NATIONAL GALLERY STAFF PUBLICATIONS

April 2018 – March 2019

PAUL ACKROYD RACHEL BILLINGE THOMAS DALLA COSTA Restorer Research Associate, Conservation Harry M. Weinrebe Curatorial Fellow Catalogue entry, in J. Molina Figueras (ed.), ‘The Beaune Last Judgement. Sorting out ‘Drawings and Draughtsmanship in Sixteenth- Bartolomé Bermejo, exh. cat., Museo Nacional Rogier van der Weyden and his Assistants’, Century Venice: Tintoretto and Veronese del Prado, Madrid, and Museu Nacional d’Art in A. Dubois, J. Couvert and T.-H. Borchert in Comparison’, Artibus et Historiae, no. 78, de Catalunya, Barcelona 2018–19, pp. 124–8 (eds), Technical Studies of Paintings: Problems of XXXIX (2018), pp. 141–54 (with L. Treves). Attribution (15th-17th Centuries): Papers presented ‘I disegni preparatori: il processo creativo di at the Nineteenth Symposium for the Study of Paolo Veronese tra dato visibile e invisibile’, SUSANNA AVERY-QUASH Underdrawing and Technology in Painting held in in F. Magani, C. Scardellato and G. Falezza Senior Research Curator (History of Collecting) Bruges, 11–13 September 2014, 2018, pp. 26–49 (eds), Paolo Veronese. Nuovi studi e ricerche, ‘The Georgian London Town House: Building, (with G. Steyaert) Venice 2018, pp. 24–43 Collecting and Display, London 2018 ‘Giovanni Bellini’s Painting Technique’, Tintoretto in Venice. A Guide, Venice 2018 (editor, with K. Retford) National Gallery Technical Bulletin, vol. 39 (editor, with B. Echols and F. Ilchman) ‘John Julius Angerstein and the Development (2018), pp. 4–25 (J. Dunkerton and Book review: D. Gisolfi, Paolo Veronese and the of his Art Collection at No. 100, Pall Mall, M. Spring, with R. Billinge and C. Higgitt, Practice of Painting in Late Renaissance Venice London’, in S. Avery-Quash and K. Retford and contributions from D.A. Peggie and (Yale University Press, 2017), caa.reviews (eds), The Georgian London Town House: C. Campbell) (March 2019) Building, Collecting and Display, London 2018, ‘Catalogue’, National Gallery Technical Bulletin, pp. 247–66 vol. 39 (2018), pp. 26–105 (J. Dunkerton JILL DUNKERTON ‘John Gibson’s Friendship with Charles and M. Spring, with R. Billinge and C. Senior Restorer Eastlake and its Importance in Securing Higgitt, and contributions from D.A. Peggie, ‘Mantegna and Bellini: Contrasting Approaches Gibson’s Reputation in London’, Tate Papers, G. Macaro, R. Morrison, R. Bellucci, J.-B. to Technique’, in C. Campbell, D. Korbacher, no. 29 (Spring 2018): www.tate.org.uk/ Bodiguel and C. Pasquali) N. Rowley and S. Vowles (eds), Mantegna and research/publications/tate-papers/29/john- Bellini, exh. cat., The National Gallery, gibsoncharles-eastlake CAROLINE CAMPBELL London 2018, pp. 51–67 (with B. Hartwieg) ‘Pre-Van Eycks’: The Influence of Early Director of Collections and Research ‘Giovanni Bellini’s Painting Technique’, National Netherlandish and German Art on the Mantegna and Bellini, exh. cat., The National Gallery Technical Bulletin, vol. 39 (2018), PreRaphaelites’, in M.E. Buron, Truth and Gallery, London 2018 (editor, with D. pp. 4–25 (J. Dunkerton and M. Spring, with Beauty: The Pre-Raphaelites and the Old Masters, Korbacher, N. Rowley and S. Vowles) R. Billinge and C. Higgitt, and contributions exh. cat., Legion of Honor, Fine Arts Museums ‘Samuel Courtauld: Man and Collector’, from D.A. Peggie and C. Campbell) of San Francisco 2018, pp. 31–8 in A. Robbins, Courtauld Impressionists: ‘Catalogue’, National Gallery Technical Bulletin, ‘“Substituting an approach to historical From Manet to Cézanne, exh. cat., vol. 39 (2018), pp. 26–105 (J. Dunkerton evidence for the vagueness of speculation”: The National Gallery, London 2018, pp. 8–17 and M. Spring, with R. Billinge and C. Charles Lock Eastlake and Johann Contributions to ‘Giovanni Bellini’s Painting Higgitt, and contributions from D.A. Peggie, David Passavant’s contribution to the Technique’, National Gallery Technical Bulletin, G. Macaro, R. Morrison, R. Bellucci, J.