A.Mohan Allison Truitt

Total Page:16

File Type:pdf, Size:1020Kb

A.Mohan Allison Truitt LIMING ON THE AVENUE: ANTIBLACKNESS AND MIDDLE- CLASS LEISURE CULTURE IN PORT OF SPAIN, TRINIDAD AN ABSTRACT SUBMITTED ON THE SEVENTH DAY OF DECEMBER 2020 TO THE DEPARTMENT OF ANTHROPOLOGY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS OF THE SCHOOL OF LIBERAL ARTS OF TULANE UNIVERSITY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY BY Dan C. Castilow II APPROVED: A.Mohan Mohan Ambikaipaker, Ph.D. Director Allison Truitt Allison Truitt, Ph.D. Sabia McCoy Torres, Ph.D. ___________________________________ Laura Rosanne Adderley, Ph.D. Dissertation Abstract The present study interrogates the intellectual history of hybridity discourses in the Caribbean and ethnographically illustrates how multiculturalism and hybridity discourses in Trinidad and Tobago are, in fact, incongruent with the lived experiences of Black Trinidadians. Recent ethnographies wholly accept hybridity as cultural models for the nation. This easy acceptance prompts important questions: how have creolization and hybridity discourses become commonsensical in the Caribbean, and what are the implications of the uncritical application of these frameworks to racially heterogeneous societies? Also, do hybridity projects in Trinidad and Tobago operate in a way similar to the way that Mestizaje and Mulataje operate in Latin America and other Caribbean islands? Based on ethnographic observations and the history of racialization in Trinidad, this dissertation explores how Black and mixed-race Trinidadians understand and negotiate implicit antiblackness in a racially "hybrid" nation? These questions are explored through deep ethnographic research that occurred in the context of the cosmopolitan Trinidadian capital city of Port of Spain. Through participant observation and engaging with Trinidadians at sites of liming, including the nightclubs and bars of Ariapita Avenue, cricket games at Queens Park Oval, and the annual pre-Lenten Carnival, this dissertation explores global antiblack racism, colorism, and the intersection of these social conditions with the middle-class. LIMING ON THE AVENUE: ANTIBLACKNESS AND MIDDLE- CLASS LEISURE CULTURE IN PORT OF SPAIN, TRINIDAD A DISSERTATION SUBMITTED ON THE SEVENTH DAY OF DECEMBER 2020 TO THE DEPARTMENT OF ANTHROPOLOGY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS OF THE SCHOOL OF LIBERAL ARTS OF TULANE UNIVERSITY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY BY Dan C. Castilow II APPROVED: A.Mohan Mohan Ambikaipaker, Ph.D. Director Allison Truitt Allison Truitt, Ph.D. Sabia McCoy Torres, Ph.D. ___________________________________ Laura Rosanne Adderley, Ph.D. Table of Contents List of Illustrations ............................................................................................................. iii Introduction: ....................................................................................................................... 1 The Lineage of Creolization and Hybridity Theory .................................................................... 8 Chapter Descriptions .................................................................................................................. 20 Situating Blackness: Who is Black? .......................................................................................... 23 The Field .................................................................................................................................... 26 Methodology .............................................................................................................................. 35 Chapter 1: Historical Groundings .................................................................................... 50 “Creoles” and Colonial Racial Hierarchies ............................................................................... 55 Eric WilliaMs., C.L.R. JaMes and Black Anxieties ................................................................... 61 U.S. Occupation and Racial InterVention .................................................................................. 66 Postcolonial Promises ................................................................................................................ 72 Chapter 2: Racial Antagonisms and Anti-Blackness in Trinidad ..................................... 81 On Black and Indian AntagonisMs ............................................................................................ 82 Creolization and the “Brown” Middle Class ............................................................................. 95 ConteMporary Trinidadian and Global Antiblackness ............................................................ 100 Antiblackness and AfropessiMisM ........................................................................................... 105 Antiblackness in Trinidad ........................................................................................................ 117 Chapter 3: “How We Vote is Not How We Party” ......................................................... 120 Citizenship and LiMing ............................................................................................................ 130 Race, Masculinity and Wining ................................................................................................. 135 Stush: “Black” Respectability, Wining and Heteropatriarchy ................................................. 140 Rally ’round the West Indies ................................................................................................... 146 LiMing at the Oval ................................................................................................................... 