DOCSLIB.ORG

UNIVERSITY of CALIFORNIA RIVERSIDE Take a Wine and Roll

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
UNIVERSITY of CALIFORNIA RIVERSIDE Take a Wine and Roll UNIVERSITY OF CALIFORNIA RIVERSIDE Take a Wine and Roll “IT”!: Breaking Through the Circumscriptive Politics of the Trini/Caribbean Dancing Body A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Adanna Kai Jones March 2016 Dissertation Committee: Dr. Anthea Kraut, Chairperson Dr. Marta E. Savigliano Dr. Amalia Cabezas Copyright by Adanna Kai Jones 2016 The Dissertation of Adanna Kai Jones is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS You know how at fundraisers they say, “Every penny counts,” well the same applies to the process of dissertating. Every hug, every smile, every cheer, every piece of advice, every rough draft read, every second of listening, every book borrowed, every meal offered, every dollar granted, and every prayer sent on my behalf, all of these moments pushed me closer to the very real moment of completion. According to the south African philosophy of ubuntu, meaning “I am because we are,” I could only have made it here because of each and every one of you who hugged, smiled, cheered, mentored, read, listened, shared, cooked, and prayed for me. We all participated in a journey that has not only changed how I approach learning and teaching, but it has also changed how I view myself, as well as my purpose in this world. For each and every one of these necessary moments, I am eternally grateful. Thank you all from the bottom of my heart, mind, and soul. And now it is time for the “shout-outs!” With regards to funding for my research in both Trinidad and Barbados, I am grateful for the support of the Dissertation Research Grant and the Dissertation Year Program Fellowship, both of which were received through the University of California, Riverside. I am also thankful for the Dissertation Writers' Retreat in Big Bear, which I attended during the summer of 2014. There, my writing mentor, Janet O’Shea, offered insightful advice on how to turn my ethnographic data into a functioning dissertation. Additionally, I am appreciative of the astute feedback given to me on my introductory chapter during my attendance at the fourth annual Mellon Summer Seminar in Dance Studies, held at Northwestern University. Lastly, I must iv acknowledge that a truncated version of this chapter four can be found in The Oxford Handbook of Screendance Studies (2016). Thank you to Oxford University Press and the book’s editor, Douglas Rosenberg, for permitting me to use the peer review feedback to sculpt a stronger version of what is now chapter four of my dissertation. From my informants to mentors, to cheerleaders, readers, and listeners, there would be no dissertation without your support. Thanks to all of my LA-Caribbean informants/friends/family—especially the Garcia family, Cassandra Chase, Chandra Chase, Jair Aurel, and Sarah Zibowsky—my Trinidad-based informants/friends/family— especially my God-mother Coopsie, Kambon Mason, the Wilson family, Gru’mum, Aunty Nixie, Aunty Glenda, Carla Boyce, and Ryan Harry—my Barbados-based informants/friends/family, and lastly my New York and New Jersey-based informants/friends/family. I am so appreciative of you all for taking care of me, looking out for me, feeding me, driving me around, and especially for opening your homes, lives, and hearts to me. Your investment in my research and belief in my work and in me is invaluable; I would never take you all for granted. Thank you all for trusting me with your stories. To Winston Thompson, Nawala Salim, Anne Eller, and Alistair Williams, thank you for allowing me to take out books, download articles, and access files through your affiliations to the libraries at Columbia University, New York University, Yale University, and Rutgers University. Because of you, I was able to stay connected to academe during my years away from UCR. To my readers—Justin Rose, Adom Philogene Heron, Meghan Quinlan, Hannah Schwadron, Nyama McCarthy-Brown, v Mario LaMothe, A’Keitha Carey, and Emily Mattingly—how blessed am I to have you all in my corner. You really helped me to clean up my act! All of your feedback played a big role in clarifying my writing. With that said, I need to give a special shout-out to Meghan Q, who (like a magical dissertation fairy) helped me to make sense out of what is now chapter two. Chapter two came into existence in the eleventh hour of my final editing stage, and Meghan’s invaluable feedback played a big role in keeping that chapter manageable. Thank you Meg for reading three drafts in seven days. You are my blessing. To my #PhDentourage, aka my #RideOrDies, aka my #HeartAndSoulFamily who stayed with me from the beginning to the end—Melissa