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Fritz Kortner
Research Opportunities in Munich Yvonne Shafer
A Month in Berlin: Theatre for All Ages
Strangers in Purgatory: on the “Jewish Experience,” Film Noir, and Émigré Actors Fritz Kortner and Ernst Deutsch Marc Svetov April 23, 2017
WAR PRIMER Bertolt Brecht
Between Pathos and Its Atrophy
Bulletin of the German Historical Institute Bulletin of the German Historical Institute Washington DC
Information Issued by the Association of Jewish Refugees in Great Britain
January 26, 2016 (XXXII:1) Georg Wilhelm Pabst, PANDORA’S BOX/DIE BÜCHSE DER PANDORA (1929, 133 Min)
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Actes Des Congrès De La Société Française Shakespeare
Zeughauskino Programm
XIV:4 PANDORA's BOX/DIE BÜCHSE DER PANDORA (133 Minutes
Visions of Vienna Visions of Vienna
Foreign Countries: Central Europe (1969)
The Jazz Republic: Music, Race, and American Culture in Weimar Germany
Moma Weimar Cinema 1919-1933 Daydreams and Nightmares
KARINA VON TIPPELSKIRCH Associate Professor of German
9781474454537 Refocus the
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Information Issued by the Association of Jewish Refugees in Great Britain 8 Fairfax Mansions, Finchley Ro
Rubble Noir, a Postwar Vision of the Vanquished
Fritz Kortner's Return to Germany and the Figure of the Returning
Shakespeare in the Weimar Republic
The Theatrical Productions of Erwin Piscator in Weimar Germany: 1920-1931. Alfred Joseph Loup III Louisiana State University and Agricultural & Mechanical College
Anhang: Siegfried Jacobsohn-Bibliographie
Germany's Rubble Texts: Writing History in the Present, 1943-1951
"The Blondest of the Blondes"
Arnolt Bronnen's 17P
The Viennese Cuisine Before Hitler — ‘One Cuisine in the Use of Two Nations’ Susanne Belovari (Ó2020), Sophie Coe Prize 2020