151 Woodbrook Meets the OVal ..................................................................................................... 154 Chapter 4: Like Yuh Playing Mas ................................................................................... 162 CarniVal: Black, Brown, and In-Between ................................................................................ 170 PerforMative Citizenship, Race, and Resistance ..................................................................... 175 The RhythM of CarniVal: Pan, Calypso, and Soca .................................................................. 179 Modern Soca and Racial Unity ................................................................................................ 185 J’ouVert and Rebellion ............................................................................................................. 191 Pretty Mas, Gender, and Neoliberal Carnival .......................................................................... 195 i Racial Ambiguity, Gender, and Sexuality ............................................................................... 207 Ash Wednesday: Afterthoughts on CarniVal ........................................................................... 216 Chapter 5: The Reluctant Advocate ............................................................................... 219 The Making of an Antiracist ActiVist ...................................................................................... 228 Elise on Race and Class ........................................................................................................... 236 Whose CarniVal? ...................................................................................................................... 239 Elise on Antiblackness in CriMinal Justice .............................................................................. 244 References ....................................................................................................................... 264 ii List of Illustrations Illustration 1: Map of Trinidad ......................................................................................... 26 Illustration 2: Map of Port of Spain .................................................................................. 27 Illustration 3: Residential Street in Westbrook ................................................................. 49 Illustration 4: Evening at Maracas Bay Beach .................................................................. 68 Illustration 5: Students vent their feelings during the funeral procession for Basil Davis on 9 April 1970. ................................................................................................................ 78 Illustration 6: Ariapita Avenue at Dusk .......................................................................... 126 Illustration 7: A Twenty20 Cricket Match at Queens Park Oval .................................... 147 Illustration 8: Picture of billboard across from the Savannah during Carnival. ............. 178 Illustration 9: Typical pretty mas backline costume. ...................................................... 195 Illustration 10: Typical frontline costume. ...................................................................... 207 iii 1 Liming on the Avenue: Antiblackness and Middle-Class Leisure Culture in Port of Spain, Trinidad Introduction: In the study race in Trinidad and Tobago, scholars across disciplines have mostly focused on the perceived antagonisms between Blacks and Indians1. Trinidad's ethnic and racial diversity makes it a nation ideally suited to the application of cultural creolization models that have been used to describe the Caribbean (Brathwaite 1971, Mintz and Price 1976, Yelvington 2001). Previous ethnographies of Trinidad seized on the applicability of hybridity and creolization discourses to argue that Indians have, as
Recommended publications
  • Karaoke Mietsystem Songlist
    Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind.
    [Show full text]
  • …Just Listen and Get DEAFACT-Ed
    …just listen and get DEAFACT-ed DEAFACT GbR Aureliaweg 6 Stand Oktober 2020 93055 Regensburg Track-Liste Kontakt: Tel.: +49 176 – 64676218 1 4 Minutes Madonna feat. Justin Timberlake Mail: [email protected] 2 A little Party Fergie 3 Ain´t no mountain high enough Marvin Gaye 4 Ain´t nobody Chaka Khan 5 Always there Incognito 6 Amadeus Falco 7 Another Star Stevie Wonder 8 Auf uns Andreas Bourani 9 Augenbling Seeed 10 Baby Love Mothers finest 11 Bad boy for life P. Diddy 12 Back to black Amy Winehouse 13 Baila Zucchero 14 Bang Bang Jessie J 15 Beautiful Pharrell Williams feat. Snoop Dogg 16 Bilder im Kopf Sido 17 Billy Jean Michael Jackson 18 Black & Yellow Wiz Khalifa feat. Snoop Dogg, T-Pain 19 Black or White Michael Jackson 20 Blurred Lines Robin Thicke 21 Break my heart Dua Lipa 22 Break your neck Busta Rhymes 23 Bück dich hoch Deichkind 24 California Girls Katy Perry feat. Snoop Dogg 25 California Love Tupac feat Dr. Dre 26 Can´t hold us Macklemore feat. Ryan Lewis 27 Cant´t stop Red Hot Chili Peppers 28 Can´t touch this MC Hammer 29 Car wash Christina Aguilera feat. Missy Elliot 30 Celebration Kool & the Gang 31 Could U be 2 Fatman Scoop 32 Crazy Britney Spears 33 Crazy in love Beyonce Knowles feat. Jay-Z 34 Cry me a river Justin Timberlake 35 Dear Future Husband Meghan Trainor 36 Déjà vu Beyonce Knowles feat. Jay-Z 37 Deliverance Bubba Sparxxx …just listen and get DEAFACT-ed DEAFACT GbR 38 Dickes B Seeed Aureliaweg 6 39 Die da Fanta 4 93055 Regensburg 40 Dirty Christina Aguilera 41 Disturbia Rihanna Kontakt: 42 Don´t start now Dua Lipa Tel.: +49 176 – 64676218 43 Don´t you worry child Swedish House Mafia Mail: [email protected] 44 Drop it like it´s hot Snoop Dogg feat.
