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Francesco Cavalli
Sung Texts
825646166411.Pdf
The Power of Affections: Vocal Music from Seventeenth-Century Italy
Mcdonald, Bernard M. (2010) Cavalli's "Ormindo": Tonality and Sexuality in Seventeenth-Century Venice
The Trio Sonata in 17Th-Century Italy LONDON BAROQUE
Francesco Cavalli One Man. Two Women. Three Times the Trouble
Francesco Cavalli
5021524-Dbac9e-827949064661.Pdf
Society for Seventeenthcentury Music
The Secular Latin-Texted Works of Adrian Willaert
Guide to the James H. Moore Papers 1969-1983
Fundraising and Publicity for Operas in Seventeenth-Century Venice Sandy Thorburn
Polychoral Culture at San Marco in Venice
Music in the Pavilion
Recercare, XXVIII/1-2 (2016)
Pier Francesco Cavalli (1602–76): Giasone (Opera: Selections) Selection 8 from Music of the Baroque: an Anthology of Scores, S
Francesco Cavalli
A Study of Monteverdi's Three Genera from the Preface to Book Viii of Madrigals in Relation to Operatic Characters in Il
Top View
Cavalli and the Staging of Venetian Opera - Part One Transcript
ORMINDO Opera in Two Acts by FRANCESCO CAVALLI in a New Version Realized by Raymond Leppard
Chronology the Early Baroque Era
Readying Cavalli's Operas for the Classroom
Renaissance Choral Masterworks
Staging the Operas of Francesco Cavalli
Ombra Mai Fu
Dissertation Version
Transcripts of Dramatic Musical Works in Full Score at the Library of Congress
Stanislav Tuksar: Croatian Musicians in Venice, Rome and Naples During the Period 1650–1750 Schriftenreihe Analecta Musicologica
Francesco Cavalli
RESEARCH PROPOSAL Dario Poljak TITLE Historically Informed
5. Venetian Public Opera
Barbara Strozzi – Revenge • 1619-1677 • Overcame Many Obstacles
History Study Guide
To Sleep Perchance to Sing: the Suspension of Disbelief in the Prologue to Francesco Cavalli’S Gli Amori D’Apollo E Di Dafne (1640)1
Universidad De Huelva