Templeton, Cymphonee Williams, Osiris Senghor, Aakia Seymour, Marpessa Sanchez-Dominique, Elizabeth Kurien, and Fatimah Muhammad—to my grad-school mentor, Mark Broomfield, and to my #SoCal support system—April Smith, my roomies (Jeffrey & Nick), Tanya Rawal- Jindia, Alvin Rangel, Alfonso Cervera, Irvin Gonzalez, and Xiomara Forbez—thank you all for your kind words, your unwavering encouragement, your cooking, your hugs and laughter, and your salient pep-talks, as well as our “wine-time,” our whimsical movie outings, and our late-night study sessions. I am especially grateful for the moments you made time to listen to me when I was at my lowest or when I was most “confused” on how to translate my data into a chapter. (I must send special shout-outs to Justin, Adom, and especially Osiris for enduring the many-many-many lengthy brainstorming sessions, over Skype, with me. I must give further recognition to Mel T for allowing me to use her office when I was in dire need of a quiet space. Because of your generosity, I was able to produce the first full draft of my dissertation. I love you friend !.) Ultimately, you all vi made the process of dissertating manageable by bringing your love and light into my life; for that, I am truly grateful. Moreover, I must take a moment to express my gratitude towards Paul Ryer, an honorary member of my dissertation committee. Thank you for reading all of the extremely rough drafts of my chapters; I was always amazed at how you were somehow still able to see the value in my writing after reading those drafts. Thank you for the constant encouragement, the laughs, and your unwavering belief in my potential. And, with regards to my official, and rather amazing, dissertation committee, I must profess my profound indebtedness to you all and express my gratitude for all of your esteemed mentorship in all aspects of my life. Amalia Cabezas, thank you for your powerful advice and encouragement. You have my back no matter what, even when things seem hardest. I also appreciate your tough-love and tireless desire to push me to be the best scholar I can be. Marta Elena Savigliano, my first chair, how blessed I am to call you my guru. Your advice and critical inquiry inspire me to push beyond the limits of traditional scholarship, to never be satisfied with the “easy” answer, and to be the best writer/ethnographer I can be (even if that means “getting in trouble” every now and again). You are the voice that I hear in the first stages of my writing. Anthea Kraut, there are just not enough words; thank you for stepping in at the eleventh hour and pushing me to clarify my thoughts, emotions, and winin’ into this here dissertation. Your straightforward approach to writing was invaluable to keeping my scholarship clear yet complex. And as much as I complained about “mapping out each chapter,” I am truly grateful for every piece of vii advice you have offered. Thank you all; you women are my greatest inspirers. I am profoundly honored to know that you are in my corner. Lastly, I must take time to shower my family with love and appreciation, for if it were not for your strong backbones, I would have nothing to stand upon. Honestly, saying “thank you” is not enough. We all went through the worst year and a half of our lives together, and somehow we made it through the darkness and into the light, stronger and even more motivated. It was because of your strength that I was able to make it to the #Ph_inishe_D line. Know that I am eternally grateful to you all for absolutely everything you have done in support of me getting here, to this point in life. From money, to food, to hugs, to laughter, to tough-love and tough-words, I express the deepest of thanks to you all—Johanna, Kweli, Kia, Jamaal, Derrick, Kwasi, Ade, Mommy, and Daddy. I love you for always. Axé! viii DEDICATIONS Firstly, I dedicate my dissertation to my powerful brother, Kwasi, who went through hell and back just to survive the anti-black racisms of the United States of America. I thank you for your strength and endurance. In channeling you, I forever strive: to be stronger than my excuses … to be vaporous, not unlike my tears … to be fluid and constant, like a stream of knowledge and memories as it empties out into the sea … to be the sea itself, which collects the world’s knowledge … and to then pour myself, like the energy of the sea, onto the page as to provide salve and overstanding to those souls who hurt and are blinded by the pain. I love you for always. Thank you for being the best big brother anyone could ask for! Also, in loving memory of those who passed during my journey to completing my PhD, I further dedicate my dissertation to Aunty Jackie, my matrilineal grandparents, Auntie Sheila and Granddad George, and my homegirl, Madelyn (a.k.a.
