Chano Pozo
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- The Dizzy Gillespie™ Afro Cuban Experience Under the Direction of John Lee, Dizzy’S Long-Time Bassist, and the Director of the Dizzy Gillespie™ Big Band
- AFRO-CUBAN PERCUSSION, ITS ROOTS and ROLE in POPULAR CUBAN MUSIC by BRIAN KEITH ANDERSON B.M.E., Kansas State University, 2009 B
- Cuban Jazz in the United States in the Late 1940S Was Closely Interrelated with Bebop’S Speak Popularization
- Bibliografia Cubana 1987 Indice Acumulativo
- The Cuban Creators of Latin Jazz
- The Anagó Language of Cuba Maria J
- Machito and His Afro-Cubans: Selected Transcriptions Paul Austerlitz Gettysburg College
- Aguabella En Torno a La Trayectoria Del Importante Percusionista Cubano Francisco Aguabella
- Latin Jazz: the Other Jazz
- 1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master Interview Was Provided by the National Endowment
- A Secret Society Goes Public: the Relationship Between Abakua and Cuban Popular Culture Ivor Miller
- Beyond Salsa Bass the Cuban Timba Revolution
- WEB ONLY 47 Discography This Listing Includes Recordings of the First Recorded Performances of Dameron Compositions As Well As A
- Ethnicity and Cuban Revolutionary Ideology in Sara Gómez's De Cierta
- Chano Pozo's Sad Night
- 04 02 19 Machito Celebration
- Jayne Cortez's Collaborations with the Firespitters
- The Conjunto Piano in 1940S Cuba: an Analysis of the Emergence of a Distinctive Piano Role and Style