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Canboulay riots
Chapter 4 Calypso’S Function in Trinidadian Society
UC Riverside Electronic Theses and Dissertations
Training and Development in the Carnival Industry a Technical Report
Carnival and Education in Trinidad and Tobago, 1900-2012
African Masquerades
Narratives of Resistance in Trinidad's Calypso and Soca Music Meagan A. Sylvester, UWI, St. Augustine Trinidad and Tobago Drma
J'ouvert Speaks to the Present
Kevin Adonis Browne Dissertation-Mas Movement for Grad School
Proquest Dissertations
Molten Steel: the Sound Traffic of the Steelpan a Dissertation Presented to the Faculty of the College of Fine Arts of Ohio Univ
«Forged from the Love of Liberty» Popular Music, Resistance, and Identity in Trinidad and Tobago’S Carnival
2020 Trinidad Carnival Brochure
Carnival, Memory and Identity Giuseppe Sofo Université D'avignon, France, Università Di Roma La Sapienza, Italy
Soca and Carnival Follow the Traditions of Black Cultural Production Around the Globe
Jamette Carnival and Afro-Caribbean Influences on the Work of Jean Rhys Cynthia Davis
[email protected]
The Construction and Deconstruction of National Identity in the Trinidad
Information to Users
Popular Music: Identity, Social Change and Human Rights
Top View
'Progress Music': Daphne Oram, Geoffrey Jones
Performance and Language in the Caribbean Text
By Kevin Jeanville
A.Mohan Allison Truitt
Pretty Mas': Visuality and Performance in Trinidad and Tobago's
September 2002 a Thesis Submitted in Fulfilment of the Requirements of the University of London for the Award of the Degree of Doctor of Philosophy
History Giving Rise to Pan the Carnival Institute Against the Police, Giving Rise Made Them out to Be
The Cultural Politics of Carnival in Earl Lovelace's <Em>The Dragon Can't Dance</Em>
A Short History of the Leeds West Indian Carnival, 1967 2000
CARNIVAL: TRANSFORMATION, PERFORMANCE and PLAY in CARIBBEAN FESTIVALS by Justin Haynes Dissertation Submitted to the Faculty Of