-B. professionalization of art-historical study vol. 39 (2018), pp. 4–25 (J. Dunkerton and Bodiguel and C. Pasquali) through source-based research’, Journal of Art M. Spring, with R. Billinge and C. Higgitt, ‘Restored to the Light: Giovanni Bellini’s Historiography, no. 18 (June 2018), pp. 1–49: and contributions from D.A. Peggie and The Assassination of Saint Peter Martyr’, arthistoriography.files.wordpress.com/2018/05/ C. Campbell) National Gallery Technical Bulletin, vol. 39 avery-quash-and-meyer.pdf (with C. Meyer) ‘Painting for Palaces’, in A. Schumacher (2018), pp. 106–23 Book review: ‘A Connoisseur and His Clients: (ed.), Florence and its Painters: From Giotto ‘Painting Techniques in Sixteenth–Century The Correspondence of Charles Fairfax Murray to Leonardo da Vinci, exh. cat., Bayerische Venice’, in B. Eclercy and H. Aurenhammer with Burton, Bode and Meyer (1867–1914)’, ed. Staatsgemäldesammlungen, Munich 2018, (eds), Titian and the Renaissance in Venice, exh. P. Tucker, Walpole Society (2017), The Burlington pp. 59–70 cat., Städel Museum, Frankfurt 2019, pp. 29–36 Magazine, vol. CLX (January 2018), pp. 883–4 Book review: ‘“I consider I am now to collect CARLO CORSATO GABRIELE FINALDI facts not form theories”: Mary Merrifield Educator Director and empirical research into technical art ‘Colour of Devotion: Veronese’s Crucifixion in ‘The Greatest Thing in the World’, in history during the 1840s: review of Giovanni the Musée du Louvre’, Artibus et Historiae, no. Sorolla: Spanish Master of Light, exh. cat., Mazzaferro, La Donna che amava I colori: 78, XXXIX (2018), pp. 125–40 The National Gallery, London 2019, pp. 8–15 Mary P. Merrifield: Lettere dall’Italia, 1845–1846’ Exhibition review: Ribera: Art of Violence, (Officina Libraria, 2018), Journal of Art ALAN CROOKHAM Dulwich Picture Gallery, London, Historiography, no. 19 (December 2018), Research Centre Manager The Burlington Magazine, vol. CLXI pp. 1–18 ‘Curatorial and Archival Approaches to the (January 2019), pp. 58–60 National Gallery Archives’, Archives and Records: The Journal of the Archives and Records Association, JONATHAN FRANKLIN vol. 39, issue 1 (Spring 2018) (with R. Wragg) Librarian ‘Another Piece of the Mosaic. Trecento ‘Museum Libraries and Library History: Influences on The Albert Memorial’, Predella. Joining the Research Conversation at the Journal of Visual Arts, no. 41–2 (2017: published National Gallery’, Art Libraries Journal, vol. 44, September 2018) no. 1 (January 2019), pp. 19–22

THE NATIONAL GALLERY REVIEW OF THE YEAR 2018–2019 1 NATIONAL GALLERY STAFF PUBLICATIONS

ELENA GREER CATHERINE HIGGITT KRISTINA MANDY Author, Collections Information Project Principal Scientific Officer Assistant Conservator ‘Sir Frederic Burton and the Controversy of Art- ‘Giovanni Bellini’s Painting Technique’, ‘Notes from a Studio: The Patrick Lindsay Historical Expertise at the National Gallery, National Gallery Technical Bulletin, vol. 39 Conservation Fellowship at the National London, in the Late Nineteenth Century’, (2018), pp. 4–25 (J. Dunkerton and Gallery, London’, The Picture Restorer, vol. 53 Journal of Art Historiography, no. 18 (June 2018) M. Spring, with R. Billinge and C. Higgitt, (2018), pp. 28–33 (with A. Casaccia and Entries on Italian and Northern European and contributions from D.A. Peggie and C. Shepherd) Renaissance painting, in L. Beard (ed.), C. Campbell) 30-Second Great Art: From Masaccio to Matisse, ‘Catalogue’, National Gallery Technical Bulletin, MARTA MELCHIORRE DI CRESCENZO 50 artworks that changed the way we see things, vol. 39 (2018), pp. 26–105 (J. Dunkerton Scientist Brighton 2018 and M. Spring, with R. Billinge and ‘Identification, Characterisation and Mapping C. Higgitt, and contributions from D.A. of Calomel as “mercury white”, a previously LYNNE HARRISON Peggie, G. Macaro, R. Morrison, R. Bellucci, undocumented pigment from South America, Conservator J.