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Chano Pozo
Manteca”--Dizzy Gillespie Big Band with Chano Pozo (1947) Added to the National Registry: 2004 Essay by Raul Fernandez (Guest Post)*
“Mongo” Santamaría
Changuito, El Misterioso
Stage Door Swings Brochure
Leopard Society Music and Language in West Africa, Western Cuba, and New York City Ivor L
The Connectors of Two Worlds: Chano Pozo, Dizzy Gillespie, and the Continuity of Myth Through Afro-Cuban Jazz
Fourth Annual Latin Jazz Concert
Spitting Fire: Black Mountain and the Black Arts Movement in the Poetry of Jayne Cortez Joseph Pizza
Prominent Afro-Cuban Musicial Figures/Ensembles
327 Rosa Marquetti Torres Chano Pozo Was a Troublemaker Who
Arsenio Rodríguez
Bibliografia Cubana 1986
Redalyc.CENTRAL PARK RUMBA: NUYORICAN IDENTITY and THE
Recordings and the Mediation of Afro-Cuban Traditional Music
The Weekend Australian
Music and Revolution: Cultural Change in Socialist Cuba
The Music of Chucho Valdés & Irakere
Redalyc.Rejecting the Shadow: Steve Berrios, an Apache of the Skins
Top View
Mario Bauzá: Swing Era Novelty and Afro-Cuban Authenticity
The Dizzy Gillespie™ Afro Cuban Experience Under the Direction of John Lee, Dizzy’S Long-Time Bassist, and the Director of the Dizzy Gillespie™ Big Band
AFRO-CUBAN PERCUSSION, ITS ROOTS and ROLE in POPULAR CUBAN MUSIC by BRIAN KEITH ANDERSON B.M.E., Kansas State University, 2009 B
Cuban Jazz in the United States in the Late 1940S Was Closely Interrelated with Bebop’S Speak Popularization
Bibliografia Cubana 1987 Indice Acumulativo
The Cuban Creators of Latin Jazz
The Anagó Language of Cuba Maria J
Machito and His Afro-Cubans: Selected Transcriptions Paul Austerlitz Gettysburg College
Aguabella En Torno a La Trayectoria Del Importante Percusionista Cubano Francisco Aguabella
Latin Jazz: the Other Jazz
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master Interview Was Provided by the National Endowment
A Secret Society Goes Public: the Relationship Between Abakua and Cuban Popular Culture Ivor Miller
Beyond Salsa Bass the Cuban Timba Revolution
WEB ONLY 47 Discography This Listing Includes Recordings of the First Recorded Performances of Dameron Compositions As Well As A
Ethnicity and Cuban Revolutionary Ideology in Sara Gómez's De Cierta
Chano Pozo's Sad Night
04 02 19 Machito Celebration
Jayne Cortez's Collaborations with the Firespitters
The Conjunto Piano in 1940S Cuba: an Analysis of the Emergence of a Distinctive Piano Role and Style