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Staff Publications and Commitments NATIONAL GALLERY STAFF PUBLICATIONS April 2016 – March 2017 NELLY VON ADERKAS ALAN CROOKHAM SARAH HERRING Conservation Scientist – Research Centre Manager Isaiah Berlin Associate Curator of Post-1800 Paintings (Organic analysis of paint samples) Book review: Simon Knell, National Galleries: ‘A Critical Reassessment of Six Landscape ‘Goya’s Portraits in the National Gallery: The Art of Making Nations (Routledge, 2016), Paintings by Charles-François Daubigny Their Technique, Materials and Development’, Museum Worlds: Advances in Research, 4 (2016) belonging to the National Gallery’, National National Gallery Technical Bulletin, vol. 37 ‘Im Angesicht der Moderne. Die Gründung Gallery Technical Bulletin, vol. 37 (2016), (2016), pp. 78–104 (with Marika Spring, der Britischen Nationalsammlung moderner pp. 38–59 (with Hayley Tomlinson, Ashok Roy, Rachel Billinge, Letizia Treves, Catherine ausländischer Gemälde 1914–18’, in Christina Gabriella Macaro and David Peggie) Higgitt, Annelies van Loon and Joris Dik) Kott und Bénédicte Savoy (eds), Mars und ‘Mineral Spirits-based Microemulsions: Museum. Europäische Museen im Ersten Weltkrieg, CATHERINE HIGGITT A Novel Cleaning System for Painted Vienna 2016, pp. 99–116 (with Anne Robbins) Principal Scientific Officer Surfaces’, Journal for the American Institute ‘Goya’s Portraits in the National Gallery: for Conservation, vol. 55, issue 1 (2016), JILL DUNKERTON Their Technique, Materials and Development’, pp. 12–31 (with Bronwyn Ormsby, Senior Restorer National Gallery Technical Bulletin, vol. 37 Mindy Keefe, Alan Phenix, Tom Learner, ‘Pigments, Media and Varnish Layers on the (2016), pp. 78–104 (with Marika Spring, Christopher Tucker and Christopher Kozak) Portrait of Margaret van Eyck’, in C. Currie, Rachel Billinge, Letizia Treves, Nelly von B. Fransen, V. Henderiks, C. Stroo and Aderkas, Annelies van Loon and Joris Dik) SUSANNA AVERY-QUASH D. Vanwijnsberghe (eds), Van Eyck Studies. Senior Research Curator (History of Collecting) Papers Presented at the Eighteenth Symposium LARRY KEITH Exhibition review: ‘Winifred Knights’, for the Study of Underdrawing and Technology Head of Conservation and Keeper, The Burlington Magazine, vol. CLVIII in Painting, Brussels, 19–21 September 2012, and Interim Director of Collections (September 2016), pp. 755–7 Leuven 2017, pp. 271–9 (with Rachel Morrison ‘Colour Change and Restoration’, in Rhiannon Exhibition review: ‘John Gibson’, The Burlington and Ashok Roy) Clarricoates, Helen Dowding and Alexandra Magazine, vol. CLVIII (November 2016), Gent (eds), Colour Change in Paintings, pp. 913–14 GABRIELE FINALDI London 2016 Book review: Lucilla Burn, The Fitzwilliam Director ‘Le Christ dans la maison de Marthe et Marie Museum: A History (Philip Wilson, 2016) Jusepe de Ribera, The Drawings. Catalogue raisonné de Velázquez: Décoloration et restauration’, The Burlington Magazine, vol. CLVIII (published in conjunction with the exhibition Revue de l’Art, no. 194 (2016) (December 2016), p. 980 Ribera. Master of Drawing, Museo del Prado, Madrid; Meadows Museum, Dallas), Madrid ANNA KOOPSTRA RACHEL BILLINGE 2016 (with Elena Cenalmor and Edward Payne); Simon Sainsbury Curatorial Assistant, Paintings before 1500 Research Associate, Conservation Spanish language edition, José de Ribera. Dibujos. ‘A Saint Jerome after Palma il Giovane: ‘Fra Bartolommeo’s Virgin Adoring the Child Catalogo razonado Artistic Invention and the Practice of Painting with Saint Joseph: New Evidence on its Creation Velázquez, Murillo, Sevilla, exh. cat., on Copper in the Age of Printmaking’, and Origins’, National Gallery Technical Bulletin, Fundación Fondo de Cultura de Sevilla in Laura Fuster López et. al., Paintings on vol. 37 (2016), pp. 4–19 (with Chris Fischer (Focus), Seville 2016 Copper and other Metal Plates: Production, and Matthias Wivel) Selected catalogue entries in Letizia Treves et Degradation and Conservation Issues, Valencia ‘Not All Black and White: Drawing in Three al., Beyond Caravaggio, exh. cat., The National 2017, pp. 103–9 (with Roxane Sperber) Flower Paintings by Paulus Theodorus van Gallery, London 2016, pp. 116–21 Brussel’, National Gallery Technical Bulletin, GABRIELLA MACARO vol. 37 (2016), pp. 20–37 (with Marjorie SUSAN FOISTER Scientific Officer – Paintings Analyst Director of Public Engagement (and Deputy Director) E. Wiesman) ‘A Critical Reassessment of Six Landscape Book review: Marisa Anne Bass, Jan Gossart and ‘Goya’s Portraits in the National Gallery: Paintings by Charles-François Daubigny the Invention of Netherlandish Antiquity (Princeton Their Technique, Materials and Development’, belonging to the National Gallery’, 2016), The Art Newspaper, 1 January 2017 National Gallery Technical Bulletin, vol. 37 (2016), National Gallery