-B. Bodiguel and C. Pasquali) and its use on a barniz de Pasto cabinet at the ‘Palaeoproteomic Profiling of Conservation ‘Finding Common Ground: The Role of Victoria and Albert Museum’, Microchemical Layers on a 14th Century Italian Wall Painting’, Preventive Conservation in Response to the Journal, vol. 143 (December 2018), pp. 220–7: Angewandte Chemie, vol. 25 (March 2018): Expectations of Contemporary Audiences doi.org/10.1016/j.microc.2018.08.010 DOI: 10.1002/anie.201713020 (E. Cappellini, at the National Gallery, London’, Studies in (L. Burgio, D. Melchar, S. Strekopytov, M. Mackie, P. Rüther, D. Samodova, F. di Conservation, vol. 63 (2018), pp. 101–7 D.A. Peggie, M. Melchiorre Di Crescenzo, Gianvincenzo, C. Granzotto, D. Lyon, D.A. (with L. Harrison and J. Padfield) B. Keneghan, J. Najorka, T. Goral, Peggie, H. Howard, L. Harrison, L.J. Jensen ‘Variations on a Theme: Re-evaluating the A. Garbout and B.L. Clark) and J.V. Olsen) Performance of Modified Microclimates for the ‘The Scientific Examination of Polychrome ‘Pastel Roundtable: A Study Day at the National Protection of Old Master Paintings’, The Picture Sculptures in Friuli (Italy): New Insights Gallery, London April 30, 2018’, Journal of Paper Restorer, vol. 52 (Spring 2018), pp. 22–31 into the Materials and Painting Techniques Conservation, vol. 19, issue 1 (2018), pp. 33–5: (with L. Harrison and D. Saunders) of German Workshops from the 17th to the DOI: 10.1080/18680860.2019.1580005 (with late 18th Century’, in De Roemer, Carrason L. Sauvage and H. Stratis) HELEN HOWARD and Bruquetas (eds), Flesh-Tones in Polychrome ‘Protecting Paintings from Vandalism: Updating Senior Scientist Sculpture, proceedings of the Interim meeting of the Rapid Response Procedures at the National ‘Palaeoproteomic Profiling of Conservation ICOM-CC working group of Sculpture, Polychromy Gallery, London’, CeROArt, HS | 2018: Layers on a 14th Century Italian Wall Painting’, and Architectural Decorations, Madrid, 19–20 http://journals.openedition.org/ceroart/5629 Angewandte Chemie, vol. 25 (March 2018): November 2015, Madrid 2018, pp. 65–81 (with M. Blewett and D.A. Peggie) DOI: 10.1002/anie.201713020 (E. Cappellini, (M. Melchiorre Di Crescenzo, G. Perusini, ‘Finding Common Ground: The Role of M. Mackie, P. Rüther, D. Samodova, M. Visentin and M. Favaro) Preventive Conservation in Response to F. di Gianvincenzo, C. Granzotto, D. Lyon, ‘Scientific Characterisation of the Dyes, the Expectations of Contemporary Audiences D.A. Peggie, H. Howard, L. Harrison, Pigments, Fibres and Wood used in the at the National Gallery, London’, Studies L.J. Jensen and J.V. Olsen) Production of Barkcloth from Pacific Islands’, in Conservation, vol. 63 (2018), pp. 101–7 Archaeological and Anthropological Sciences, (with C. Higgitt and J. Padfield) JOOST JOUSTRA vol. 11, pp. 3121–41 (on-line November 2018; ‘Variations on a Theme: Re-evaluating the The Howard and Roberta Ahmanson print July 2019): doi.org/10.1007/s12520-018- Performance of Modified Microclimates for Fellow in Art and Religion 0745-0 (D. Tamburini, C.R. Cartwright, the Protection of Old Master Paintings’, https://thevcs.org/time-change M. Melchiorre Di Crescenzo and G. Rayner) The Picture Restorer, vol. 52 (Spring 2018), Exhibition review: Florence and its Painters: From pp. 22–31 (with D. Saunders and C. Higgitt) Giotto to Leonardo da Vinci, Alte Pinakothek, RACHEL MORRISON Book review: M. Stols-Witlox, A Perfect Munich, The Burlington Magazine, vol. CLXI Scientific Officer - Organic Analyst Ground: Preparatory