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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Wickenden Wonderland, Dec 21, Rings in Holiday Spirit,H.R. From
Wickenden Wonderland, Dec 21, Rings In Holiday Spirit Caroling is part of the Christmas tradition. Ordinary folks gracing their neighborhood with their own style of holiday cheer is commonplace in many cities. Fox Point on the PVD East Side, one of the city’s neighborhoods with an artistic temperament, is putting their own spin on it. Wickenden Wonderland – Thursday, Dec 21, 6-8pm – is a celebration put together by the Fox Point Neighborhood Association, and it is for a great cause. Raising money for the homeless with Amos House, this wonderland provides a glimpse of beauty in the human spirit. It also looks like a damned good time. The start is the Point Tavern 6-7pm with drinks and plans for merrymaking. The kitchen will be occupied by Great Northern Barbeque, so it’s an opportunity to enjoy delicious food among friends. There will be drink specials at the Point, and their beverages are a great way to lubricate your singing voice – and no one should be caroling on an empty stomach. Revenue from food and drink sales will go toward Amos House. This all makes for a stellar reason to join in on the fun. At 7pm, the party moves to George M. Cohan Plaza (the intersection of Wickenden and Governor Streets) for what the event Facebook page describes as “great musical accompaniment of the Mighty Good Boys. There will be hot chocolate and cookies for everyone!” If you find yourself on PVD’s East Side or you’re in the city looking for something to do on a Thursday night, then celebrate the holiday season with a caroling crowd. -
Rancid Indestructible Mp3, Flac, Wma
Rancid Indestructible mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Indestructible Country: Europe Released: 2003 Style: Ska, Punk MP3 version RAR size: 1123 mb FLAC version RAR size: 1279 mb WMA version RAR size: 1454 mb Rating: 4.7 Votes: 709 Other Formats: AA MP3 MP1 WAV AUD FLAC VQF Tracklist Hide Credits 1 Indestructible 2 Fall Back Down Red Hot Moon 3 Vocals – Skinhead RobWritten-By – Reed*, Frederiksen*, Aston*, Armstrong* 4 David Courtney 5 Start Now 6 Out Of Control Django 7 Written-By – Armstrong* 8 Arrested In Shanghai 9 Travis Bickle 10 Memphis Spirit Of '87 11 Written-By – Carlock*, Frederiksen*, Armstrong* 12 Ghost Band 13 Tropical London Roadblock 14 Written-By – Reed*, Frederiksen*, Armstrong* 15 Born Frustrated 16 Back Up Against The Wall 17 Ivory Coast Stand Your Ground 18 Mixed By – Tim Armstrong 19 Otherside Credits Artwork By [Design] – Nicholas "Nick" Pritchard Bass, Vocals – Matt Freeman Drums – Brett Reed Edited By – Dave Carlock, Edmund Monsef, Seth McLain Engineer [Additional] – Andrew Alekel Engineer [Assistant] – Citris Reynolos, Dan Hoal, John Silas Cranfield, Pete Martinez Engineer, Edited By – Nick Raskulinecz Guitar, Vocals – Lars Frederiksen Guitar, Vocals, Artwork By [Cover Photo] – Tim Armstrong Keyboards – Vic Ruggiero* Mastered By – Brian Gardner Mixed By – Brett Gurewitz (tracks: 6, 10, 12 to 14, 19), Douglas Boehm* (tracks: 1, 3, 4, 7 to 9, 11, 15, 16, 17), Joe Baresi* (tracks: 2, 5), Rob Schnapf (tracks: 1, 3, 4, 7 to 9, 11, 15, 16, 17) Mixed By [Assistant] – Kevin Dran Percussion – Luis Conte Producer, Engineer [Additional], Vocals [Guest] – Brett Gurewitz Vocals [Guest] – Siedah Garrett Written-By – Frederiksen* (tracks: 1, 2, 4, 5, 6, 7, 9, 10, 12, 13, 15, 16 to 19), Armstrong* (tracks: 1, 2, 4, 5, 6, 8, 9, 10, 12, 13, 15, 16 to 19) Notes Recorded at Sound City Studios, Grand Master Recorders, Sondra Recorders. -
Spinnerette Ghetto Love Ep Free Download Spinnerette’S Ghetto Love
spinnerette ghetto love ep free download Spinnerette’s Ghetto Love. Johnny forwarded me an email last week. He wrote, “finally, something decent to cover.” The email came from Spinnerette , and it announced a new EP they were independently releasing, entitled Ghetto Love . We’ve been following Spinnerette on Antiquiet, starting with a retro review of the last Distillers album, through an appearance with Queens Of The Stone Age and Spinnerette’s first shows in October. I share the complaint behind Johnny’s statement- while all the hipsters are finding so much music to love these days, it all sounds like shit to us. We’ve had to resort to pot shots at fucking Fall Out Boy for fuck’s sake. But there’s this little EP, and another one from Cat Power that’s worth checking out. Ghetto Love is only four songs- Ghetto Love, Valium Knights, Distorting A Code, and Bury My Heart , all of which have been heard online and/or live. But the first two tracks are pretty hot. Bury My Heart is alright, while Distorting A Code is our least favorite. Check out the video for Ghetto Love: If you dig that, the complete EP can be heard and/or purchased here from Topspin (why it isn’t on iTunes, we do not know), bundled along with the Ghetto Love video. UPDATE: We forgot to mention- at their last show, Brody promised the full length album would arrive in February ’09. The photo at the top of the page was taken at Spinnerette’s show at Spaceland on October 29th. -
