NATIONAL GALLERY STAFF PUBLICATIONS

April 2017 – March 2018

PAUL ACKROYD NINA CAHILL LYNNE HARRISON Restorer McCrindle Curatorial Fellow of Paintings 1600–1800 Conservator ‘Jacob Jordaens, Portrait of Cornelis van Diest (?) ‘Staging the Old Testament – Jan Steen and the ‘“Affectivity” and Fugacity: Two paintings by and his Wife: a New Technical and Art Historical Theatre’, in Robert Wenley (ed.), Pride and Valentin de Boulogne’, The Picture Restorer, vol. Assessment’, Technical Bulletin, Persecution: Jan Steen’s Old Testament Scenes, 51 (2017), pp. 38–48 (with Morwenna Blewett, vol. 38 (2017), pp. 56–75 (with Helen Howard, exh. cat., The Barber Institute of Fine Arts, Gabriella Macaro and David Peggie) Marjorie E. Wieseman, Rachel Billinge and Birmingham 2017, pp. 20–33 ‘Miracle Mystery: Research and Treatment of the David Peggie) Mirakeldoeken, a 16th-century tüchlein by Jacob CAROLINE CAMPBELL Cornelisz van Oostsanen’, in Janet Bridgland NELLY VON ADERKAS The Jacob Rothschild Head of the Curatorial (ed.), ICOM-CC 18th Triennial Conference Conservation Scientist – Department. Director of Collections and Research Preprints, Copenhagen, 4–8 September 2017, Paris (from 28 March 2018) Organic analysis of paint samples 2017 (with Gwendoline Fife and Jos van Och) ‘A Knight of St John by Rosso Fiorentino: a ‘Becoming Bellini and Maintaining Mantegna’, Restoration in Context’, National Gallery in Brigit Blass-Simmen, Neville Rowley and GILL HART Technical Bulletin, vol. 38 (2017), pp. 6–17 (with Giovanni C.F. Villa, Masterpieces Face-to-Face: Head of Education Larry Keith, Marta Melchiorre Di Crescenzo The Presentation of Jesus at the Temple. Bellini Book review: Penny Huntsman, Thinking about and Marika Spring) / Mantegna, exh. cat., Fondazione Querini Art: A Thematic Guide to Art History (Wiley, ‘An Astronomer by Ferdinand Bol: Materials, Stampalia, Venice 2018, pp. 23–2 2015), Engage, vol. 40: Civic Role, Public Space Colour Change and Conservation’, National (Autumn 2017) Gallery Technical Bulletin, vol. 38 (2017), pp. BART CORNELIS 76–95 (with Marika Spring, Flaminia Rukavina Curator of Dutch and Flemish Paintings 1600–1800 DANIEL F. HERRMANN and David Peggie) Marika Spring (series editor), The National Gallery Curator of Special Projects ‘Technical Analysis and Conservation of Ferdinand Technical Bulletin, vol. 38 (2017) (editor, with ‘Homo Mensura’, in Cameron Foote (ed.), Bol’s An Astronomer (1652) in the National Caroline Bugler and Elin Sandell) Alicja Kwade: Medium Median, Whitechapel Gallery, ’, in Stephanie S. Dickey Gallery, London 2017 ALAN CROOKHAM ‘Punctum of Discomfort’, in Bryony Harris (ed.), (ed.), Ferdinand Bol and Govert Flinck. New Research Centre Manager Emma Hart: Mamma Mia!, Whitechapel Gallery, Research, Zwolle 2017, pp. 160–7 (with Flaminia ‘Upstairs, downstairs: the National Gallery’s dual London 2017 Rukavina, Marika Spring and David Peggie) collections’, in Mirjam Brusius and Kavita Singh Eduardo Paolozzi: Lots of Pictures – Lots of Fun, (eds), Museum Storage and Meaning: Tales from the SUSANNA AVERY-QUASH Berlin 2018 (editor, with Stefanie Heckmann Crypt, London and New York 2018, pp. 204–17 Senior Research Curator (History of Collecting) and Thomas Köhler) ‘“The Volatile and Vivacious Connoisseur of (with Susanna Avery-Quash) the Old School”: a Portrait of the Victorian SARAH HERRING JULIEN DOMERCQ Isaiah Berlin Associate Curator of Post-1800 Paintings Art Dealer Martin Colnaghi (1821–1908) and Vivmar Curatorial Fellow ‘Corot’s The Four Times of Day: A Decorative his Relationship with the National Gallery, Drawn in Colour: Degas from the Burrell Collection, Scheme for Decamps’s Fontainebleau