    [Show full text]
  • Cricket As a Diasporic Resource for Caribbean-Canadians by Janelle Beatrice Joseph a Thesis Submitted in Conformity with the Re
    Cricket as a Diasporic Resource for Caribbean-Canadians by Janelle Beatrice Joseph A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Exercise Sciences University of Toronto © Janelle Beatrice Joseph 2010 Cricket as a Diasporic Resource for Caribbean-Canadians Janelle Beatrice Joseph Doctor of Philosophy Graduate Department of Exercise Sciences University of Toronto 2010 Abstract The diasporic resources and transnational flows of the Black diaspora have increasingly been of concern to scholars. However, the making of the Black diaspora in Canada has often been overlooked, and the use of sport to connect migrants to the homeland has been virtually ignored. This study uses African, Black and Caribbean diaspora lenses to examine the ways that first generation Caribbean-Canadians use cricket to maintain their association with people, places, spaces, and memories of home. In this multi-sited ethnography I examine a group I call the Mavericks Cricket and Social Club (MCSC), an assembly of first generation migrants from the Anglo-Caribbean. My objective to “follow the people” took me to parties, fundraising dances, banquets, and cricket games throughout the Greater Toronto Area on weekends from early May to late September in 2008 and 2009. I also traveled with approximately 30 MCSC members to observe and participate in tours and tournaments in Barbados, England, and St. Lucia and conducted 29 in- depth, semi-structured interviews with male players and male and female supporters. I found that the Caribbean diaspora is maintained through liming (hanging out) at cricket matches and social events. Speaking in their native Patois language, eating traditional Caribbean foods, and consuming alcohol are significant means of creating spaces in which Caribbean- Canadians can network with other members of the diaspora.
    [Show full text]
  • UNIVERSITY of CALIFORNIA RIVERSIDE Take a Wine and Roll
    UNIVERSITY OF CALIFORNIA RIVERSIDE Take a Wine and Roll “IT”!: Breaking Through the Circumscriptive Politics of the Trini/Caribbean Dancing Body A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Adanna Kai Jones March 2016 Dissertation Committee: Dr. Anthea Kraut, Chairperson Dr. Marta E. Savigliano Dr. Amalia Cabezas Copyright by Adanna Kai Jones 2016 The Dissertation of Adanna Kai Jones is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS You know how at fundraisers they say, “Every penny counts,” well the same applies to the process of dissertating. Every hug, every smile, every cheer, every piece of advice, every rough draft read, every second of listening, every book borrowed, every meal offered, every dollar granted, and every prayer sent on my behalf, all of these moments pushed me closer to the very real moment of completion. According to the south African philosophy of ubuntu, meaning “I am because we are,” I could only have made it here because of each and every one of you who hugged, smiled, cheered, mentored, read, listened, shared, cooked, and prayed for me. We all participated in a journey that has not only changed how I approach learning and teaching, but it has also changed how I view myself, as well as my purpose in this world. For each and every one of these necessary moments, I am eternally grateful. Thank you all from the bottom of my heart, mind, and soul. And now it is time for the “shout-outs!” With regards to funding for my research in both Trinidad and Barbados, I am grateful for the support of the Dissertation Research Grant and the Dissertation Year Program Fellowship, both of which were received through the University of California, Riverside.
