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- Defending Desdemona, Reclaiming Cordelia: a Woman-Centric Defense of Shakespeare's Heroines in Othello and King Lear
- A Comparison of Othello with Omkara and Kaliyattam-Parvathy N
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- Jealousy in Othello Jennifer Putnam
- Theatre Is a Political Act": Cincinnati's Experiment in a Trans-Theatre Encounter with Race Eric Brinkman
- Beds, Handkerchiefs, and Moving Objects in Othello
- A Comparative Study of Othello and Kaliyattam
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- Historical Authenticity: Performing Victorian Blackness in Red Velvet by Lolita Chakrabarti and an Octoroon by Branden Jacobs-Jenkins
- Shakespeare on Film and Television in the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress
- Men and "Fallen" Women: the Unprotectedness of Wives in Othello
- To Be a Woman: Shakespeare's Patriarchal Viewpoint
- Shakespeare Retold
- Othello Responses
- How Othello Became Black: a Cultural History of Shakespeare‘S Moor in New York City
- Othello-Litchart.Pdf
- ABOUT the SHOW Shakespeare’S Story of Othello
- Jewel Theatre Audience Guide Directed
- Shakespearean Adaptations and Representations Elena PALI
- RED VELVET by Lolita Chakrabarti Directed by Shirley Basfi Eld Dunlap February 2-25, 2018
- Aim 5 Vocabulary Review and Othello Act I.Notebook September 16, 2019
- A Study of the Women in Shakespeare's Major Tragedies Kurt E
- Study Guide for Otello.Pub
- The Inevitable Death of Desdemona: the Conflict Between Will and Reason
- Lantern Theater Company Presents the Philadelphia Premiere of Red Velvet by Lolita Chakrabarti, Sept. 7 – Oct. 8, 2017
- Mcneese REVIEW MCNEESE STATE COLLEGE, LAKE CHARLES, LOUISIANA
- STUDY GUIDE Act One 1
- Character Sketch of Desdemona in Shakespeare's Othello
- OTHELLO SYNOPSIS It Is Evening in Venice, Italy
- Commedia Dell'arte in Othello
- Desdemona's Handkerchief: Its Symbolic Significance
- OTHELLO Directed by Robert Currier
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- The First Othello: a Tribute to the Anglo-American Adversary Syst
- '“To Love the Moor” : Postcolonial Artists Write Back to Shakespeare's
- Female Friendship Alliances in Shakespeare Milinda Jay
- Section II: Introduction
- Parody in Goodnight Desdemona (Good Morning Juliet)
- Othello As a Domestic Tragedy: Marriage and Moral Extremism
- Ecocinecriticism and Cultural Contextualizing: a Study of The