Studio’, in London’, Colnaghi Studies Journal, vol. 1 exh. cat., The National Gallery, London 2017 J.H. Townsend and A. Vandivere (eds), Studying (October 2017), pp. 86–109 (with Vivien Hamilton and Harriet K. Stratis; the European Visual Arts 1800–1850. Paintings, ‘Upstairs, downstairs: The National Gallery’s dual contributions by Sarah Herring and Sculpture, Interiors and Art on Paper, Centre collections’, in Mirjam Brusius and Kavita Singh Christopher Riopelle) (eds), Museum Storage and Meaning: Tales from the for Art Technological Studies and Conservation, Crypt, London and New York 2018, pp. 204–17 JILL DUNKERTON Copenhagen, Proceedings III, 2016, London 2017, (with Alan Crookham) Senior Restorer pp. 23–32 (with Hayley Tomlinson, Gabriella ‘Gwen Raverat, 1885–1957’, in Amanda Bradley, ‘Sebastiano and Michelangelo: Infrared Insights Macaro and David Peggie) Patron Saints: Collecting Stanley Spencer, exh. into their Collaboration’, National Gallery ‘Ernest-Victor Hareux and the Barbizon Artists’, cat., Stanley Spencer Gallery, Cookham 2018, Technical Bulletin, vol. 38 (2017), pp. 32–55 in N. Costaras, K. Lowry, H. Glanville, P. Balch, pp. 18–23 (with Rachel Billinge and Matthias Wivel) V. Sutcliffe and P. Saltmarsh (eds), A Changing ‘ “The lover of the fine arts is well amused with Art: Nineteenth-Century Painting Practice and the choice pictures that adorn the house”: SUSAN FOISTER Conservation, proceedings of the BAPCR Conference John Julius Angerstein’s “other” art collection Director of Public Engagement (and Deputy Director) London, 7 October 2016, 2017, pp. 47–55 (with at his suburban villa, Woodlands’, Journal for the Reflections: Van Eyck and the Pre-Raphaelites, Hayley Tomlinson and Gabriella Macaro) History of Collections (November 2017), DOI: exh. cat., The National Gallery, London 2018 Three catalogue entries, in Vivien Hamilton with /10.1093/jhc/f hx039 (with Alison Smith, Caroline Bugler and Julien Domercq and Harriet K. Stratis, Drawn in Exhibition review: ‘, Anna Koopstra) Colour: Degas from the Burrell Collection, exh. cat., Dublin’, The Burlington Magazine, vol. The National Gallery, London 2017 CLX (January 2018), pp. 44–6 JONATHAN FRANKLIN ‘Acquisitions: Vilhelm Petersen, Oetzthal, 1850’ Librarian and ‘Acquisitions: Alexandre Calame, At RACHEL BILLINGE ‘The Eastlake Library and the sources for Materials Handeck, about 1860’, The National Gallery Research Associate, Conservation for a History of Oil Painting, 1847’, National Review of the Year: April 2016 – March 2017, ‘Sebastiano and Michelangelo: Infrared Insights Gallery Technical Bulletin, vol. 38 (2017), pp. 14–17 into their Collaboration’, National Gallery pp. 18–31 Technical Bulletin, vol. 38 (2017), pp. 32–55 CATHERINE HIGGITT (with Jill Dunkerton and Matthias Wivel) ELENA GREER Principal Scientific Officer ‘Jacob Jordaens, Portrait of Cornelis van Diest Author, Collections Information Project ‘Madder Lakes of the 15th–17th Centuries: (?) and his Wife: a New Technical and Art ‘Frederic William Burton as Director of the variability of the dyestuff content’, in Jo Kirby Historical Assessment’, National Gallery Technical National Gallery, London’, in Marie Bourke (ed.), The Diversity of Dyes in History and Bulletin, vol. 38 (2017), pp. 56–75 (with Paul (ed.), Frederic William Burton: For the Love of Art, Archaeology, London 2017, pp. 148–61 Ackroyd, Helen Howard, Marjorie E. Wieseman exh. cat., National Gallery of Ireland, Dublin (with Jo Kirby and Marika Spring) and David Peggie) 2017, pp. 66–76 Sir Frederic William Burton and the Rosebery Minute: The Directorship of the National Gallery, London, in the Late Nineteenth Century, PhD thesis, University of Nottingham, 2017