    [Show full text]
  • Moving Dancehall Off the Island: Female Sexuality and Club Culture in Toronto
    Karen Flynn: Moving Dancehall Off the Island: Female Sexuality and Club Culture in Toronto Moving Dancehall Off the Island: Female Sexuality and Club Culture in Toronto Karen Flynn Associate Professor University of Illinois, Urbana-Champaign, IL, USA Abstract While there has been an exciting growth in scholarship on dancehall culture, primarily in the fields of cultural and literary studies as they relate to Jamaica, more attention needs to be given to its configuration in other geographical locations and other popular culture arenas. This article explores dancehall culture from a geographic site, in Toronto, which, despite its large Caribbean population, is often a mere footnote in larger diasporic studies. Moving beyond the proclivity of viewing dancehall culture and music from a purely patriarchal misogynistic viewpoint, the article focuses on the redemptive and empowering possibilities that this popular Black expressive form holds. It underscores how dancehall culture and music challenge hegemonic scripts predicated on stereotypes of Black women’s sexuality. Despite the contradictions inherent in the music and the performance of female artists such as Lady Saw and Tanya Stephens, dancehall culture evokes women as active agents who are able to articulate their sexual desires. Keywords: sexuality, dancehall music, Black/Caribbean women, dance 183 www.sta.uwi.edu/crgs/index.asp UWI IGDS CRGS Issue 8 ISSN 1995-1108 Dedication This article is dedicated to KaosKrew (especially Philip Cole), Slim & Trim (Michael Banfield and Leslie Corion) DJ’s Quincy, Bobby B, Mark Anthony, Mike Gibbs, Wayne; my brother DJ Extacy (Dwayne Reynolds), Eddie Williams, Andy Coward, the late Michael Charles and Dorian Major (RIP) and the rest of the Tdot promoters.
    [Show full text]
  • University of Florida Thesis Or
    FROM INDIAN TO INDO-CREOLE: TASSA DRUMMING, CREOLIZATION, AND INDO- CARIBBEAN NATIONALISM IN TRINIDAD AND TOBAGO By CHRISTOPHER L. BALLENGEE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2013 1 © 2013 Christopher L. Ballengee 2 In memory of Krishna Soogrim-Ram 3 ACKNOWLEDGMENTS I am indebted to numerous individuals for helping this project come to fruition. Thanks first to my committee for their unwavering support. Ken Broadway has been a faithful champion of the music of Trinidad and Tobago, and I am grateful for his encouragement. He is indeed one of the best teachers I have ever had. Silvio dos Santos’ scholarship and professionalism has likewise been an inspiration for my own musical investigations. In times of struggle during research and analysis, I consistently returned to his advice: “What does the music tell you?” Vasudha Narayanan’s insights into the Indian and Hindu experience in the Americas imparted in me an awareness of the subtleties of common practices and to see that despite claims of wholly recreated traditions, they are “always different.” In my time at the University of Florida, Larry Crook has given me the freedom—perhaps too much at times—to follow my own path, to discover knowledge and meaning on my own terms. Yet, he has also been a mentor, friend, and colleague who I hold in the highest esteem. Special thanks also to Peter Schmidt for inspiring my interest in ethnographic film and whose words of encouragement, support, and congratulations propelled me in no small degree through the early and protracted stages of research.
    [Show full text]
  • Chapter 1 Social, Historical and Cultural Background
    Cover Page The handle http://hdl.handle.net/1887/45260 holds various files of this Leiden University dissertation Author: Charles, Clarence Title: Calypso music : identity and social influence : the Trinidadian experience Issue Date: 2016-11-22 25 Chapter 1 Social, Historical and Cultural Background Although Caribbean history has been well documented, a perusal of the historical and socio- cultural events peculiar to the island of Trinidad will be necessary in order to satisfy some of the goals of this study. It will serve as a backdrop against which the saga of the calypsonian that unfolded; the various strains of calypso music and related innovations that have emerged; the extravaganza of carnival that developed; and the conflict that accompanied these events will be pitted. This chapter facilitates such endeavor. From its discovery in 1498 up until 1796 Trinidad had been a part of the Spanish Empire. Errol Hill (1976) has reported that around 1783, however, French speaking planters from the northern Caribbean islands of Santo Domingo (present day Haiti and the Dominican Republic), Martinique, Guadeloupe, Dominica, St. Lucia and Grenada accepted an invitation extended to Catholics by King Charles III via the Cedula of Population to settle there. They brought with them their retinue of African slaves, their Patois French dialect, and their principal form of entertainment, street masquerading (p. 54-86). Out of a total population of 17,700 in 1789, the Africans numbered 10,000. By Hill’s (1972, 1976) accounts and by the accounts of others, after 1797, during the period of British rule which ended in 1962, the flow of immigrants into Trinidad became more diversified and included people from other British colonies, England, and Venezuela.
