Dag Nasty Wig out at Denkos Mp3, Flac, Wma

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Dag Nasty Wig Out At Denkos mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Wig Out At Denkos Country: US Released: 1987 Style: Hardcore, Punk MP3 version RAR size: 1868 mb FLAC version RAR size: 1240 mb WMA version RAR size: 1751 mb Rating: 4.4 Votes: 350 Other Formats: AC3 MP3 MP4 MPC DMF AIFF AUD Tracklist A1 The Godfather A2 Trying A3 Safe A4 Fall A5 When I Move B1 Simple Minds B2 Wig Out At Denkos B3 Exercise B4 Dag Nasty B5 Crucial Three Companies, etc. Copyright (c) – Dischord Records Phonographic Copyright (p) – Dischord Records Produced At – Inner Ear Studios Recorded At – Inner Ear Studios Pressed By – MPO Credits Bass – Doug Carrion Drums – Colin Sears Engineer – Don Zientara Graphics – Cynthia Connolly Guitar – Brian Baker Photography By – Ken Salerno, Tomas Squip Producer – Don*, Ian* Songwriter – Dag Nasty Vocals – Peter Cortner Notes Includes black and white insert with lyrics one the one and a photo on the other side Produced at Inner Ear Studios. Recorded at Inner Ear Studios. This album is $5. postpaid from Dischord Records. c & p 1987 Dischord Records. Made in France. Barcode and Other Identifiers Matrix / Runout (Runout A [etched]): DISCHORD 26 A-1 MPO Matrix / Runout (Runout B [etched]): DISCHORD 26 B-1 MPO Other versions Category Artist Title (Format) Label Category Country Year Dag Wig Out At Denkos Dischord Dischord 26 Dischord 26 US 1987 Nasty (LP, Album) Records Wig Out At Denko's Dag Dischord DIS26CD (CD, Album, RE, DIS26CD US 2002 Nasty Records RM) Dischord Dischord 26, Dischord 26, Dag Wig Out At Denkos Records, Dischord Dischord US Unknown Nasty (LP, Album, RP) Dischord Records 26 Records 26 Records Dag Wig Out At Denkos Dischord Dischord 26 Dischord 26 UK 1987 Nasty (LP, Album, TP) Records Dischord Records, Wig Out At Denkos 26, dis26v, Dag Dischord 26, dis26v, (LP, Album, RM, US 2009 Dischord 26 Nasty Records, Dischord 26 RP) Dischord Records Related Music albums to Wig Out At Denkos by Dag Nasty 1. Dag Nasty - Can I Say 2. Minor Threat - Complete Discography 3. Fire Party - New Orleans Opera 4. Gray Matter - Take It Back 5. Fugazi - Steady Diet Of Nothing 6. Dag Nasty - Can I Say & Wig Out At Denko's 7. 3 - Dark Days Coming 8. Scream - Still Screaming 9. Minor Threat - Minor Threat 10. Embrace - Embrace.

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Let's Say You're in a Band
Hello from Jenny Toomey & Kristin John Henderson’s CD tidbits were right on the money. In the fourth edition we Thomson and welcome to the 2000 added a bit of basic info on publishing, copyrighting, “going legal”. For this one digital version of the Mechanic’s we’ve updated some of the general info and included some URLs for some of Guide. Between 1990 and 1998 the companies that can help with CD or record production. we ran an indie record label called Simple Machines. Over One thing to keep in mind. This booklet is just a basic blueprint, and even though those eight years we we write about putting out records or CDs, a lot of this is common sense. We released about 75 records by know people who have used this kind of information to do everything from our own bands and those of putting out a 7” to starting an independent clothing label to opening recording our friends. We closed the studios, record stores, cafes, microbreweries, thrift stores, bookshops, and now whole operation down in thousands of start-up internet companies. Some friends have even used similar March, 1997. skills to organize political campaigns and rehabilitative vocational programs offering services to youth offenders in DC. Ironically, one of our label's most popular releases was There is nothing that you can’t do with a little time, creativity, enthusiasm and not a record, but a 24-page hard work. An independent business that is run with ingenuity, love and a sense "Introductory Mechanics of community can even be more important than the products and services it Guide to Putting out sells because an innovative business will, if successful, stretch established defini- Records”.