THE NATIONAL GALLERY REVIEW OF THE YEAR 2017–2018 1 NATIONAL GALLERY STAFF PUBLICATIONS

HELEN HOWARD ANNA KOOPSTRA JOSEPH PADFIELD Senior Scientist, Scientific Department Simon Sainsbury Curatorial Assistant, Principal Scientist ‘A Fragment from Wells – Revelations of The Paintings before 1500 ‘Semantic Representation and Enrichment of Splendour of Thirteenth-Century Polychromy’, Giovanni da Rimini, Scenes from the Lives of the Cultural Heritage Information for Fostering in J. Kroesen, E. Nyborg and Marie Louise Virgin and other Saints, exh. cat., The National Reinterpretation and Reflection on the Sauerberg (eds), Medieval Sculpture in Northern Gallery, London 2017 European History’, in Marinos Ioannides and Central Europe: Form-Space-Technique- (ed.), Digital Cultural Heritage. Lecture Notes in Iconography, a Festschrift for Peter Tångeberg on the FREDDIE LAW TURNER Computer Science, vol. 10605 (2018), pp. 91–103, occasion of his 75th Birthday, Leuven 2017 (with Author, Collections Information Project DOI: 10.1007/978-3-319-75826-8_8 (with Marie-Louise Sauerberg and Warwick Rodwell) The Ormesby Psalter: Artists and Patrons in Medieval Andreas Vlachidis, Antonis Bikakis, Daphne ‘Jacob Jordaens, Portrait of Cornelis van Diest (?) East Anglia, Oxford 2017 Kyriaki-Manessi, Ioannis Triantafyllou and his Wife: a New Technical and Art Historical and Kalliopi Kontiza) Assessment’, National Gallery Technical Bulletin, GABRIELLA MACARO CROSSCULT user ontology [Data set] (2017), Scientific Officer – Paintings Analyst vol. 38 (2017), pp. 56–75 (with Paul Ackroyd, DOI: 10.5281/zenodo.546672 (with Andreas ‘“Affectivity” and Fugacity: Two paintings by Marjorie E. Wieseman, Rachel Billinge and Vlachidis, Antonis Bikakis, Melissa Terras, Valentin de Boulogne’, The Picture Restorer, vol. David Peggie) Yannick Naudet, Louis Deladiennee, 51 (2017), pp. 38–48 (with Morwenna Blewett, ‘An Unusual Gilding Technique on Two Panels Daphne Manessi, Evgenia Vasilakaki and Lynne Harrison and David Peggie) by Pietro Lorenzetti’, in Janet Bridgland (ed.), Kalliopi Kontiza) ‘Corot’s The Four Times of Day: A Decorative ICOM-CC 18th Triennial Conference Preprints, The CrossCult Knowledge Base (Version Final, Scheme for Decamps’s Fontainebleau Studio’, in Copenhagen, 4–8 September 2017, Paris 2017 v3.8 owl) [Data set] (2018), DOI: 10.5281/ J.H. Townsend and A. Vandivere (eds), Studying (with Jens Najorka) zenodo.1209325 (with Andreas Vlachidis, the European Visual Arts 1800–1850. Paintings, Antonis Bikakis, Melissa Terras, Yannick Sculpture, Interiors and Art on Paper, Centre LARRY KEITH Naudet, Louis Deladiennee, Daphne Manessi, for Art Technological Studies and Conservation, Head of Conservation and Keeper, Evgenia Vasilakaki and Kalliopi Kontiza) and Interim Director of Collections Copenhagen, Proceedings III, 2016, London ‘Technical Study: Murillo’s Self-Portrait of c.1670’, 2017, pp. 23–32 (with Sarah Herring, Hayley DAVID A. PEGGIE in Xavier F. Salomon and Letizia Treves, Tomlinson and David Peggie) Senior Scientist Murillo: The Self-Portraits, exh. cat., The Frick ‘Ernest-Victor Hareux and the Barbizon Artists’, ‘Technical Analysis of a Byzantine Lectionary Collection, New York; The National Gallery, in N. Costaras, K. Lowry, H. Glanville, P. Balch, from the Ivan Duichev Centre’, in Manuscripts in London 2017–18, pp. 121–3 V. Sutcliffe and P. Saltmarsh (eds), A Changing the Making: Art & Science, London and Turnhout ‘ alla National Gallery’, in Dentro Art, Nineteenth-Century Painting Practice and 2017, pp. 170–84 (with N. Haralampiev, Caravaggio, exh. cat., Palazzo Reale, Milan 2017, Conservation, proceedings of