    [Show full text]
  • Chapter 4 Calypso’S Function in Trinidadian Society
    Cover Page The handle http://hdl.handle.net/1887/45260 holds various files of this Leiden University dissertation Author: Charles, Clarence Title: Calypso music : identity and social influence : the Trinidadian experience Issue Date: 2016-11-22 137 Chapter 4 Calypso’s Function in Trinidadian Society In this chapter, the potential of calypso music and its associated institutions to construct and maintain identity, and to instigate social reform will be discussed. I will argue that affiliation with those institutions and participation in their related activities, many of which have already been outlined, have fostered the development and transmission of an ingrained tradition. I will also attempt to show that the ingrained tradition has been part of an independent arm of the rigid socio-cultural, socio-psychological and socio-political machinery that rose up to repudiate and deconstruct colonial ideology. In order to accomplish these goals, functions of calypso music within Trinidadian, West Indian and global communities at home and abroad will be examined and correlated to concepts upheld by identity theory, and with posits about social influence explored in the previous chapter. Such examination and correlation will be supported by the following paradigms or models for identity construction and social influence. These paradigms have been reiterated in the works of several scholars who posit within the realm of cultural and social identity: • Socialization processes; • The notion of social text; • Positioning through performer and audience relationships; • Cultural practice and performance as part of ritual; and • Globalization. Processes of Socialization Empirical evidence to support claims that calypso music has contributed to social change may well be generated from historical accounts and from the fact that the structuralist proposition that “performance simply reflects ‘underlying’ cultural patterns and social structures is no longer plausible among ethnomusicologists and anthropologists” (Stokes, 1994, p.
    [Show full text]
  • Are They Dying? the Case of Some French-Lexifier Creoles
    Are They Dying? The Case of Some French-lexifier Creoles by Jo-Anne Ferreira and David Holbrook UWI, St. Augustine /SIL International [email protected] and [email protected] Paper presented at the 4th Annual Islands in Between Conference Sir Arthur Lewis Community College, Castries, St. Lucia 8–10 November 2001 1 Are They Dying? The Case of Some French-lexifier Creoles by Jo-Anne Ferreira and David Holbrook UWI, St. Augustine /SIL International 1.0 Introduction This paper is a compilation of three recent, separate surveys of three French-lexifier Creoles from three English-speaking nations. The main goal of these surveys was to determine the current ethnolinguistic vitality of these language varieties (i.e., are these varieties really endangered?). The three French-lexifier Creoles in question are those spoken in Grenada and Carriacou, in Trinidad, and in Louisiana in the USA. David Holbrook conducted the surveys in Grenada and Carriacou, and Louisiana. Jo-Anne Ferreira conducted the survey in Trinidad. 2.0 Background information Grenada Grenada has two Creole languages, a French-Lexifier Creole (GFC) and a English- Lexifier Creole (GEC). The existence of a French-Lexifier Creole is the result of the early French colonisation of Grenada. Today this French-Lexifier Creole is reported to be “spoken by only a very limited section of the older population of Carriacou and the northern districts of Grenada” (Holm 1989:376). Others have reported that this French-Lexifier Creole may possibly be in a situation of decline or even near language death. It has also been reported that the vitality of this Creole is stronger in Carriacou.