Load more

Recommended publications
  • Guyanese Online Newsletter – March 2011
    March 2011 The Newsletter and Blog for Guyanese Individuals, Associations and Groups Worldwide Blog: guyaneseonline.wordpress.com MASHRAMANI—2011 Guyanese Online - First Anniversary MASHRAMANI 2011 Established in March 2010 No rain: excellent parade: thousands attend Guyanese Online thanks its readers for a successful first year Here are some of the achievements of the Blog Website and Monthly Newsletter for this first year:- Publication of twelve monthly newsletters—(view) Distribution to an estimated 30,000+ persons monthly. Website Blog entries of articles and videos = 320 Blog website visitors for the year = 114,080 Highest month - visitors = 25,810 (February 2011) Highest daily readership = 1,569 (February 23, 2011) TOP 20- Guyanese Online Blog– February 2011 (February 24, 2011—Kaieteur News) The Guyanese Online Blog received a record 25,810 hits in Feb- ruary. The Top-20 entries for February 2010 are listed here:- They came out of the hinterland and churches and from beverage companies to phone companies, and even the Guyanese Online Newsletter - February 2011 hearing impaired didn‘t have to hear to party during the celebration of the country‘s 41st Republic anniversary. Bring Back Anansi-Diana Chapman-video Come Visit Guyana - video It was a colourful party in true Guyanese style. SINGING FRANCINE ~ Go Brave! The country‘s carnival-like revelry on the streets of the MASH 2011 Photos and Reports capital saw hundreds taking part in the annual Mashra- Guyanese on People's Court mani costume and float parade, and they didn‘t mind the Living in Guyana – slide show thousands who came out to ―watch‖ them.
    [Show full text]
  • 1 Carnival and the Christian Introduction the Matter of The
    Carnival and the Christian Introduction The matter of the Christian and Carnival is, to many, an unresolved and perhaps even unresolvable one. Over the years, views by pastoral leaders have been diametrically opposed to one another. It is critical however for the Christian to ask questions and carefully evaluate their position in an effort to locate themselves at a place that honours and glorifies God as is consistent with Biblical principles. I am not suggesting that this essay will have “all the answers” however it is my hope that it will provoke reflection and conversation towards responsible and informed decision making. Definition What is carnival? Defining carnival is affected by the difficulty in separating definition from description especially since description varies both historically and contextually. Carnival has changed through the years and has different components in different places. Definition therefore will be using a two-layered approach; the etymological (word meaning) and the observational (what we see). The observational approach includes identifying what have been consistent ingredients over the years. The etymological The word ‘carnival’ comes from Latin origin meaning “farewell to the flesh”, a word coined to reflect a practice where people were encouraged to entertain the desires of the flesh, abandon restraint, ignore discretion and disregard boundaries as a last “hurrah” before a season of self-denial and Christian discipline. Related in meaning, is the term Mardi Gras (French for ‘Fat Tuesday’) which was the French expression for that last opportunity of indulgence before Ash Wednesday and Lent. Some saw this as a kind of purge, a time to get rid of sin by giving expression to it.
    [Show full text]
  • Portland Daily Press: April 18, 1898
    PORTLAND DAILY PRESS. ESTABLISHED JUNE 23, 18B2-VOL.35. PORTLAND, MAINE, MONDAY MORNINg”" APRIL 18, 1898. PRICE THREE CENTS^^ ■ .. —i^——... MISCELLANEOUS._ _ MANILA PANIC STRIKEN. THE HOUSE MAY NOT YIELD. SITUATION GRAVE. London, April 18.— A special dispatch from Singa- pore says that the steamship Leo XIII from Manila, has (Special to the Press.) arrived there crowded with Spanish officials anti well to Washington D. c„ April 17.-The situation here do families, who are escaping from the rebel- foeai^ it is Spanish very critical so i’ar as tomorrow's ac- Makes lion which is spreading rapidly in the 110,1 01 ,lle Rouse | Thillipines. They is concerned. There is great report that Manila is panic strikcn. anger that a section of Republicans may vote with I*®mo<:r”ts £t)r Stomachs J"le concurrence in the Senate resolutions. Reed I he Republican | Speaker Confident It Will leaders understand this, and have been actively at work today forming the party lines to stand by ! Over. the Rouse resolution. The Senate INVOKED. resolution is con- DEUS EX MACHINA sidered most ♦ Through the unwise and fraught with troubles for the spurs LAST Stand First future. Ills stomach it builds HOPE. Action. that all Will Save thought of the New J The Only Thins Which Spain- by England con- ♦ the anew. will stand body from War. gressmen by the House resolutions ♦ The ards tomorrow, stomach is although some of the New cleansed and England senators, especially £ Eodgc, Frye and Chandler voted ♦ strengthened, London, April 18.—The Madrid corre- with the “war at once” T the of the Times telegraphing Sun- party in the Senate last night, ft was digestive spondent Autonomists Start for Conference t thought that the fluids are in- House resolutions were X day says: very radical when they passed, ♦ creased, appetite is made keen 4 “In official circles today there is an with but every one looks to them now as and Cubans.