the BAPCR Conference J. Mazurek, C.S. Patterson, D. Cimino, pp. 327–38 London, 7 October 2016, 2017, pp. 47–55 (with J. Kirby and L. Miu) ‘A Knight of St John by Rosso Fiorentino: a Hayley Tomlinson and Sarah Herring) ‘“Affectivity” and Fugacity: Two paintings by Restoration in Context’, National Gallery Valentin de Boulogne’, The Picture Restorer, vol. Technical Bulletin, vol. 38 (2017), pp. 6–17 (with ROSALIND MCKEVER 51 (2017), pp. 38–48 (with Morwenna Blewett, Harry M. Weinrebe Curatorial Assistant Marta Melchiorre Di Crescenzo, Marika Spring Lynne Harrison and Gabriella Macaro) Book review: ‘Boccioni Futurist Painting and Nelly von Aderkas) ‘An Astronomer by Ferdinand Bol: Materials, Sculpture’, The Burlington Magazine, vol. Colour Change and Conservation’, National CLIX (August 2017), p. 647 KALLIOPI KONTIZA Gallery Technical Bulletin, vol. 38 (2017), ‘Letter from Reggio Emilia’, Apollo CrossCult Research Fellow pp. 76–95 (with Marika Spring, Nelly von (September 2017), pp. 31–3 ‘Semantic Representation and Enrichment of Aderkas and Flaminia Rukavina) Cultural Heritage Information for Fostering ‘Technical Analysis and Conservation of Reinterpretation and Reflection on the MARTA MELCHIORRE DI CRESCENZO AXA Research Fellow Ferdinand Bol’s An Astronomer (1652) in the European History’, in Marinos Ioannides National Gallery, London’, in Stephanie S. (ed.), Digital Cultural Heritage. Lecture Notes in ‘Opere di intagliatori tedeschi in Friuli nei secoli XVII e XVIII: le sculture di Ravascletto’, in Dickey (ed.), Ferdinand Bol and Govert Flinck. Computer Science, vol. 10605 (2018), pp. 91–103, New Research, Zwolle 2017, pp. 160–7 (with DOI: 10.1007/978-3-319-75826-8_8 (with L. Magnani and D. Sanguineti (eds), Scultura in legno policromo d’età Barocca, Genoa 2017, Flaminia Rukavina, Marika Spring and Nelly Andreas Vlachidis, Antonis Bikakis, Daphne von Aderkas) Kyriaki-Manessi, Ioannis Triantafyllou and pp. 491–517 (with Giuseppina Perusini) ‘A Knight of St John by Rosso Fiorentino: a ‘Corot’s The Four Times of Day: A Decorative Joseph Padfield) Scheme for Decamps’s Fontainebleau Studio’, in CROSSCULT user ontology [Data set] (2017), Restoration in Context’, National Gallery Technical Bulletin, vol. 38 (2017), pp. 6–17 J.H. Townsend and A. Vandivere (eds), Studying DOI: 10.5281/zenodo.546672 (with Andreas the European Visual Arts 1800–1850. Paintings, Vlachidis, Antonis Bikakis, Melissa Terras, (with Larry Keith, Marika Spring and Nelly von Aderkas) Sculpture, Interiors and Art on Paper, Centre Yannick Naudet, Louis Deladiennee, Daphne for Art Technological Studies and Conservation, Manessi, Evgenia Vasilakaki and Joseph Padfield) ‘Painting the Palace of Apries I: Ancient binding media and coatings of the reliefs form Copenhagen, Proceedings III, 2016, London The CrossCult Knowledge Base (Version Final, 2017, pp. 23–32 (with Sarah Herring, Hayley v3.8 owl) [Data set] (2018), DOI: 10.5281/ the Palace of Apries, Lower Egypt’, Heritage Science, 6:6 (2018) (with Cecilie Brøns, Tomlinson and Gabriella Macaro) zenodo.1209325 (with Andreas Vlachidis, ‘Historical Mystery Solved: A multi-analytical Antonis Bikakis, Melissa Terras, Yannick Kaare Lund Rasmussen, Rebecca Stacey and Anna Lluveras-Tenorio) approach to the identification of a key marker for Naudet, Louis Deladiennee, Daphne Manessi, the historical use of brazilwood (Caesalpinia spp.) Evgenia Vasilakaki and Joseph Padfield) MINNA MOORE EDE in paintings and textiles’, Analytical Methods, Associate Curator of Renaissance Painting vol. 6 (2018) pp. 617–23, DOI: 10.1039/ Chris Ofili: Weaving Magic, exh. cat., The National C7AY02626A (with J. Kirby, J. Poulin, W. Gallery, London 2017 Genuit, J. Romanuka, D.F. Wills, A. De Simone and A.N. Hulme)