The Queers Beat Off Mp3, Flac, Wma
The Queers Beat Off mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Beat Off Country: US Released: 2014 Style: Punk MP3 version RAR size: 1883 mb FLAC version RAR size: 1330 mb WMA version RAR size: 1281 mb Rating: 4.3 Votes: 828 Other Formats: AAC MP4 MIDI DMF AC3 TTA FLAC Tracklist Hide Credits A1 Steak Bomb 0:48 A2 Drop The Attitude Fucker 1:40 A3 You Make Me Wanna Puke 2:07 A4 Teenage Gluesniffer 2:35 A5 Ben Weasel 2:16 A6 Voodoo Doll 3:01 Mirage B1 2:56 Written By – T. Hart B2 Grounded 1:45 B3 Live This Life 1:37 B4 Half Shitfaced 1:30 B5 Too Many Twinkies 1:13 B6 All Screwed Up 3:25 My Old Man's A Fatso B7 Written-By – Angry Samoans Credits Bass, Vocals – B-Face Drums – Dan Panic Guitar, Vocals – Danny Vapid, Joe King Producer – Ben Weasel Recorded By – Mark Schwartz, Mass Giorgini Remix, Remastered By – Mass Giorgini Written-By – B-Face (tracks: B4, B6), Joe King (tracks: A1-A5, B1-B6) Notes This limited edition of 400 features hand-screened artwork and is pressed on black vinyl. Other versions Category Artist Title (Format) Label Category Country Year The Beat Off (LP, Lookout! Lookout #81 Lookout #81 US 1994 Queers Album) Records Lookout! Lk 0081CD, The Beat Off (CD, Records, Lk 0081CD, US 1994 #81 LOOKOUT Queers Album) Lookout! #81 LOOKOUT Records The Beat Off (Cass, Lookout! LOOKOUT #81 LOOKOUT #81 US 1994 Queers Album) Records The Beat Off (CD, Asian Man ASM 142 CD ASM 142 CD US 2007 Queers Album, RE) Records The Beat Off (LP, Lookout! Lookout #81 Lookout #81 US Unknown Queers Album) Records Related Music albums to Beat Off by The Queers The Putz - Hole In One Artemisia Absinthium / Weasel Walter - Split AA/ WW Cletus - Grease, Grits And Gravy Screeching Weasel - Weasel Mania Don Winsley - Rise Of The Weasel King Remix EP Various - Punk USA Goat Perversion - Mass-åKra Screeching Weasel - Snappy Answers For Stupid Questions Screeching Weasel - Kill The Musicians The Queers - Everything's O.K. -
Roots Radical – Place, Power and Practice in Punk Entrepreneurship Sarah Louise Drakopoulou Dodd
Roots radical – Place, power and practice in punk entrepreneurship Sarah Louise Drakopoulou Dodd The significance continues to grow of scholarship that embraces critical and contextualized entrepreneurship, seeking rich explorations of diverse entrepreneurship contexts. Following these influences, this study explores the potentialized context of punk entrepreneurship. The Punk Rock band Rancid has a 20-year history of successfully creating independent musical and related creative enterprises from the margins of the music industry. The study draws on artefacts, interviews and videos created by and around Rancid to identify and analyse this example of marginal, alternative entrepreneurship. A three-part analytic frame was applied to analysing these artefacts. Place is critical to Rancid’s enterprise, grounding the band socially, culturally, geographically and politically. Practice also plays an important role with Rancid’s activities encompassing labour, making music, movement and human interactions. The third, and most prevalent, dimension of alterity is that of power which includes data related to dominance, subordination, exclusion, control and liberation. Rancid’s entrepreneurial story is depicted as cycles, not just a linear journey, but following more complicated paths – from periphery to centre, and back again; returning to roots, whilst trying to move forwards too; grounded in tradition but also radically focused on dramatic change. Paradox, hybridized practices, and the significance of marginal place as a rich resource also emerged from the study. Keywords: entrepreneurship; social construction; punk rock; paradox; marginality; periphery Special thanks are due to all the punks and skins who have engaged with my reading of the Rancid story, and given me so much support and feedback along the way, especially Rancid’s drummer, Branden Steineckert, Jesse from Machete Manufacturing, Kostis, Tassos (Rancid Punx Athens Crew) and Panayiotis. -