Layers for Oil Paintings (January 2019), pp. 63–5 Contributions to ‘Catalogue’, National Gallery 1550–1900 (Archetype Publications, Book review: ‘Sculpture and Subject’: A.R. Technical Bulletin, vol. 39 (2018), pp. 26–105 2018), Journal of the Institute of Conservation, Bloch, Lorenzo Ghiberti’s Gates of Paradise, (J. Dunkerton and M. Spring, with R. Billinge vol. 41, issue 3 (2019), pp. 246–8: DOI: (Cambridge University Press, 2016) and and C. Higgitt, and contributions from D.A. 10.1080/19455224.2018.1522843 J.T. Paoletti, Michelangelo’s David (Cambridge Peggie, G. Macaro, R. Morrison, R. Bellucci, University Press, 2015), Oxford Art Journal, J.-B. Bodiguel and C. Pasquali) DANIEL F. HERRMANN vol. 41, issue 2 (2018), pp. 303–7 Curator of Special Projects BRITTA NEW ‘Westward’, in C. Riopelle (ed.), Ed Ruscha: FREDDIE LAW TURNER Conservator Course of Empire, exh. cat., The National Author, Collections Information Project ‘The Structural Treatment of The Assassination Gallery, London 2018, pp. 36–9 Book review: ‘The Sobieski Hours: A Most of Saint Peter Martyr’, National Gallery Technical ‘Edinburgh Printmakers and the Notion Beautiful Manuscript from the British Royal Bulletin, vol. 39 (2018), pp. 124–9 of the Workshop’, in R. Pelzer-Montada (ed.), Collection, facsimile edition’, ed. J. Stratford Perspectives on Contemporary Printmaking: and J. Roberts, The Burlington Magazine, vol. Critical Writing Since 1986, Manchester 2018, CLX (December 2018), pp. 1068–70 pp. 239–43 GABRIELLA MACARO SARAH HERRING Scientific Officer - Paintings Analyst Isaiah Berlin Associate Curator of Post-1800 Paintings Contributions to ‘Catalogue’, National Gallery Catalogue entries, in A. Robbins, Courtauld Technical Bulletin, vol. 39 (2018), pp. 26–105 Impressionists: From Manet to Cézanne, exh. cat., (J. Dunkerton and M. Spring, with R. Billinge The National Gallery, London 2018 and C. Higgitt, and contributions from D.A. Peggie, G. Macaro, R. Morrison, R. Bellucci, J.-B. Bodiguel and C. Pasquali)

THE NATIONAL GALLERY REVIEW OF THE YEAR 2018–2019 2 NATIONAL GALLERY STAFF PUBLICATIONS

JOSEPH PADFIELD ‘Protecting Paintings from Vandalism: Updating LETIZIA TREVES Principal Scientist Rapid Response Procedures at the National The James and Sarah Sassoon Curator of Later Italian, ‘Finding Common Ground: The Role Gallery, London’, CeROArt, HS | 2018: Spanish and French 17th-Century Paintings of Preventive Conservation in Response http://journals.openedition.org/ceroart/5629 Catalogue entry, in J. Molina Figueras (ed.), to the Expectations of Contemporary (with M. Blewett and L. Harrison) Bartolomé Bermejo, exh. cat., Museo Nacional Audiences at the National Gallery, London’, del Prado, Madrid, and Museu Nacional d’Art Studies in Conservation, vol. 63 (2018), pp. 101–7 CHRISTOPHER RIOPELLE de Catalunya, Barcelona 2018–19, pp. 124–8 (with L. Harrison and C. Higgitt) The Neil Westreich Curator of Post-1800 Paintings (with P. Ackroyd) ‘Semantic Representation and Enrichment Ed Ruscha: Course of Empire, exh. cat., ‘Acquisitions: Juan de Zurbarán, Still Life of Cultural Heritage Information for The National Gallery, London 2018 (editor) with Lemons in a Wicker Basket, 1643–9’, Fostering Reinterpretation and Reflection ‘Proximity: Course of Empire, The Course The National Gallery Review of the Year: on the European History’, in M. Ioannides of Empire’, in Ed Ruscha: Course of Empire, April 2017 – March 2018, pp. 16–17 (ed.), Digital Cultural Heritage. Lecture Notes in exh. cat., The National Gallery, London 2018, Computer Science, vol. 10605 (2018), pp. 91–103, pp. 6–13 FRANCESCA WHITLUM-COOPER DOI: 10.1007/978-3-319-75826-8_8 (with Catalogue entries, in A. Robbins, Courtauld The Myojin-Nadar Associate Curator of Paintings A. Vlachidis, A. Bikakis, D. Kyriaki-Manessi, Impressionists: From Manet to Cézanne, exh. cat., 1600–1800 I. Triantafyllou and K. Kontiza) The National Gallery, London 2018 Catalogue entry on Lagrenée and 13 artists’ ‘CrossCult: Empowering Reuse of Digital ‘Sorolla in Search of his Vision of Spain’, biographies, in H. Wine, National Gallery Cultural Heritage in Context-Aware Crosscuts in Sorolla: Spanish Master of Light, exh. cat., Catalogues: The Eighteenth Century French of European History’ (2019): doi.org/10.5944/ The National Gallery, London 2019, pp. 62–79 Paintings, London 2018 rhd.vol.3.2019.24057 (with A. Antoniou, Gauguin Portraits, exh. cat., National Gallery of ‘Acquisitions: Bernardo Bellotto, The Fortress M. Wallace, M. López-Nores, Y. Naudet, J. Canada, Ottawa, and National Gallery, London of Königstein from the North, about 1756–8’, Solano, A. Bikakis, C. Jones and E. Vassilakaki) 2019 (editor, with C. Homburg) The National Gallery Review of the Year: ‘Capturing the Virtual Movement of Paintings: ‘Gauguin in Brittany’, in Gauguin Portraits, exh. April 2017 – March 2018, pp. 24–5 A Game and A Tool’, paper presented at cat., National Gallery of Canada, Ottawa, and Boilly: Scenes of Parisian Life, exh. cat. the Digital Heritage 2018 3rd International The National Gallery, London 2019, pp. 102–16 The National Gallery, London 2019 Congress and Expo: Visualization, Games and Stories, 26–30 October 2018, San Francisco: ANNE ROBBINS MATTHIAS WIVEL DOI 10.5281/zenodo.2567164 (with K. Kontiza Associate Curator of Post-1800 Paintings Curator of 16th-Century Italian Paintings and A. Liapis) Courtauld Impressionists: From Manet to Cézanne, ‘The Renaissance in Six National Gallery ‘Semantic Representation and Location exh. cat., The National Gallery, Paintings’ (Inspired by Civilisations), BBC Provenance of Cultural Heritage Information: London 2018 (editor) Rewind https://canvas-story.bbcrewind.co.uk/ the National Gallery Collection in London’, Catalogue entries and ‘Courtauld and the sites/national-gallery-and–the-renaissance/ Heritage, vol. 2, issue 1 (2019), pp. 648–65: National Gallery: “An assault on a big scale”’, Catalogue entries, in E.M. Dal Pozzolo, M. doi.org/10.3390/heritage2010042 (with in Courtauld Impressionists: From Manet Falomir and M. Wivel (eds), Lorenzo Lotto K. Kontiza, A. Bikakis and A. Vlachidis) to Cézanne, exh. cat., The National Gallery, Portraits, exh. cat., Museo Nacional del Prado, London 2018, pp. 18–35 Madrid, and The National Gallery, DAVID A. PEGGIE ‘Courtauld and the National Gallery: “An assault London 2018 Senior Scientist on a big scale”’, in The Courtauld Collection: Catalogue entries, in C. Fischer (ed.), Venetian ‘Palaeoproteomic Profiling of Conservation A Vision for Impressionism, exh. cat., Fondation Drawings: Italian Drawings in the Royal Collection Layers on a 14th Century Italian Wall Painting’, Louis Vuitton, Paris 2019, pp. 28–41 (revised of Graphic Art, Statens Museum for Kunst - Angewandte Chemie, vol. 25 (March 2018): and expanded version of the essay published National Gallery of Denmark, Copenhagen DOI: 10.1002/anie.201713020 (E. Cappellini, in Robbins 2018) 2018, pp. 38–48, nos 7–12; pp. 50–3, nos 15–16 M. Mackie, P. Rüther, D. Samodova, Catalogue entry, in B. Eclercy and H. Aurenhammer F. di Gianvincenzo, C. Granzotto, D. Lyon, ALEXANDER RÖSTEL (eds), Titian and the Renaissance in Venice, exh. D.A. Peggie, H. Howard, L. Harrison, Simon Sainsbury Curatorial Fellow cat., Städel Museum, Frankfurt 2019, L.J. Jensen and J.V. Olsen) Catalogue entries, in A. Schumacher (ed.), pp. 104–7, no. 31 Contributions to ‘Giovanni Bellini’s Painting Florence and its Painters: From Giotto to Technique’, National Gallery Technical Bulletin, Leonardo da Vinci, exh. cat., Bayerische RICHARD WRAGG Archivist vol. 39 (2018), pp. 4–25 (J. Dunkerton and