THE NATIONAL GALLERY REVIEW OF THE YEAR 2017–2018 2 NATIONAL GALLERY STAFF PUBLICATIONS

CHRISTOPHER RIOPELLE MARIKA SPRING LETIZIA TREVES The Neil Westreich Curator of Post 1800 Paintings Head of Science The James and Sarah Sassoon Curator of Later Italian, ‘Acquisitions: Johan Christian Dahl, The Lower ‘A Knight of St John by Rosso Fiorentino: a Spanish and French 17th-Century Paintings Falls of the Labrofoss, 1827’, The National Gallery Restoration in Context’, National Gallery Murillo: The Self-Portraits, exh. cat., The Frick Review of the Year: April 2016 – March 2017, pp. Technical Bulletin, vol. 38 (2017), pp. 6–17 Collection, New York; The National Gallery, 12–13 (with Larry Keith, Marta Melchiorre Di London 2017–18 (with Xavier F. Salomon: Three catalogue entries, in Vivien Hamilton with Crescenzo and Nelly von Aderkas) print version and online) Julien Domercq and Harriet K. Stratis, Drawn in ‘An Astronomer by Ferdinand Bol: Materials, Colour: Degas from the Burrell Collection, exh. cat., Colour Change and Conservation’, National FRANCESCA WHITLUM-COOPER The National Gallery, London 2017 Gallery Technical Bulletin, vol. 38 (2017), pp. Associate Curator of Paintings 1600–1800 ‘Thomas Cole and the Landscape Oil Sketch’, 76–95 (with Nelly von Aderkas, Flaminia ‘Acquisitions: Louis Jean François Lagrenée, in Thomas Cole’s Journey: Atlantic Crossings, Rukavina and David Peggie) Maternal Affection, 1775’, The National Gallery exh. cat., The Metropolitan Museum of Art, ‘Technical Analysis and Conservation of Ferdinand Review of the Year: April 2016 – March 2017, New York 2018, pp. 96–105 Bol’s An Astronomer (1652) in the National pp. 10–11 Exhibition review: ‘Anders Zorn: le maître Gallery, London’, in Stephanie S. Dickey MATTHIAS WIVEL de la peinture suédoise’, Petit Palais, Paris, (ed.), Ferdinand Bol and Govert Flinck. New Curator of 16th-Century Italian Paintings The Burlington Magazine, vol. CLIX Research, Zwolle 2017, pp. 160–7 (with Flaminia ‘Sebastiano and Michelangelo: Infrared Insights (November 2017) Rukavina, Marika Spring, Nelly von Aderkas into their Collaboration’, National Gallery and David Peggie) Technical Bulletin, vol. 38 (2017), pp. 32–55 ANNE ROBBINS ‘New insights into the materials of fifteenth- and Associate Curator of Post 1800 Paintings (with Jill Dunkerton and Rachel Billinge) sixteenth-century Netherlandish paintings in the Catalogue entry, in Francesco Frangi (ed.), Tiziano Lake Keitele: A Vision of Finland, exh. cat., National Gallery, London’, Heritage Science, 5: 40 The National Gallery, London 2017 e alla pittura del Cinquecento tra Venezia e Brescia, (2017), DOI: 10.1186/s40494-017-0152-3 exh. cat., Museo di Santa Giulia, Brescia 2018 ‘Monet, Pissarro and Fellow French Painters in ‘Madder Lakes of the 15th–17th Centuries: London, 1870–1’, in Impressionists in London: Book review: Peter Lüdemann, Tiziano: variability of the dyestuff content’, in Jo Kirby Le botteghe e la grafica (Collana della Fondazione French Artists in Exile 1870–1904, exh. cat., (ed.), The Diversity of Dyes in History and Tate Britain, London; Petit Palais, Paris 2017–18, Centro Studi Tiziano e Cadore, vol. 4) Archaeology, London 2017, pp. 148–61 (Alinari, 2016), The Burlington Magazine, pp. 57–61 (with Jo Kirby and Catherine Higgitt) ‘Artistes collectionneurs de Delacroix: “[se] vol. CLIX (December 2017), pp. 993–4 Book review: Claudia Bertling Biaggini, pénétrer du sens vraiment artistique [du] grand HAYLEY TOMLINSON maître”’ and ‘Paul Gauguin, Vase de fleurs/Vase of Conservator Sebastiano del Piombo – Felix Pictor (Georg Olms, Flowers (National Gallery, NG3289)’, in Maurice ‘Corot’s The Four Times of Day: A Decorative 2016), The Burlington Magazine, vol. CLIX Denis et Eugène Delacroix, de l’atelier au musée, Scheme for Decamps’s Fontainebleau Studio’, in (April 2017), p. 328 exh. cat., Musée national Eugène-Delacroix, J.H. Townsend and A. Vandivere (eds), Studying Exhibition review: ‘Michelangelo in New York’, Paris 2017, pp. 31–47, 115–17, no. 8 the European Visual Arts 1800–1850. Paintings, The Burlington Magazine, vol. CLX Sculpture, Interiors and Art on Paper, Centre (February 2018), pp. 136–41 ALEXANDER RÖSTEL for Art Technological Studies and Conservation, Simon Sainsbury Curatorial Fellow Copenhagen, Proceedings III, 2016, London Andreas Schumacher, Annette Kranz and Annette 2017, pp. 23–32 (with Sarah Herring, Gabriella Hojer (eds), assisted by Alexander Röstel, Macaro and David Peggie) Florentiner Malerei – Alte Pinakothek: Die Gemälde ‘Ernest-Victor Hareux and the Barbizon Artists’, des 14. bis 16. Jahrhunderts, Munich 2017 in N. Costaras, K. Lowry, H. Glanville, P. Balch, V. Sutcliffe and P. Saltmarsh (eds), A Changing RUPERT SHEPHERD Art: Nineteenth-Century Painting Practice and Collection Information Manager Conservation, proceedings of the BAPCR Conference ‘Magnificence’, in Marco Sgarbi (ed.), London, 7 October 2016, 2017, pp. 47–55 (with Encyclopedia of Renaissance Philosophy (2017), Sarah Herring and Gabriella Macaro) DOI: 10.1007/978-3-319-02848-4_232-1 The Picture so Far: 50 Years of Painting Conservation, London 2017 (co-editor, with Abigail Granville, Laura Hinde, Sophie Plender and Nancy Wade)

THE NATIONAL GALLERY REVIEW OF THE YEAR 2017–2018 3 NATIONAL GALLERY STAFF EXTERNAL COMMITMENTS

April 2017 – March 2018

PAUL ACKROYD JILL DUNKERTON CLAIRE HALLINAN Restorer Senior Restorer Senior Collection Registrar Visiting Lecturer and External Examiner, Member of the Advisory Committee for Chair of Registrar (Cultural & Creative) Conservation and Technology Department, the cleaning of the Ghent Altarpiece, Sint Apprenticeship Trailblazer Group The Courtauld Institute of Art Baafskathedraal, Ghent Member of the International Commission LYNNE HARRISON SUSANNA AVERY-QUASH for the restoration of Giovanni Bellini’s Conservator Senior Research Curator (History of Collecting) The Drunkenness of Noah, Musée des Consultant / Contributor to the Getty Research Board Member, TIAMSA (The International Beaux-Arts et d’Archéologie, Besançon Project, Ancient Panel Paintings Examination, Art Market Studies Association) Member of the Editorial Advisory Board for the Analysis and Research (APPEAR) Board Member, The Society for the Boletín del Member of the International Advisory Board History of Collecting of Studies for the Courtauld Institute of Art Board Member, Society Department of Conservation and Technology Trustee, Francis Haskell Memorial Fund Director Senior Research Fellow, Humanities Research Ex-officio GILL HART Institute, University of Buckingham Expert Advisor to the DCMS referring cases Head of Education Fellow of the Society of Antiquaries of London to the Reviewing Committee on the Export Trustee for King Street Housing External Examiner for BA (Hons) Art History, of Works of Art Member of a What Next? chapter School of Humanities & Performing Arts, Member of the Board of Electors to the Slade Member of the Women’s Cultural University of Plymouth Professorship of Fine Art, University of Oxford Leadership Network (WCLN) Specialist Volunteer, The National Trust Member of the Advisory Board of the Member of the Working Group for the Government Art Collection DANIEL F. HERRMANN Curator of Special Projects National Museums Directors’ Council