Rivista Multimediale Di Critica Radicale
RIVISTA MULTIMEDIALE DI CRITICA RADICALE PRIMAVERA 2009/ANNO XXVIII/NUMERO 28 1 RIVISTA MULTIMEDIALE DI CRITICA RADICALE RIVISTA MULTIMEDIALE DI CRITICA RADICALE Primavera 2009/Anno XXVIII/Numero 28 TRACCE / Rivista Multimediale di critica radicale Registrazione del Tribunale di Livorno n. 372/82 Direttore responsabile / Giuseppino Bertelli Redazione /Massimo Panicucci / Maurizio Moretti / Pino Bertelli / Pier Paolo Bertelli / Paola Grillo / Luigia Scerra / Paolo Bruciati 1 Gli scritti, i materiali, le immagini... pubblicati in Tracce non hanno copyright, quindi sono liberi... la rivista è aperta a tutti quelli che vogliono dire qualcosa su qual- Fabrizio de Andrè / Canzone del Maggio /41 cosa e, possibilmente, contro qualcuno. Maurizio Moretti / In ricordo di Fabrizio De Andrè /42 In questo numero Miriam Grillo-Bertelli/ Brody Dalle, la voce dei Distillers /45 Mapak / Sottosopra... / 3 Fabrizia Vallone Aranci /47 Reporters sans frontières / Rapporto mondiale della libera Massimo Panicucci / 49 stampa 2009 / 4 Carlo Ruta / Logiche di un potere siciliano /56 “Appello di Rivoluzione democratica” per l’astensione alle europee / 6 Pier Paolo Pasolini / Il fascismo secondo Pasolini /63 Spartaco/ “Il patriottismo è l’ultimo rifugio delle carogne” / 8 Michael Schmidt / Sangue, acqua e petrolio: Falsità della guerra del Darfur /64 Antonio Gasbarrini / La nemesi delle avanguardie: Dai futuristi ai situazionisti (1909-1972 e oltre) / 9 Fotografie/disegnii: Letizia Battaglia / Franco Zecchin /René Burri / Pino Bertelli / Man Ray / Massimo Panicucci -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
Centennial Book 1893
■- 1899 LAKE BEULAH YACHT CLUB Friends of Lake Beulah Yacht Club, One hundred years is a long time! Yet the Lake Beulah Yacht Club has survived and flourished since its founding in 1893. This Centennial publication is a chronicle in story and picture of the past one hundred years. We hope it brings back fond memories of times past at Lake Beulah and the Lake Beulah Yacht Club. Tom Derse, Commodore, 1993 TABLE OF CONTENTS Lake Beulah: Pioneer Days to the Present . .. 3 Lake Beulah Yacht Club: Blueprint to Structure . .54 Past Commodores at Ease ...................... 6 6 Lake Beulah Map , . .. ............................................... ■ 72 Lake Beulah Yacht Club: The Sailing Saga . .. .75 Sailing School: Teaching New Generations ............... 88 , Lake Beulah Sidestays . ...... .... 92 Lake Beulah Yacht Club: Trophy Triumphs . .. 94 Acknowledgements . .. .. 111 Lake Beulah: Pioneer Days to the Present. Not many centenarians are as In return for the land, John Kinzie sprightly as the Lake Beulah Yacht Club of Chicago, United States agent, agreed to which celebrates its 100th anniversary in make annual payments to the Indians in 1993. This vibrant organization looks back coin, guns, blankets and other necessities. with pride on decades of steady growth The Government also agreed to protect and meaningful accomplishments. them in occupancy of the soil they now held until 1835 and then transfer them to Notable among these are the en- other lands west of the Mississippi River. couragement of competitive sailing, good sportsmanship, and the opportunities for The territory thus acquired "extin- recreation and socializing for countless guished Indian title to 5,000,000 acres of families who have enjoyed membership land and included all of southeastern Wis- throughout the years. -
Screeching Weasel How to Make Enemies and Irritate People Mp3, Flac, Wma
Screeching Weasel How To Make Enemies And Irritate People mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: How To Make Enemies And Irritate People Country: US Released: 1994 Style: Punk MP3 version RAR size: 1146 mb FLAC version RAR size: 1233 mb WMA version RAR size: 1808 mb Rating: 4.5 Votes: 403 Other Formats: AHX TTA MPC AU AIFF AUD ADX Tracklist Hide Credits A1 Planet Of The Apes A2 99 A3 I Hate Your Guts On Sunday Jonny R U Weird? A4 Backing Vocals – Gretchen SmearWritten-By – B. Paine*, L. Paine* A5 Time Bomb A6 Burnout Girl A7 If I Was You Nobody Likes You B1 Written-By – D. Vapid* B2 Degenerate Surf Goddess B3 Written-By – J. King* B4 Kathy Isn't Right B5 Kathy's On The Roof B6 I Wrote Holden Caulfield Companies, etc. Copyright (c) – Screeching Weasel Phonographic Copyright (p) – Lookout! Records Recorded At – Panic's Basement