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Contrafactum

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  • Trent 91; First Steps Towards a Stylistic Classification (Revised 2019 Version of My 2003 Paper, Originally Circulated to Just a Dozen Specialists)

    Trent 91; First Steps Towards a Stylistic Classification (Revised 2019 Version of My 2003 Paper, Originally Circulated to Just a Dozen Specialists)

  • Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies

    Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies

  • Univeristy of California Santa Cruz Cultural Memory And

    Univeristy of California Santa Cruz Cultural Memory And

  • Reshaping American Music: the Quotation of Shape-Note Hymns by Twentieth-Century Composers

    Reshaping American Music: the Quotation of Shape-Note Hymns by Twentieth-Century Composers

  • UCLA Electronic Theses and Dissertations

    UCLA Electronic Theses and Dissertations

  • Translating, Adapting, and Performing Opera in Eighteenth-Century Cosmopolitan Europe: Lorenzo Da Ponte at the King's Theatre

    Translating, Adapting, and Performing Opera in Eighteenth-Century Cosmopolitan Europe: Lorenzo Da Ponte at the King's Theatre" (2017)

  • Whose Music Is It Anyway?: How We Came to View Musical Expression As a Form of Property – Part I

    Whose Music Is It Anyway?: How We Came to View Musical Expression As a Form of Property – Part I

  • A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature

    A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature

  • “The Future Is Medieval”: Orality and Musical Borrowing in the Middle Ages and Online Remix Culture

    “The Future Is Medieval”: Orality and Musical Borrowing in the Middle Ages and Online Remix Culture

  • Use of Parody Techniques in Jacques Offenbach's Opérettes and Germaine Tailleferre's Du Style Galant Au Style Méchant

    Use of Parody Techniques in Jacques Offenbach's Opérettes and Germaine Tailleferre's Du Style Galant Au Style Méchant

  • The Ideology and Aesthetics of Andrew Lloyd Webber's Musicals

    The Ideology and Aesthetics of Andrew Lloyd Webber's Musicals

  • Avisn FORUM Journal of the Association Ellard De Honnecourt for the Interdisciplinary Study of Medieval Technology, Science, and Art

    Avisn FORUM Journal of the Association Ellard De Honnecourt for the Interdisciplinary Study of Medieval Technology, Science, and Art

  • Society for American Music Forty-Third Annual Conference

    Society for American Music Forty-Third Annual Conference

  • Remixing Overwatch: a Case Study in Fan Interactions with Video Game Sound Etelle Shur Scripps College

    Remixing Overwatch: a Case Study in Fan Interactions with Video Game Sound Etelle Shur Scripps College

  • Parody As a Borrowing Practice in American Music, 1965–2015

    Parody As a Borrowing Practice in American Music, 1965–2015

  • Composer As Appropriator: Semiotic Analysis of Musical Works Based on Appropriated Materials

    Composer As Appropriator: Semiotic Analysis of Musical Works Based on Appropriated Materials

  • Communicating in Song: the American Sung-Through Musical from in Trousers (1979) to Caroline, Or Change (2004)

    Communicating in Song: the American Sung-Through Musical from in Trousers (1979) to Caroline, Or Change (2004)

Top View
  • Troubadour Contrafacta in the Provencal Drama
  • Contemporary New Art Music Musics Music in Belgium
  • Contrafactum and Alternatim Praxis in Two Eighteenth Century Requiem Settings by Manuel De Sumaya by Therese Irene Fassnacht
  • Light Music in the Practice of Australian Composers in the Postwar Period, C.1945-1980
  • The Myth of Piers Plowman
  • Jackie Mittoo at Home and Abroad: the Cultural and Musical Negotiations of a Jamaican Canadian
  • Bricolage in the Music of Elena Kats-Chernin
  • From the Magnus Liber Organi to Adam De La Halle CATHERINE A
  • 7665.01 Music AS 2 Pt 2 (Written) (Summer 2012).Indd
  • Manuscripts and Medieval Song : Inscription, Performance, Context / Edited by Helen Deeming and Elizabeth Eva Leach
  • Music, Power, and Politics
  • 01 Title Page
  • Abstract Book (2Nd Edition)
  • 4146-002-Final Pass-0FM.Indd
  • Society for American Music Forty-First Annual Conference
  • How to Become a Certified Translator
  • Good Vibrations: Brian Wilson and the Beach Boys in Critical Perspective
  • Whose Music Is It Anyway? How We Came to View Musical Expression As a Form of Property


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