DOCSLIB.ORG

Swanky Joins Pirates Week Music Lineup

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Caymanian Need a new Trade and Business Licence? Need to renew a Trade and Business Licence? APPLY ONLINE! www.dci.gov.ky Friday, November 1, 2019 Issue No 448 www.caymaniantimes.ky Complimentary SWANKY JOINS PIRATES WEEK MUSIC LINEUP INSIDE THIS ISSUE Full story on page A6 >> LOCAL NEWS — A3 Swanky Kitchen Band - Guardians of the Culture (Photo credit: Helene Jones) CIFS updates Premier: rescue Equipment CPR will New equipment has arrived at the Cayman Islands Fire Service (CIFS) de- unsafe. A delicate approach to remove not succeed vehicleexiting theroofs, vehicle doors are and impossible structural or Another Successful Grading for Four complete sets of Holmatro road posts is vital to minimise the potential Purple Dragon rescuesigned tohydraulic tackle road cutting traf�ic and collisions. spread- for injury. ing tools, with associated modern to provide new equipment for the Fire LOCAL NEWS — A4 ment, were added to the inventory of Service“The investmentdemonstrates by the our Government focus on theroad CIFS traf�ic this collision month. extricationThe equipment equip- is public safety and our commitment to now located in Frank Sound, West Bay, reducing the number of fatalities and Central and Cayman Brac stations. serious injuries on our roads,” com- mented the Minister for Home Affairs, removing a vehicle from around an Hon. Tara Rivers, JP. Vehicle extrication is the process of collision when conventional means of ... Continued story on page A8 Cayman’s historic cruise berthing and individual involved in a road traf�ic enhanced cargo facilities referendum, set for 19th December, was debated in the Legislative Assembly on Monday, with Premier Alden McLaughlin con- NRA Upcoming Roadworks ernment would succeed in their aim to Projects build�irming the to new the facility Assembly and thatthat thethe group Gov- leading the campaign to have a referen- dum held – CPR (Cruise Port Referen- WORLD WATCH — B2 dum) Cayman – would fail in its ultimate intentions. In a blistering attack on CPR Cayman, the Premier suggested that the informa- tion they had been disseminating was untrue. ‘…there is no requirement in the Con- stitution or elsewhere for any campaign behind a petition for a referendum to be based on truth,” Premier McLaughlin stated. “Nor is there any requirement to keep vested interests, including com- mercial interests, from being involved in Brexit Britain heads to the polls Officers display cutting and spreading tools (Photo by GIS) ... Continued story on page A5 EDITORIAL | COMMUNITY NOTICES PAGE A2 Friday, November 1, 2019 | Issue No 448 C�������� T���� EDITORIAL COMMUNITY NOTICES Nominations Deadline EDITORIAL | COMMUNITYGuy NOTICES Fawkes Night forced an annual public day of thanks- Extended for National giving for the plot's failure. [Wikipedia] PAGE 2 Wednesday, OctoberFireworkGuy 18, Fawkes 2017Night, Night, is | an Issuealso annual known No com- 132as In some British territories, this Caymanian Times memorationGuy Fawkes observedDay, Bon�ire on 5 November,Night and event is still commemorated and bon- Arts and Culture Awards begins with the events of 5 November The nominations dead- primarilyOTIC in Great Britain.ES Its history are�ires also can the be normseen andon beachesparents usuallyand in line for the Cayman National EDITORIAL N treatopen the�ields. children Many with�ireworks the lighting displays of Cultural Foundation’s 26th 1605, when Guy Fawkes, a member sparklers. Annual National Arts and tersof the hadCustoms Gunpowder placed beneath Plot, wasthe HouseRegistrationarrested of of ImportersCulture Awards begins has been Lords.while guarding explosives the plot- event that marks the start of another To help importers start using a system for entry declaration, the Department will Celebrating the fact that King James Pirate’sAs we Week prepare celebration, for the many �ireworks of us November. start registering importers starting Monday, 16 October 2017. I had survived the attempt on his life, standing in the crowd will remember extendedThe National until Thursday, Arts and 7 The registration is required by the implementationthe annual November of a new online5th event electronic that Culture Awards recognis- systemmonths forlater entry the declaration.introduction Effective of the 1 November 2017, the Cayman Islands es those who have made a CustomsObservancepeople lit Department bon�ires of 5th around November will implementLondon, Act anden- the newhistory. system. This will require importers to complete and submit entries electronicallymarks to Customsa