    [Show full text]
  • CALENDAR of EVENTS 2015 Pull out and Pin up the Paper Version, Or Use the Version APRIL with Live Links at 2 – 6 Bequia Easter Regatta
    C A R I B B E A N C MPASS CALENDAR OF EVENTS 2015 Pull out and pin up the paper version, or use the version APRIL with live links at www.caribbeancompass.com! 2 – 6 Bequia Easter Regatta. www.begos.com/easterregatta 3 Public holiday in many places (Good Friday) Where yacht club initials are given, for contact information see 4 FULL MOON CARIBBEAN YACHT AND SAILING CLUBS at the end of this calendar. 6 Public holiday in many places (Easter Monday) 13 –18 Les Voiles de Saint-Barth. www.lesvoilesdesaintbarth.com JANUARY 13 –18 Oyster Regatta BVI. www.oysteryachts.com/events/ 1 Public holiday or “recovery day” in many places (New Year’s Day); Junkanoo parades in 13 – 19 Rincón International Film Festival, Puerto Rico. www.rinconfilm.com The Bahamas; SSCA New Year’s Day Gam in Trinidad, www.ssca.org 15 – 21 Antigua Classic Yacht Regatta. www.antiguaclassics.com 1 – 4 St. Kitts & Nevis Carnival. www.stkittsneviscarnival.com 19 Massy Stores Dinghy Regatta, Barbados. BYC 1 – 4 Crucian Christmas Festival, St. Croix. www.stcroixtourism.com/christmas_festival.htm 19 Public holiday in Venezuela (Signing of the Act of Venezuelan Independence) 2 Public holiday in Cuba (Victory of Armed Forces Day) and Haiti (Founding Fathers’ Day) 19 – 21 Marina ZarPar Regatta, Boca Chica, Dominican Republic. http://marinazarpar.com 3 – 5 Public holiday in Guyana (The Prophet’s Birthday) 22 International Earth Day 4 FULL MOON 24 Guadeloupe to Antigua Race. www.sailingweek.com 6 Public holiday in some places (Three Kings Day/Epiphany) 25 Yachting World magazine Round Antigua Race.
    [Show full text]
  • The Dougla Poetics of Indianness: Negotiating Race and Gender in Trinidad
    The dougla poetics of Indianness: Negotiating Race and Gender in Trinidad Keerti Kavyta Raghunandan Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Sociology and Social Policy Centre of Ethnicity and Racism Studies June 2014 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © The University of Leeds, 2014, Keerti Kavyta Raghunandan Acknowledgements First and foremost I would like to thank my supervisor Dr Shirley Anne Tate. Her refreshing serenity and indefatigable spirit often helped combat my nerves. I attribute my on-going interest in learning about new approaches to race, sexuality and gender solely to her. All the ideas in this research came to fruition in my supervision meetings during my master’s degree. Not only has she expanded my intellectual horizons in a multitude of ways, her brilliance and graciousness is simply unsurpassed. There are no words to express my thanks to Dr Robert Vanderbeck for his guidance. He not only steered along the project to completion but his meticulous editing made this more readable and deserves a very special recognition for his patience, understanding, intelligence and sensitive way of commenting on my work. I would like to honour and thank all of my family. My father who was my refuge against many personal storms and who despite facing so many of his own battles, never gave up on mine.
    [Show full text]
  • Calendar of Caribbean Events 2020
    K Y M C C A R I B B E A N C MPASS CALENDAR OF CARIBBEAN EVENTS 2020 Pull out and pin up the paper version, and use the version with live links APRIL at www.caribbeancompass.com 1 – 7 Antigua Classic Yacht Regatta. www.antiguaclassics.com 3 Girl Pat Race (Trinidad to Grenada). TTSA, www.ttsailing.org Where yacht club initials are given, for contact information see 4 – 5 St. Maarten Multiclass Regatta. SMYC, www.smyc.com CARIBBEAN YACHT & SAILING CLUBS at the end of this calendar. 7 FULL MOON JANUARY 10 – 13 Bequia Easter Regatta, BSC, www.bequiaregatta.com 1 Public holiday or ‘recovery day’ in many places (New Year’s Day); 12 – 18 Les Voiles de St. Barths. SBYC, www.stbarthyachtclub.com Junkanoo parades in the Bahamas 15 Public holiday in Puerto Rico (Birthday of José de Diego) 1 Annual Festival Parade in Montserrat. visitmontserrat.com/festivals 16 - 19 Carnival in Jamaica 1 SSCA Gam, Chaguaramas, Trinidad. [email protected] DAVID GOLDHILL 1 – 4 St. Kitts ‘Sugar Mas’. Stkittstourism.kn/about/events 3 – 4 St. Croix ‘Crucian Carnival’. www.stcroixtourism.com/christmas_festival.htm 6 Public holiday in some places (Three Kings Day/Epiphany) 8 – 14 Broadway to Bequia Theater Festival, Bequia. BroadwaytoBequia.com 10 FULL MOON 10 Public holiday in the Bahamas (Majority Rule Day) 11 World ARC 2020-21 departs Rodney Bay, St. Lucia. WCC, www.worldcruising.com 11 Nanny Cay Round Tortola Race. RBVIYC, royalbviyc.org 12 – 20 St. Barts Music Festival. www.stbartsmusicfestival.org/festival 13 – 18 Panama Jazz Festival. panamajazzfestival.com 14 – 19 Barbados Film Festival.