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rill^ 1980S DC rii£!St MTEVOLUTIO N AND EVKllMSTINO KFFK Ai\ liXTEiniKM^ WITH GUY PICCIOTTO BY KATni: XESMITII, IiV¥y^l\^ IKWKK IXSTRUCTOU: MR. HiUfiHT FmAL DUE DATE: FEBRUilRY 10, SOOO BANNED IN DC PHOTOS m AHEcoorts FROM THE re POHK UMOEAG ROUND pg-ssi OH t^€^.S^ 2006 EPISCOPAL SCHOOL American Century Oral History Project Interviewee Release Form I, ^-/ i^ji^ I O'nc , hereby give and grant to St. Andrew's (interviewee) Episcopal School llie absolute and unqualified right to the use ofmy oral history memoir conducted by KAi'lL I'i- M\-'I I on / // / 'Y- .1 understand that (student interviewer) (date) the purpose of (his project is to collect audio- and video-taped oral histories of first-hand memories ofa particular period or event in history as part of a classroom project (The American Century Project). 1 understand that these interviews (tapes and transcripts) will be deposited in the Saint Andrew's Episcopal School library and archives for the use by ftiture students, educators and researchers. Responsibility for the creation of derivative works will be at the discretion of the librarian, archivist and/or project coordinator. I also understand that the tapes and transcripts may be used in public presentations including, but not limited to, books, audio or video doe\imcntaries, slide-tape presentations, exhibits, articles, public performance, or presentation on the World Wide Web at t!ic project's web site www.americaiicenturyproject.org or successor technologies. In making this contract I understand that I am sharing with St. Andrew's Episcopal School librai-y and archives all legal title and literary property rights which i have or may be deemed to have in my inten'iew as well as my right, title and interest in any copyright related to this oral history interview which may be secured under the laws now or later in force and effect in the United States of America.
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. - .. - . -. ~. A ~ , - . , . , . , . , -. ::*--.i'_'.-. ~-----.~.7. '. .,.? 7 . ~ $ .. ,, t-c. * .A?. ' - a -. .-? ' '9' . " -, , -,, &., ,:.--: .: .. ., . , y , - . ,,;.? .. .- . .. -- 8 ' . ,"<, ' ~..D. ? PAGE 3 k SLUG To Mike Carlson, wereright, though.mestagewas me, industrial always was shit ENTEIWAINMENT Once again you have con- PM~..---. like ELP, Kraftwerk, Laibach, GUIIBE AN11 firmed the fact that you are a 4. Mary Annerules. She is the This guy 1tEVIEW complete geek Do you ever tire AlternativeCultural Icon for this what's of public humiliation? month. Next up, I submit Chris Youn in warm regards, -1 -1 T. Stinson Robin. Love and bullets, 5. Matt Taylor is right on the Charlee X Nine Editor /Publisher Dearest Dickheads, ball, friends and neighbors. To J.R. Ruppel Controversy, controvesy, controversy! After reading the Sales & Production SlugNo.30/June'91 issue,I must Natalie Kaminski respond to the following: 1. Mike Carlson, suck mine. Photographs Your.bullshit attitude is right Robert DeBerry from the pages of Maximum Special Thanx To: Rock And Roll. "Getting signed Lara Bringard to the maprs and being bled dry Matt Taylor for the bloodsucking consumer Scott Bringard machine?" That shit happens on quite a few indies, too, but why AND OUR TWANX TOOOOOO: 'even bother to record or tour JanBny, Jon Shum~,Brd OWu. Woody Gonulu, Bud Bmrkrq dthout somedegreeof success? Rlck Ruppl, Dan Kw. MuhMron, Sorry, babycake<but the money Xotl Bdngud, Kwh Uk,Charlea Johmn, BUI Ward, Hofflnc Rlnthg, goes along with this and it's not CopperfleldPublbhlng the cash that makes things bad, ?he opinions and views expressed but what you do with it. If this in this rag are those of the writem wasn't the case, records would and arc nM necessarily those of the be free of charge to make and people who pur this shit together.
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