Staatsgemäldesammlungen, Munich 2018 ‘Curatorial and Archival Approaches to the M. Spring, with R. Billinge and C. Higgitt, Contributions to C. Campbell, D. Korbacher, National Gallery Archives’, Archives and Records: and contributions from D.A. Peggie and N. Rowley and S. Vowles (eds), Mantegna The Journal of the Archives and Records Association, C. Campbell) and Bellini, exh. cat., The National Gallery, vol. 39, issue 1 (Spring 2018) (with A. Crookham) Contributions to ‘Catalogue’, National Gallery London 2018 Technical Bulletin, vol. 39 (2018), pp. 26–105 (J. Dunkerton and M. Spring, with R. Billinge MARIKA SPRING and C. Higgitt, and contributions from D.A. Head of Science Peggie, G. Macaro, R. Morrison, R. Bellucci, ‘Giovanni Bellini’s Painting Technique’, National J.-B. Bodiguel and C. Pasquali) Gallery Technical Bulletin, vol. 39 (2018), ‘Identification, Characterisation and Mapping pp. 4–25 (J. Dunkerton and M. Spring, with of Calomel as “mercury white”, a previously R. Billinge and C. Higgitt, and contributions undocumented pigment from South America, from D.A. Peggie and C. Campbell) and its use on a barniz de Pasto cabinet at the ‘Catalogue’, National Gallery Technical Bulletin, Victoria and Albert Museum’, Microchemical vol. 39 (2018), pp. 26–105 (J. Dunkerton and Journal, vol. 143 (December 2018), pp. 220–7: M. Spring, with R. Billinge and doi.org/10.1016/j.microc.2018.08.010 C. Higgitt, and contributions from (L. Burgio, D. Melchar, S. Strekopytov, D.A. Peggie, G. Macaro, R. Morrison, D.A. Peggie, M. Melchiorre Di Crescenzo, R. Bellucci, J.-B. Bodiguel and C. Pasquali) B. Keneghan, J. Najorka, T. Goral, A. Garbout and B.L. Clark)

THE NATIONAL GALLERY REVIEW OF THE YEAR 2018–2019 3 NATIONAL GALLERY STAFF EXTERNAL COMMITMENTS

April 2018 – March 2019

PAUL ACKROYD JILL DUNKERTON DANIEL F. HERRMANN Restorer Senior Restorer Curator of Special Projects Visiting Lecturer and External Examiner, Member of the Advisory Committee Trustee, Griffelkunst-Vereinigung Conservation and Technology Department, for the cleaning of the Ghent Altarpiece, The Courtauld Institute of Art Sint Baafskathedraal, Ghent CATHERINE HIGGITT Member of the Advisory Committee for the Principal Scientific Officer SUSANNA AVERY-QUASH cleaning of The Death of the Virgin by Hugo Member of the Committee, Senior Research Curator (History of Collecting) van der Goes, Groningen Museum, Bruges Users’ Group for Mass Spectrometry Board Member, TIAMSA (The International Member of the Editorial Advisory Board and Chromatography (MaSC) Art Market Studies Association) for the Boletín del Museo del Prado Member of the Staffordshire Hoard Research Board Member, The Society for the History Project Advisory Panel of Collecting GABRIELE FINALDI Member, Peer Review College, Arts and Trustee, Francis Haskell Memorial Fund Director Humanities Research Council (AHRC) Senior Research Fellow, Humanities Research Ex-officio Institute, University of Buckingham Expert Advisor to the DCMS referring JOOST JOUSTRA Fellow of the Society of Antiquaries of London cases to the Reviewing Committee on The Howard and Roberta Ahmanson External Examiner for BA (Hons) Art History, the Export of Works of Art Fellow in Art and Religion School of Humanities & Performing Arts, Member of the Board of Electors to the Committee Member, UK Circle, Vereniging University of Plymouth Slade Professorship of Fine Art, Rembrandt (The Rembrandt Association) Specialist Volunteer, The National Trust University of Oxford Visiting Research Fellow, Research Centre for Member of the Working Group for the National Member of the Advisory Board of Arts and the Sacred at King’s College, London Museums Directors’ Council established to the Government Art Collection examine the issues surrounding the spoliation LARRY KEITH of works of art during the