    [Show full text]
  • Celebrating Our Calypso Monarchs 1939- 1980
    Celebrating our Calypso Monarchs 1939-1980 T&T History through the eyes of Calypso Early History Trinidad and Tobago as most other Caribbean islands, was colonized by the Europeans. What makes Trinidad’s colonial past unique is that it was colonized by the Spanish and later by the English, with Tobago being occupied by the Dutch, Britain and France several times. Eventually there was a large influx of French immigrants into Trinidad creating a heavy French influence. As a result, the earliest calypso songs were not sung in English but in French-Creole, sometimes called patois. African slaves were brought to Trinidad to work on the sugar plantations and were forbidden to communicate with one another. As a result, they began to sing songs that originated from West African Griot tradition, kaiso (West African kaito), as well as from drumming and stick-fighting songs. The song lyrics were used to make fun of the upper class and the slave owners, and the rhythms of calypso centered on the African drum, which rival groups used to beat out rhythms. Calypso tunes were sung during competitions each year at Carnival, led by chantwells. These characters led masquerade bands in call and response singing. The chantwells eventually became known as calypsonians, and the first calypso record was produced in 1914 by Lovey’s String Band. Calypso music began to move away from the call and response method to more of a ballad style and the lyrics were used to make sometimes humorous, sometimes stinging, social and political commentaries. During the mid and late 1930’s several standout figures in calypso emerged such as Atilla the Hun, Roaring Lion, and Lord Invader and calypso music moved onto the international scene.
    [Show full text]
  • 2006 Report to the City of Toronto Table of Contents
    2006 Report to the City of Toronto Table of Contents Notice................................................................................................................................1 Executive Summary ..........................................................................................................2 The Festival.......................................................................................................................3 History of Caribana .......................................................................................................4 Festival Management Committee .....................................................................................6 Highlights and Accomplishments ..................................................................................8 Stakeholders Views.......................................................................................................9 Chair..........................................................................................................................9 Co Chair ..................................................................................................................10 Toronto Mas Bands Association..............................................................................10 Caribana Cultural Committee..................................................................................10 Organization Steel Pan Association........................................................................10 Organization of Calypso Performing Artists ............................................................11
    [Show full text]
  • J'ouvert in Brooklyn Carnival: Revitalizing Steel Pan and Ole Mas Traditions Author(S): Ray Allen Source: Western Folklore, Vol
    J'ouvert in Brooklyn Carnival: Revitalizing Steel Pan and Ole Mas Traditions Author(s): Ray Allen Source: Western Folklore, Vol. 58, No. 3/4, Studies of Carnival in Memory of Daniel J. Crowley (Summer - Autumn, 1999), pp. 255-277 Published by: Western States Folklore Society Stable URL: http://www.jstor.org/stable/1500461 Accessed: 22-04-2015 17:46 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Western States Folklore Society is collaborating with JSTOR to digitize, preserve and extend access to Western Folklore. http://www.jstor.org This content downloaded from 134.74.122.250 on Wed, 22 Apr 2015 17:46:56 UTC All use subject to JSTOR Terms and Conditions J'ouvertin Brooklyn Carnival: Revitalizing SteelPan and Ole Mas Traditions' RAY ALLEN The rumbleof distantdrums rolls across ProspectPark, breaking the pre-dawntranquility that envelopes central Brooklyn on Labor Day morn- ing. Mywatch says 4 a.m.-theJ'Ouvert celebration must be underway.Qui- etlyslipping out of myapartment into the cool of the night,I note the ironyof being late forCarnival, an eventthat by naturedefies time. Still, I quicken mypace, cuttingacross the park,drawn towards the percussive din and faintstrains of steelpan.