    [Show full text]
  • UC Riverside Electronic Theses and Dissertations
    UC Riverside UC Riverside Electronic Theses and Dissertations Title Take a Wine and Roll "IT"!: Breaking Through the Circumscriptive Politics of the Trini/Caribbean Dancing Body Permalink https://escholarship.org/uc/item/33d3r5fz Author Jones, Adanna Kai Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Take a Wine and Roll “IT”!: Breaking Through the Circumscriptive Politics of the Trini/Caribbean Dancing Body A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Adanna Kai Jones March 2016 Dissertation Committee: Dr. Anthea Kraut, Chairperson Dr. Marta E. Savigliano Dr. Amalia Cabezas Copyright by Adanna Kai Jones 2016 The Dissertation of Adanna Kai Jones is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS You know how at fundraisers they say, “Every penny counts,” well the same applies to the process of dissertating. Every hug, every smile, every cheer, every piece of advice, every rough draft read, every second of listening, every book borrowed, every meal offered, every dollar granted, and every prayer sent on my behalf, all of these moments pushed me closer to the very real moment of completion. According to the south African philosophy of ubuntu, meaning “I am because we are,” I could only have made it here because of each and every one of you who hugged, smiled, cheered, mentored, read, listened, shared, cooked, and prayed for me. We all participated in a journey that has not only changed how I approach learning and teaching, but it has also changed how I view myself, as well as my purpose in this world.
    [Show full text]
  • Blue Power and Trinidad's Shifiting Social History
    BLUE POWER and Trinidad’s shifting social history Candice Nembhard In 18th century Trinidad, Spanish colonists successfully increased plantation societies following The Cedula of Population edict in 1783. The immigration policy incentivised Roman Catholic settlers with land grants and tax exemptions, leading to increased cheap labour from French colonies Dominica, Grenada, Guadeloupe, and Martinique. In 1797, Trinidad was ceded to the British. Anglican Protestants trumped Roman Catholics and droves of enslaved folks from West and Central Africa populated the island. While many maintained traditional Yoruba customs, a missionary conversion culture ensued to subjugate the newly-formed working class. Neighbouring Tobago would also toil under Spanish, British, Dutch and French missionaries. By the 1830s, calls and orders for abolition were underway. British powers in Trinidad sought indentured labourers from India and China. Such arrivals brought about Hinduism and Islam, which not only complicated Trindad’s religious composition but further agitated ideas around race, class and economic power through a burgeoning syncretic culture. In BLUE POWER at London’s Block 336, Trinidad-born, Birmingham-based artist, Karen McLean explores this conflict between overt religiousness and ritual practice. Initially presented at ORT Gallery, Birmingham in 2018, the work is revisited at Block 336, expanded to double its original size. The impact of this impressive installation in the underground bunker-like space is striking, bringing a stark analysis of colonial legacy and the sustained socioeconomic displacement through historic raw materials and Christian iconography from McLean’s homeland. Grounding the exhibition is a memorial site featuring 80 wooden crucifixes bathed in blue light and adorned with bars of blue carbolic soap; giving the show its namesake.
    [Show full text]
  • Training and Development in the Carnival Industry a Technical Report
    DR. GWENDOLINE WILLIAMS & MARIA MASON -ROBERTS & ASSOCIATES AND KAREN BART -ALEXANDER Training and Development in the Carnival Industry A Technical Report For and on behalf of Vanus Investments Ltd. 2014 #17, H IBISCUS D R I V E , M ACOYA G ARDENS , T UNAPUNA Dr. Gwendoline Williams, Maria Mason Roberts & Associates and Karen Bart-Alexander & Associates A Technical Report on Training and Education in the Carnival Industry Contents 1.0 INTRODUCTION ................................................................................................................................. 2 1.1 Structure of the Report ................................................................................................................. 3 1.2 Scope of the Report ...................................................................................................................... 3 1.3 Limitations..................................................................................................................................... 3 2.0 TRAINING AND DEVELOPMENT IN THE CARNIVAL INDUSTRY: SITUATIONAL OVERVIEW ................ 4 2.1 The Role of Training and Development in the Carnival Industry Development Program ............ 4 2.2 Situational Overview ..................................................................................................................... 5 2.2.1 Training and Development for the Mas Industry .................................................................. 7 2.2.2 Training and Development for the Steelpan Industry .........................................................
    [Show full text]