Trustee, Griffelkunst-Vereinigung established to examine the issues surrounding Trusteeships and Memberships the spoliation of works of art during the Trustee of Burlington Magazine Foundation CATHERINE HIGGITT Holocaust and World War II (June 2015) Principal Scientific Officer Co-supervisor for PhD studentship, Birkbeck, Member of the International Advisory Board Member of the Committee, Users’ University of London/The National Gallery, of the State Hermitage Museum (2008) Group for Mass Spectrometry and AHRC Collaborative Doctoral Partnership Non-Executive Director of National Gallery Chromatography (MaSC) Company (August 2015) Member of the Staffordshire Hoard Research CAROLINE CAMPBELL Member of the Comitato Scientifico Fondazione Project Advisory Panel The Jacob Rothschild Head of De Vito, Florence Member of the Arts and Humanities Research the Curatorial Department. Member of the Courtauld Institute of Art Director of Collections and Research Council (AHRC) peer review college Governing Board (July 2016) (from 28 March 2018) Member of the Courtauld Institute of Art Gallery Member, Designation Panel, LARRY KEITH Committee (Governing Board) (October 2016) Head of Conservation and Keeper, Arts Council England Member of the Editorial Board of Reales Sitios and Interim Director of Collections Member of the International Advisory Board (Periodical of Patrimonio Nacional, Spain) External Examiner, Conservation of of Studies for the Courtauld Institute of Art (November 2016) Easel Paintings postgraduate course, Department of Conservation and Technology Académico correspondiente of the Real The Courtauld Institute of Art Trustee, City and Guilds of London Art School Academía de Bellas Artes de San Fernando, Conservation Advisor, Heritage Member of Peer Reviewing College, Arts and (November 2016) Conservation Trust Humanities Research Council Ermitage Italia Scientific Committee, Member of the Rubens Ceiling Advisory Board, Banqueting House, Whitehall BART CORNELIS Venice (2008) Curator of Dutch and Flemish Paintings 1600–1800 Consultant Curator on the exhibition Member of the Restoration Committee Member of the Editorial Board of Simiolus. Flemish Collections in Naples, Gallerie d’Italia, for the Rubenshuis Rubens Self Portrait and Netherlands Quarterly for the History of Art Palazzo Zevallos, Naples (2017–18) Van Dyck Saint Matthew Member of the Rubens Ceiling Advisory Board, Member of Jury for the Museological Design DENISE KING Banqueting House, Whitehall of the Museo de Colecciónes Reales, Patrimonio Nacional, Madrid (2018) Photography and Imaging Manager Member of the Advisory Board of the Vereniging Member of the Committee and Events Rembrandt, The Netherlands Member of the Consultative Committee of the Boletín del Museo del Prado (September 2016) Liaison Officer, Association for Historical and Fine Art Photography RACHEL CRADDOCK Young People’s Programmer SUSAN FOISTER Director of Public Engagement (and Deputy Director) CHRIS MICHAELS Co-chair of the Council, Engage (National Director of Digital Association of Gallery Education) Member of the Advisory Board, Cranach Digital Archive Advisor, The Humboldt Forum, Berlin Trustee, The Collections Trust ALAN CROOKHAM Research Centre Manager JONATHAN FRANKLIN Member, University College London Department Convenor, Archives and Society Seminars, Librarian of Digital Humanities Industry Advisory Board Institute of Historical Research, Member of the Art Libraries Section Standing MATTHEW MORGAN University of London Committee, International Federation of Library Associations and Institutions Adult Learning Programmer Member, Archives Revealed Cataloguing Grants Trustee, The Upper Room Assessment Panel, The National Archives Associate Lecturer, Birkbeck College, Member, Peer Review College, Arts and REBECCA GILL Howard and Roberta Ahmanson University of London, Department of Humanities Research Council (AHRC) Fellow in Art and Religion Media and Cultural Studies Visiting Research Fellow, Research Centre for Arts and the Sacred at King’s College, London Guest Speaker, Department of History of Art and Heritage Studies, The University of Buckingham

