associate Lecturer, Birkbeck College, CAROLINE CAMPBELL Digital Archive The Jacob Rothschild Head University of London, Department of of the Curatorial Department Member of the Scientific Committee for the Media and Cultural Studies Council Member, Society for exhibition Lucas Cranach der Ältere: Meister Governor, All Saints School, Fulham Renaissance Studies Marke Moderne, Kunstpalast Dusseldorf Member, Designation Panel, (8 April–30 July 2017) DEBORAH MYERS Arts Council England Head of Development JONATHAN FRANKLIN Member of the Planned Giving Member of the International Advisory Board Librarian of Studies for the Courtauld Institute of Art Committee, UJIA Member of the Art Libraries Section Standing Board member, Finchley Federation Department of Conservation and Technology Committee, International Federation of Library Associations and Institutions RACHEL CRADDOCK BRITTA NEW Young People’s Programmer Conservator REBECCA GILL Member of the Council, Engage (National Visiting Lecturer, Conservation of Easel Howard and Roberta Ahmanson Fellow Paintings course at the Stichting Restauratie Association of Gallery Education) in Art and Religion (from August 2016) Atelier Limburg (SRAL), Maastricht Visiting Research Fellow, Research Centre for (University of Amsterdam) ALAN CROOKHAM Arts and the Sacred at King’s College, London Research Centre Manager Niki Fellow, Dutch Institute of History of Convenor, Archives and Society Seminars, DAVID A. PEGGIE Art, Florence Institute of Historical Research, Scientific Officer – Organic Analyst University of London Member of the Committee, Users’ LYNNE HARRISON Group for Mass Spectrometry and Member, Committee for Art and Design Conservator Chromatography (MaSC) Archives (CADA), ARLIS UK & Ireland Consultant / Contributor to the Getty Research Member, National Cataloguing Grants Project, Ancient Panel Paintings Examination, Programme Panel, The National Archives CHLOË REDDAWAY Analysis and Research (APPEAR) Howard and Roberta Ahmanson Member, Peer Review College, Arts and Member of the Feasibility study group Curator in Art and Religion Humanities Research Council (AHRC) for Microclimate Enclosures for the Visiting Research Fellow, Research Centre for Ghent Altarpiece Arts and the Sacred at King’s College London JILL DUNKERTON Member of the International Advisory Board Senior Restorer Co-editor, Arts and the Sacred series, Brepols of Studies for the Courtauld Institute of Art Member of the Advisory Committee Research group member: Duke Initiatives in Department of Conservation and Technology for the cleaning of the Ghent Altarpiece, Theology and the Arts, Theology, the Arts, Sint Baafskathedraal, Ghent and Modernity GILL HART Advisor, Art and Christianity Enquiry Member of the International Commission Head of Education for the restoration of Giovanni Bellini’s Committee Member, Trialogue conference Trustee for King Street Housing Alumna Associate, Westminster Abbey Institute The Drunkenness of Noah, Musée des Member of a What Next? chapter Beaux-arts et d’archéologie de Besançon Member: Society for the Study of Theology; Member of the Women’s Cultural Leadership Art and Christianity Enquiry; Society for the Member of the Editorial Advisory Board Network (WCLN) for the Boletín del Museo del Prado Arts in Religious and Theological Studies

THE NATIONAL GALLERY REVIEW OF THE YEAR 2016 –2017 3 NATIONAL GALLERY STAFF EXTERNAL COMMITMENTS

RUPERT SHEPHERD Collection Information Manager Member of the Steering Committee, Art UK sculpture project Member of the Advisory Group, ResearchSpace Fellow of the Society of Antiquaries of London Contributor to review of Spectrum: The UK Collections Management Standard, version 5 Advisor on documentation and collection for Wimbledon Lawn Tennis Museum, The Fleming-Wyfold Art Foundation and Campion Hall (University of Oxford)

MARIKA SPRING Head of Science Member of the International Advisory Board of Studies for the Courtauld Institute of Art Department of Conservation and Technology Member of the Advisory Committee for the cleaning of the Ghent Altarpiece, Sint Baafskathedraal, Ghent

HAYLEY TOMLINSON Conservator Council Member of the British Association of Paintings Conservator-Restorers

LETIZIA TREVES Curator of Italian and Spanish Paintings 1600–1800 Member of ARTES Auckland Castle Trust, Spanish Advisory Panel

MARJORIE E. WIESEMAN Curator of Dutch and Flemish Paintings 1600–1800 Member, CODART (Curators of Dutch and Flemish Art) Executive Committee, ALCS (Association for Low Country Studies) Member, Committee for Low Countries Studies in London

MATTHIAS WIVEL Curator of 16th-Century Italian Paintings Expert Advisor to the DCMS referring cases to the Reviewing Committee on the Export of Works of Art External peer reviewer for Statens Museum for Kunst’s journal Perspective (Copenhagen) Co-Supervisor, University of Warwick/ The National Gallery, AHRC Collaborative Doctoral Partnership Warburg/NG collaborative MA: supervision/marking

RICHARD WRAGG Archivist Editor, Archives and Records Association, ARC Magazine Member of the Archives and Records Association Registration Scheme Committee Membership Secretary for The Association for Manuscripts and Archives in Research Collections

THE NATIONAL GALLERY REVIEW OF THE YEAR 2016 –2017 4