Mastered At – Golden Mastering Mastered At – Greg Lee Processing – L-43197 Credits Bass [Off The Rack Bass], Backing Vocals – Mike Dirnt Cover – Christopher Appelgren Drums [Garage Sale Drums] – Dan Panic Engineer – Mass Giorgini Guitar [Pawn Shop Guitar] – Jughead Photography By [Band Photos] – Anne Mullen Producer – Benito Mussoweasel* Vocals [Vocalization], Guitar [$200 Guitar] – Ben Weasel Written-By – B. Weasel* (tracks: A1 to A3, A5 to B6) Notes Includes lyric sheet and detailed discography (through 1994). Recorded June 14-16 & 22-24, 1994 in Panic's basement. Engineered on the Leapin' Lizard mobile division of Sonic Iguana Studios. Gretchen Smear appears courtesy of Headhunter Records. Mike Dirnt appears courtesy of Reprise Records Ben Weasel, Dan Panic, and Jughead appear courtesy of Lookout Records Mass Giorgini appears courtesy of Lafayette, Indiana. -
Punk Is Dead” Catalog Includes, the SST Records the Inventory Representing the “Punk Is Collection, C
2016 PUNK IS DEAD Lux Mentis, Booksellers Lux Mentis Booksellers specializes in fine press, artist books, first editions, Punk rock evolved over several and esoterica with a particular emphasis generations and manifestations of youth on challenging and unusual materials. culture beginning in the 1970s. Even after 40 years, punk subculture still We actively collaborate with archives demonstrates the capability to influence and special collections libraries to meet successive contemporary elements of the research and collecting needs of art, music, and fashion regardless of its public learning institutions, private, original intention to lambast conformity. independent libraries and collections with primary sources. Selected inventory in the “Punk is Dead” catalog includes, the SST Records The inventory representing the “Punk is Collection, c. 1979-1996; original Dead” collection is a retrospective artwork from famed punk artist, selection of critical primary source Raymond Pettibon; correspondence materials documenting the punk rock from Gordon Gano, original member of movement of the 1970s-1990s. The the Violent Femmes; and several unique collection illustrates the profound fanzine and alternative publications. subculture of punk from an artistic and politically fueled era from Los Angeles, Lux Mentis regularly features and New York, and London. showcases punk culture related materials at major ABAA book fairs and Please contact us for an appointment or continues to cultivate the acquisition of with questions regarding the inventory. subculture materials for research and collection development purposes. 110 Marginal Way #777 Portland, ME 04101 Member: ILAB/ABAA T. 207.329.1469 Email: [email protected] Front cover image: From the SST [email protected] Records Collection, detail of “Outcry” Web: http://www.luxmentis.com magazine Blog: http://www.asideofbooks.com Cataloged created by Kim Schwenk and edited by Ian Kahn 2 Ginn, Greg, Pettibon, Raymond, et al. -
Btutt of W,Tnnegflw
btutt of W,tnnegflw HOUSE RESOLUTION NO. 1OO By Representative Terry A RESOLUTION to honor the success of the band Shinedown and its Tennessee-born members, Zach Myers and Brent Smith. WHEREAS, it is fitting that the members of this General Assembly should pause to specially recognize those native Tennesseans who possess world-renowned musical ability and have led successful careers in the music industry, thereby enriching the lives of their fellow citizens; and WHEREAS, two such individuals are Zach Myers and Brent Smith, both of whom serve as members of the hard rock band Shinedown; and WHEREAS, Brent Smith, born in Knoxville, represents this state by leading a successful career in the music industry as creator and lead vocalist of the band Shinedown; and WHEREAS , Zach Myers, born in Memphis, represents this state by leading a successful career in the music industry as the founder and lead singer of the Memphis-based rock band The Fairwell, as well as the former bassist and current guitarist for the hard rock band Shinedown; and WHEREAS, over the past two decades, Shinedown has proven itself to be a dynamic, record-breaking, multi-platinum musical group with the ability to appeal to a diverse constituency of both young and old rock music fans; likewise, Tennessee-born members Zach Myers and Brent Smith deserve this body's unyielding approbation for their contribution to the band Shinedown and, ultimately, to the State of Tennessee; and WHEREAS, Shinedown's consistent delivery of high-energy concerts and live shows has helped the band