    [Show full text]
  • Karaoke Mietsystem Songlist
    Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind.
    [Show full text]
  • …Just Listen and Get DEAFACT-Ed
    …just listen and get DEAFACT-ed DEAFACT GbR Aureliaweg 6 Stand Oktober 2020 93055 Regensburg Track-Liste Kontakt: Tel.: +49 176 – 64676218 1 4 Minutes Madonna feat. Justin Timberlake Mail: [email protected] 2 A little Party Fergie 3 Ain´t no mountain high enough Marvin Gaye 4 Ain´t nobody Chaka Khan 5 Always there Incognito 6 Amadeus Falco 7 Another Star Stevie Wonder 8 Auf uns Andreas Bourani 9 Augenbling Seeed 10 Baby Love Mothers finest 11 Bad boy for life P. Diddy 12 Back to black Amy Winehouse 13 Baila Zucchero 14 Bang Bang Jessie J 15 Beautiful Pharrell Williams feat. Snoop Dogg 16 Bilder im Kopf Sido 17 Billy Jean Michael Jackson 18 Black & Yellow Wiz Khalifa feat. Snoop Dogg, T-Pain 19 Black or White Michael Jackson 20 Blurred Lines Robin Thicke 21 Break my heart Dua Lipa 22 Break your neck Busta Rhymes 23 Bück dich hoch Deichkind 24 California Girls Katy Perry feat. Snoop Dogg 25 California Love Tupac feat Dr. Dre 26 Can´t hold us Macklemore feat. Ryan Lewis 27 Cant´t stop Red Hot Chili Peppers 28 Can´t touch this MC Hammer 29 Car wash Christina Aguilera feat. Missy Elliot 30 Celebration Kool & the Gang 31 Could U be 2 Fatman Scoop 32 Crazy Britney Spears 33 Crazy in love Beyonce Knowles feat. Jay-Z 34 Cry me a river Justin Timberlake 35 Dear Future Husband Meghan Trainor 36 Déjà vu Beyonce Knowles feat. Jay-Z 37 Deliverance Bubba Sparxxx …just listen and get DEAFACT-ed DEAFACT GbR 38 Dickes B Seeed Aureliaweg 6 39 Die da Fanta 4 93055 Regensburg 40 Dirty Christina Aguilera 41 Disturbia Rihanna Kontakt: 42 Don´t start now Dua Lipa Tel.: +49 176 – 64676218 43 Don´t you worry child Swedish House Mafia Mail: [email protected] 44 Drop it like it´s hot Snoop Dogg feat.
    [Show full text]
  • Cricket As a Diasporic Resource for Caribbean-Canadians by Janelle Beatrice Joseph a Thesis Submitted in Conformity with the Re
    Cricket as a Diasporic Resource for Caribbean-Canadians by Janelle Beatrice Joseph A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Exercise Sciences University of Toronto © Janelle Beatrice Joseph 2010 Cricket as a Diasporic Resource for Caribbean-Canadians Janelle Beatrice Joseph Doctor of Philosophy Graduate Department of Exercise Sciences University of Toronto 2010 Abstract The diasporic resources and transnational flows of the Black diaspora have increasingly been of concern to scholars. However, the making of the Black diaspora in Canada has often been overlooked, and the use of sport to connect migrants to the homeland has been virtually ignored. This study uses African, Black and Caribbean diaspora lenses to examine the ways that first generation Caribbean-Canadians use cricket to maintain their association with people, places, spaces, and memories of home. In this multi-sited ethnography I examine a group I call the Mavericks Cricket and Social Club (MCSC), an assembly of first generation migrants from the Anglo-Caribbean. My objective to “follow the people” took me to parties, fundraising dances, banquets, and cricket games throughout the Greater Toronto Area on weekends from early May to late September in 2008 and 2009. I also traveled with approximately 30 MCSC members to observe and participate in tours and tournaments in Barbados, England, and St. Lucia and conducted 29 in- depth, semi-structured interviews with male players and male and female supporters. I found that the Caribbean diaspora is maintained through liming (hanging out) at cricket matches and social events. Speaking in their native Patois language, eating traditional Caribbean foods, and consuming alcohol are significant means of creating spaces in which Caribbean- Canadians can network with other members of the diaspora.
    [Show full text]