Holocaust and Trusteeships and Memberships Head of Conservation and Keeper World War II Trustee of Burlington Magazine Foundation External Examiner, Conservation of Co-supervisor for AHRC Collaborative (June 2015) Easel Paintings postgraduate course, Doctoral Partnership PhD studentships Member of the International Advisory Board The Courtauld Institute of Art with (i) Birkbeck, University of London; of the State Hermitage Museum (2008) Conservation Advisor, Heritage (ii) Leeds University and the Bowes Museum, Non-Executive Director of National Gallery Conservation Trust Co. Durham; (iii) Leeds University and Company (August 2015) Member of the Rubens Ceiling Advisory Board, Harewood House Trust, Yorkshire Member of the Comitato Scientifico Fondazione Banqueting House, Whitehall De Vito, Florence Member, Night Watch Advisory Committee, CAROLINE CAMPBELL Member of the Courtauld Institute of Art Rijksmuseum, Amsterdam Director of Collections and Research Governing Board (July 2016) Member, Scientific Committee for the Member, Designation Panel, Arts Council Member of the Courtauld Institute of Art restoration of the Sala delle Asse, Castello England Gallery Committee (Governing Board) Sforzesco, Milan Member of the International Advisory Board (October 2016) of Studies for the Courtauld Institute of Art Member of the Editorial Board of Reales Sitios, DENISE KING Department of Conservation and Technology Madrid (Periodical of Patrimonio Nacional, Photography and Imaging Manager Trustee, City and Guilds of London Art School Spain) (November 2016) Member of the Committee and Events Liaison Trustee, Compton Verney Settlement Trust Académico correspondiente of the Real Officer, Association for Historical and Fine Member, Peer Review College, Arts and Academía de Bellas Artes de San Fernando, Art Photography (until 1 November 2018) Humanities Research Council (AHRC) Madrid (November 2016) Member of the Consultative Committee of the CHRIS MICHAELS BART CORNELIS Boletín del Museo del Prado (September 2016) Director of Digital, Communications and Technology Curator of Dutch and Flemish Paintings 1600–1800 Member, External Reference Board, Member of the Editorial Board of Simiolus. PAUL GRAY Arts Council England Netherlands Quarterly for the History of Art Chief Operating Officer Advisor, The Humboldt Forum, Berlin Member of the Rubens Ceiling Advisory Board, St Paul’s Cathedral Council Industry Champion, The Creative Industries Banqueting House, Whitehall Chelsea Physic Garden Board of Trustees Evidence and Policy Centre, NESTA Member of the Advisory Board of the Trustee, The Collections Trust Vereniging Rembrandt, The Netherlands CLAIRE HALLINAN Member, Department of Digital Head Registrar Humanities Industry Advisory Board, ALAN CROOKHAM Chair of Registrar (Cultural & Creative) University College London Research Centre Manager Apprenticeship Trailblazer Group Mentor, Creative XR, Digital Catapult/Arts Convenor, Archives and Society Seminars, Council England Institute of Historical Research, University LYNNE HARRISON Judge, The Charity of the Year Awards, of London Conservator Civil Society Media Member, Archives Revealed Cataloguing Grants Consultant / Contributor to the Getty Research Lecturer, Christie’s Education Assessment Panel, The National Archives Project, Ancient Panel Paintings Examination, Member, Peer Review College, Arts and Analysis and Research (APPEAR) MATTHEW MORGAN Humanities Research Council (AHRC) Member of the International Advisory Board Adult Learning Programmer of Studies for the Courtauld Institute of Trustee, The Upper Room KATE DEVINE Art Department of Conservation and Associate Lecturer, Birkbeck College, Gallery Educator Technology University of London, Department Committee Member for The Association Co-Editor of The Picture Restorer of Media and Cultural Studies for the Study of Modern Italy (Journal of the BAPCR) Fellowship of the International Institute of Conservation of Historic and Artistic Works (FIIC)

