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Dischord Records
Let's Say You're in a Band
Rill^ 1980S DC
Dag Nasty Wig out at Denkos Mp3, Flac, Wma
La Fugazi Live Series Sylvain David
Dischord Records 3819 BEECHER ST
Punk, Confrontation, and the Process of Validating Truth Claims
Skip Groff Papers
Deconstructing “Do-It-Yourself” Punk Rock Ethics in Philadelphia" (2016)
Jason Farrell Collection
Punk Record Labels and the Struggle for Autonomy 08 047 (01) FM.Qxd 2/4/08 3:31 PM Page Ii
Who Stole the Music?
P36-40 Layout 1
The SAA Performing Arts Roundtable
Extreme Hardcore Punk and the Analytical Challenges of Rhythm, Riffs, and Timbre in Punk Music
SURFING for PUNKS: the INTERNET and the PUNK SUBCULTURE in NEW JERSEY by AARON ROBERT FURGASON a Dissertation Submitted To
Traditions of Punk and the Politics of Empowerment
SUB POP Shaping the Direction of That Scene Was Bruce Pavitt, Sub Pop’S Founder
SPRING 1989 9:00 Smiling Fiend Schedule/Spring 1989 Habit of Thought; Habit of Action, Alternative Music to Satisfy All Your Vinyl Fetishes
Top View
More Than Music: American Punk Rock, 1980-1985
The Creative Independent
The D.C. Punk & Indie Fanzine Collection
The Punk Remains the Same
VISUALIZING the HISTORY of FUGAZI | Designed By: Carni Klirs © 2018 Like Churches Justasoften Asthey Played Rock Clubs
Protest and Survive: a Brief History and Analysis of the Politics of Punk
Aesthetic of Our Anger. Anarcho-Punk, Politics and Music Edited by Mike Dines & Matthew Worley
John Davis Collection on Punk
Dischord Records Pressalecbourgeois
Read Razorcake Issue #41 As a PDF
Nicholas Langley November 18 , 2011 WRTG 1150 Final Writing Project
Arbiter, May 5 Students of Boise State University
Capitals of Punk: Paris, DC, and the Circulation of Urban Counternarratives