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French opera

  • The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’S Opera and Concert Arias Joshua M

    The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’S Opera and Concert Arias Joshua M

  • A European Singspiel

    A European Singspiel

  • Understanding the Lirico-Spinto Soprano Voice Through the Repertoire of Giovane Scuola Composers

    Understanding the Lirico-Spinto Soprano Voice Through the Repertoire of Giovane Scuola Composers

  • The Mezzo-Soprano Onstage and Offstage: a Cultural History of the Voice-Type, Singers and Roles in the French Third Republic (1870–1918)

    The Mezzo-Soprano Onstage and Offstage: a Cultural History of the Voice-Type, Singers and Roles in the French Third Republic (1870–1918)

  • Volume VI 1988 NINETEENTH-CENTUKY ITALIAN

    Volume VI 1988 NINETEENTH-CENTUKY ITALIAN

  • Herve Lacombe. the Keys to French Opera in the Nineteenth Century

    Herve Lacombe. the Keys to French Opera in the Nineteenth Century

  • Boston Symphony Orchestra Concert Programs, Season 14, 1894-1895

    Boston Symphony Orchestra Concert Programs, Season 14, 1894-1895

  • AMS San Francisco 2011 Final Abstracts

    AMS San Francisco 2011 Final Abstracts

  • Parola Scenica: Towards Realism in Italian Opera Etdhendrik Johannes Paulus Du Plessis

    Parola Scenica: Towards Realism in Italian Opera Etdhendrik Johannes Paulus Du Plessis

  • The Adaptability of Opera

    The Adaptability of Opera

  • A Brief History of Opera Opera Is Theatre First, Set to Music: Music Theatre

    A Brief History of Opera Opera Is Theatre First, Set to Music: Music Theatre

  • Translating, Adapting, and Performing Opera in Eighteenth-Century Cosmopolitan Europe: Lorenzo Da Ponte at the King's Theatre

    Translating, Adapting, and Performing Opera in Eighteenth-Century Cosmopolitan Europe: Lorenzo Da Ponte at the King's Theatre" (2017)

  • The King's Men: Molière and Lully's Comédies-Ballets

    The King's Men: Molière and Lully's Comédies-Ballets

  • SAVORING FRENCH OPERA Kip Cranna, Dramaturg Emeritus, San Francisco Opera Summer 2021, Wednesdays, 2:30-4:00Pm

    SAVORING FRENCH OPERA Kip Cranna, Dramaturg Emeritus, San Francisco Opera Summer 2021, Wednesdays, 2:30-4:00Pm

  • The Mahler-Roller Productions of the Vienna Court Opera House (Historical Essay and Syllabus)

    The Mahler-Roller Productions of the Vienna Court Opera House (Historical Essay and Syllabus)

  • The Old French Opera House on Bered for Years

    The Old French Opera House on Bered for Years

  • Fidelio Leonore Jun Kaneko Jun Kaneko 3 Fidelio Leonore

    Fidelio Leonore Jun Kaneko Jun Kaneko 3 Fidelio Leonore

  • Socialism and Feminism in East German Opera: the Cases of Director Ruth Berghaus and Composer Ruth Zechlin

    Socialism and Feminism in East German Opera: the Cases of Director Ruth Berghaus and Composer Ruth Zechlin

Top View
  • Chapter 8: Music Travels: Trends in Italy, Germany, France, and England
  • French Opera and the French Revolution, Etienne Nicolas Mehul Savannah J
  • Dance-Type Narration in Stanisław Moniuszko's Operas
  • German Opera and Operetta at the New Orleans National Theatre, 1866--1878
  • The Influences of German/Viennese Singspiel and French Opera
  • Introduction
  • Gluck's Armide and the Creation of Supranational Opera By
  • The Impact of Jules Massenet's Operas in Milan
  • Meter in French and Italian Opera, 1809–1859
  • An Italianate Approach for a Modernized Baryton-Martin Fach Aaron D
  • The Development of the Opera
  • The Dramatic Functions of the Ensemble in the Operas of Wolfgang Amadeus Mozart
  • MOZART, and Early 19Th Century Opera in Germany and France Presented by Elizabeth Handley – MUSIC of NOTE ♫
  • Recitative Musick”
  • An Introduction to Opera
  • Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
  • John S. Powell. Music and Theatre in France, 1600-1680
  • Adolphe Nourrit, Gilbert Duprez, and the High C


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