THE NATIONAL GALLERY REVIEW OF THE YEAR 2018–2019 4 NATIONAL GALLERY STAFF EXTERNAL COMMITMENTS

ANNA MURRAY RUPERT SHEPHERD Communities and Access Programmer Collection Information Manager Council Member and London Area Member of the Steering Committee, Representative for Engage Art UK sculpture project Member of the Advisory Group, RUMMANA NAQVI ResearchSpace Development Manager Fellow of the Society of Antiquaries of London Trustee of Wysing Arts Centre, Bourn Chair of the Users’ Group for the Collection Information Integration Middleware KATE NOBLE (CIIM) software Education Researcher Provided advice on documentation and Co-I on AHRC Follow on Funding Project collections management matters to the Embedding and Demonstrating the Value Ashmolean Museum, Campion Hall of Technology-Enhanced Cultural Impact (University of Oxford), Harewood House Measurement for Arts and Culture Organisations, Trust and The Alamo, Texas in partnership with the University of Warwick Led a workshop session for the Science and the University of Cambridge Museums Museum Group’s ‘Energy In Store’ project, and sessions in the workshop on ‘The use JOSEPH PADFIELD of software tools in documentation’ at the Principal Scientist CIDOC 2018 Annual Conference. Interim Co-Coordinator, E-RIHS (European Gave a lecture on museum documentation Research Infrastructure for Heritage Science) for the King’s College London MA module DIGILAB ‘Collecting Cultures: Managing Collections in Museums and other Collecting Organisations’ DAVID A. PEGGIE Senior Scientist MARIKA SPRING Member of the Committee, Users’ Group Head of Science for Mass Spectrometry and Chromatography Member of the International Advisory Board (MaSC) of Studies for the Courtauld Institute of Art Chemistry Tutor, City and Guilds of London Department of Conservation and Technology Art School Member of the Advisory Committee for the Member, Peer Review College, Arts and cleaning of the Ghent Altarpiece, Humanities Research Council (AHRC); Sint Baafskathedraal, Ghent Reviewer in the Academic and Non-HEI Colleges (2017–20) HAYLEY TOMLINSON Associate Member of the Royal Society Conservator of Chemistry Council Member of the British Association of Painting Conservator-Restorers (BAPCR) CHRISTOPHER RIOPELLE (until June 2018) The Neil Westreich Curator of Post-1800 Paintings Chairperson of the British Association of Fellow of the Nordic Institute of Art, Oslo Painting Conservator-Restorers (BAPCR) Member of the Exhibition Proposals (from June 2018) Review Committee, Terra Foundation for American Art (renewed for second LETIZIA TREVES and final two-year term) The James and Sarah Sassoon Curator of Later Italian, Spanish and French 17th-Century Paintings MERIEL ROYAL Member of ARTES User Experience Researcher Member of the Committee for the Visitor MATTHIAS WIVEL Studies Group Curator of 16th-Century Italian Paintings Member of the Steering Group for the Culture Expert Advisor to the DCMS referring Insights Professionals Network cases to the Reviewing Committee on the Export of Works of Art JON SHELDON External peer reviewer for Statens Museum Audio Visual Production Manager for Kunst’s journal Perspective (Copenhagen) Member of the Committee, Audio Visual Member, Editorial Committee, Colnaghi Studies Cultural Forum Journal (London) Co-Supervisor, University of Warwick/ The National Gallery, AHRC Collaborative Doctoral Partnership Co-Supervisor, Warburg Institute/ The National Gallery, Collaborative Doctoral Award Warburg Institute/ The National Gallery, Collaborative MA: supervision/marking

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