THE NATIONAL GALLERY REVIEW OF THE YEAR 2017–2018 4 NATIONAL GALLERY STAFF EXTERNAL COMMITMENTS

DEBORAH MYERS MARIKA SPRING Head of Development Head of Science Member of the Planned Giving Member of the International Advisory Board Committee, UJIA of Studies for the Courtauld Institute of Art Board member, Finchley Federation Department of Conservation and Technology Member of the Advisory Committee for KATE NOBLE the cleaning of the Ghent Altarpiece, Education Researcher Sint Baafskathedraal, Ghent Co-I on AHRC Follow on Funding Project Embedding and Demonstrating the Value HAYLEY TOMLINSON of Technology-Enhanced Cultural Impact Conservator Measurement for Arts and Culture Organisations, Council Member of the British Association of in partnership with the University of Warwick Paintings Conservator-Restorers (BAPCR) and the University of Cambridge Museums LETIZIA TREVES DAVID A. PEGGIE The James and Sarah Sassoon Curator Senior Scientist of Later Italian, Spanish and French Member of the Committee, Users’ 17th-Century Paintings Group for Mass Spectrometry and Member of ARTES Chromatography (MaSC) MATTHIAS WIVEL CHRISTOPHER RIOPELLE Curator of 16th-Century Italian Paintings The Neil Westreich Curator of Post 1800 Paintings Expert Advisor to the DCMS referring cases Fellow of the Nordic Institute of Art, Oslo to the Reviewing Committee on the Export London host for the Facebook Live worldwide of Works of Art relay on Van Gogh’s Sunflowers in August External peer reviewer for Statens Museum for 2017, bringing together the five versions Kunst’s journal Perspective (Copenhagen) of the painting in London, Amsterdam, Member, Editorial Committee, Munich, Philadelphia and Tokyo Colnaghi Studies Journal (London) Juror for the Terra Foundation for American Co-Supervisor, University of Warwick/ Art Exhibition Grants Programme The National Gallery, AHRC Collaborative Doctoral Partnership JON SHELDON Co-Supervisor, Warburg Institute/The National Audio Visual Production Manager Gallery, Collaborative Doctoral Award Member of the Committee, Warburg Institute/The National Gallery, Audio Visual Cultural Forum Collaborative MA: supervision/marking

RUPERT SHEPHERD RICHARD WRAGG Collection Information Manager Archivist Facilitator for workshops on data requirements Editor, Archives and Records Association, for exhibitions and the Encyclopaedia ARC Magazine of Museum Practice organised by the Member of the Archives and Records Association Documentation Standards Working Group Professional Membership Committee of Comité International pour la Documentation Membership Secretary for the Association (CIDOC) at the CIDOC Annual Conference, for Manuscripts and Archives in Tbilisi, 25–28 September 2017 Research Collections Member of the Steering Committee, Art UK sculpture project Member of the Advisory Group, ResearchSpace Fellow of the Society of Antiquaries of London Contributor to review of Spectrum: The UK Collections Management Standard, version 5 Advisor on documentation and collection for Wimbledon Lawn Tennis Museum, The Fleming-Wyfold Art Foundation and Campion Hall (University of Oxford) and Harewood House Trust

THE NATIONAL GALLERY REVIEW OF THE YEAR 2017–2018 5