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Carolee Schneemann
Ana Mendieta and Carolee Schneemann Selected Works 1966 – 1983
Online, Issue 15 and 16 July/Sept 2001 and July 2002
Over Front Cover
Fluxus: the Is Gnificant Role of Female Artists Megan Butcher
PAJ 115 (2017), Pp
Fluxus Family Reunion
AMELIA G. JONES Robert A
Oral History Interview with Alison Knowles
Performing Arts: Technologies of Participation and Reproduction from Body Art to Bio Art by Kelly Ann Rafferty a Dissertation Su
Maura Reilly, “The Dinner Party: Curator's Overview,” Brooklyn
T Magazine Editors on Things They're Into Right
Performance Art Context R
Janine Antoni and Anna Halprin
Getty Research Institute Acquires Archive of Performance Artist Rachel Rosenthal
“A Lunatic of the Sacred”: the Life and Work of Charlotte Moorman
Tracing a History of Carolee Schneemann's Interior Scroll
Judy Chicago: Visions for Feminist Art Francesca Debiaso Gettysburg College
PERFORMANCE ARTISTS TALKING in the EIGHTIES Montano a B I-Xvi 001-538 10/30/00 16:09 Page Ii Montano a B I-Xvi 001-538 10/30/00 16:09 Page Iii
Top View
Feminist Art Manifestos an Anthology
Marina Abramović and the Re-Performance of Authenticity
Barbara T. Smith Papers
4.651 Lecture: Beats, Environments, Happenings, Fluxus
Women Art Revolution : Videotape Interviews by Lynn Hershman-Leeson M1639
The Sound of Snow
Carolee Schneemann Interviewed by Kenneth White
Matthew Barney, Carolee Schneemann, Kazuo Shiraga, Min Tanaka
Carolee Schneemann
A Countercultural Movement: Examining Carolee Schneemann’S Kinetic Theatre Between 1963 and 1970
4.651 Lecture
Carolee Schneemann: Within and Beyond the Premises Carolee Schneemann
Eleanor Antin and the 1970S Emily Liebert Submitted in Partial
Categories of Second-Wave Feminist Performance Art
Maybe Not the First Postmodernists, but Who's Counting?
The Obscene Body/Politic Author(S): Carolee Schneemann Source: Art Journal, Vol
The Paintings of Carolee Schneemann
Marina Abramovic: Methods for Establishing Performance Art in the Gallery and Museum System