Technical Bulletin, vol. 37 pp. 78–104 (with Marika Spring, Letizia Treves, (2016), pp. 38–59 (with Sarah Herring, Nelly von Aderkas, Catherine Higgitt, JONATHAN FRANKLIN Librarian Hayley Tomlinson, Ashok Roy and Annelies van Loon and Joris Dik) David Peggie) Contributions to Giorgia Mancini and Nicholas ‘Portrait of the Artist as a Reader: The Fritz Brandtner Library in the National Gallery of ‘A Study of Cuyp’s Materials and Techniques Penny, The Sixteenth-Century Italian Paintings: and their Correlation with the Artist’s Stylistic Volume III Bologna and Ferrara, London 2016 Canada Library and Archives’, National Gallery of Canada Review, vol. 7 (May 2016) Evolution’, in A. Wallert (ed.), Painting ‘Remarks on the Character and Functions in Techniques: History, Materials and Studio Practice, Jan van Eyck’s Underdrawing of Portraits: http://ngcr.utpjournals.press/doi/abs/10.3138/ ngcr.7.Franklin 5th International Symposium, Rijksmuseum, The Case of Margaretha van Eyck. Part 1’, in Amsterdam, 18–20 September 2013, Amsterdam C. Currie, B. Fransen, V. Henderiks, C. Stroo REBECCA GILL 2016, pp. 115–22 (with Libby Sheldon, and D. Vanwijnsberghe (eds), Van Eyck Studies. Howard and Roberta Ahmanson Fellow in Art Marika Spring and Charles Ford) Papers Presented at the Eighteenth Symposium and Religion (from August 2016) for the Study of Underdrawing and Technology ‘Conception and Construction: Galeazzo Alessi ROSALIND MCKEVER in Painting, Brussels, 19–21 September 2012, and the Use of Drawings in Sixteenth Century Harry M. Weinrebe Curatorial Assistant Leuven 2017, pp. 233–40 Architectural Practice’, Architectural History, ‘Benedetta Marinetti and the Postwar Market for 59 (2016), pp. 181–219 Umberto Boccioni Sculptures’, Getty Research CAROLINE CAMPBELL Journal, 9 (2017), pp. 111–26 The Jacob Rothschild Head of the Provenances for Matthias Wivel (ed.), Michelangelo Curatorial Department GILL HART Head of Education & Sebastiano, exh. cat., The National Gallery, ‘Giovanni da Rimini, Scenes from the Lives ‘A Little Less Conversation: Exploring how London 2015, pp. 242–53 of the Virgin and other Saints, 1300–5’ and Choreographed Gallery Experiences can ‘Luca Signorelli, Man on a Ladder, 1504–5’, in Impact upon Depth of Engagement’, Engage The National Gallery Review of the Year: April International Journal of Visual Art and Gallery 2015 – March 2016, London 2016, pp. 10–13 Education, vol. 38, Special Issue on Visual Literacy (December 2016), p. 76 THE NATIONAL GALLERY REVIEW OF THE YEAR 2016 –2017 1 NATIONAL GALLERY STAFF PUBLICATIONS KATE NOBLE Nelly von Aderkas, Catherine Higgitt, la peinture de Vermeer et de ses contemporains’ Education Researcher Annelies van Loon and Joris Dik) and ‘Invitation à la musique’, in Adriaan Waiboer ‘Picture Thinking: The Development of Visual ‘Fading, Darkening, Browning, Blanching: A et al., Vermeer et les maîtres de la peinture de genre, Literacy in Young Children’, Engage International Review of our Current Understanding of Colour exh. cat., Musée du Louvre, Paris; National Journal of Visual Art and Gallery Education, Change and its Consequences in Old Master Gallery of Ireland, Dublin; and National Gallery vol. 38, Special Issue on Visual Literacy Paintings’, in Rhiannon Clarricoates, Helen of Art, Washington DC 2017, pp. 91–113, (December 2016), pp. 40–51 Dowding and Alexandra Gent (eds), Colour 235–41 Change in Paintings, London 2016, pp. 1–14 ‘Acquisition or Inheritance? Material Goods in JOSEPH PADFIELD ‘Jan van Eyck’s Technique and Materials: Paintings by Vermeer and his Contemporaries’ Principal Scientist Historical Perspectives and Contemporary and ‘Inviting Duets’, in Adriaan Waiboer ‘An Introduction to the Measurement and Context’, in C. Currie, B. Fransen, V. et al., Vermeer and the Masters of Dutch Comparison of Light Sources used within Henderiks, C. Stroo and D. Vanwijnsberghe Genre Painting: Inspiration and Rivalry, exh. Cultural Heritage’, in Rhiannon Clarricoates, (eds), Van Eyck Studies. Papers Presented at cat., National Gallery of Ireland, Dublin; and Helen Dowding and Alexandra Gent (eds), the Eighteenth Symposium for the Study of National Gallery of Art, Washington DC, New Colour Change in Paintings, London 2016, Underdrawing and Technology in Painting, Haven and London 2017, pp. 50–63, 135–39 pp. 90–102 Brussels, 19–21 September 2012, Leuven ‘Bernard Lens’s Miniatures for the Duke and 2017, pp. 195–220 (with Rachel Morrison) Duchess of Marlborough’, Journal of the Historians DAVID A. PEGGIE Scientific Officer – Organic Analyst ‘New Findings on the Painting Medium of of Netherlandish Art, vol. 9, no. 1 (2017) (online ‘A Critical Reassessment of Six Landscape the Washington Annunciation’, in C. Currie, publication) http://jhna.org/index.php/vol-9-1- Paintings by Charles-François Daubigny
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