signi�icant using event the new in gatewayBritish arts and culture; achieved a portal COLS (Customs Online System). Importers will be able to access the portal high-qualitysigni�icant contribution body of creative to through the website www.customs.gov.ky. work; or who have support- Tips of the Week For individuals who have not yet received training in the use of the system, Customs willed theprovide work in-house of CNCF. training. Each year CNCF recognises the Motivational Tip However, before they can use COLS, importers will have to be formally registered and recognisedarts and culture as an importer honourees by Customs. The Power of Music This will require each individual to come in and provide Customs with relevant informationat an includingelegant awardsa government-issued cer- Do not underestimate the power emony. Presentations are of music. Music can heal the sick, their business licence and/or companies registration including directorship. also made to the Volunteer mend the broken heart, relieve stress identification,As a result, Customs e.g., driver’s will begin licence the or registration passport. Additionally,process starting it will Monday, be necessary 16 October for through companiesof the 27Year, October and Sponsor businesses 2017, of from the to provide8:30am and even help you to live longer. Just Year and the winner of the Earl LaPierre Receives His Gold Star for Creativity ask some of our seniors who are still Roberts Drive (locally known as Airport Road). Chairman’s Award for out- from CNCF Artistic Director Henry Muttoo playing music and dancing. They will standing long-term support toHowever, 4:00pm Monday if they missto Friday. this period Registration to be registered,will take place Customs on the will 1st continue floor of Customsto register Headquarters, importers during located normal at #42 business Owens agree that music has added value to of CNCF’s work. Nominations can be made online at their life and also a few more years. hours. Although most importers were previously registered in the old system, it is necessaryNominations for all importers are open to be from registered cultural artscayman.org. A copy of the nomi- EDITORIALAfter a long stressful |day, COMMUNITY close your in the new NOTICESsystem. Once registered with Customs, importers can then submit entriesand electronically heritage organisations and do business as well with as nation form is also available from the eyes turn on your iPod or CD player Customs, without having to attend in person. from the general public. Arts organisa- and just enjoy the mellowing sounds PAGE 2 Wednesday, OctoberCayman 18, 2017Islands Customs | Issue Management No 132 thanks importers for their cooperation and tionsunderstanding may submitCaymanian and nominations looks forward Times for tothe hours: 2nd Floor, in the building di- of music. If you have energy left you continued partnership. CNCF Star for Creativity in the Arts in rectlyCNCF behindOf�ice duringthe Harquail normal Theatre working at may even dance a jig. their particular disciplines. The gen- Live longer. Live happier. Live life to eral public can make nominations for its fullest with MUSIC. theAir-Conditioned CNCF Heritage Cross. Storage Posthumous theLast F.J. year’s Harquail recipients Cultural were: Centre, 17 NOTICESeaS Grape nominations can also be considered. Harquail Drive (Phone: 949-5477). DITORIAL John Ashley TheUnits CNCF - HeritageKingbird Cross Drive is reserved E Gold Heritage Cross forAvailable individuals forand groupsImmediate who have a Melvin Augustine (posthumous) CustomsSecretarial Registration Services of Importersconsistent and begins active, quality engage- To help"Making importers start using a system Life for entry Easier" declaration, the Department will ment in the preservationRental and/or cel- The Crighton Family startServices: registering Work importers Permits, starting Trade Monday, and 16 October Business 2017. Applications ebration of Caymanian cultural herit- Maxine & Maureen Bodden Batteries, Tires,& Renewal Brakes, Vehicles Annual Purchasing Returns, plus Inspections, General Accessories Letters and More. Various Sizes from *UpThe to 4 registrationYears Warranty. is requiredPlease by call the for implementation other services of a new online electronic Silver Heritage Cross system for entry declaration.Contact: EffectiveSusan 1 November 2017, the Cayman Islands for a 80lifetime sq. ft of to high-quality 190 sq. ft engage- Annie Rose Scott age. The award has three levels: GOLD CustomsGet FREE Department PickCellular: willUp, implement FREE 345 Delivery,the326-9953 new system. FREE This willInstallations. require importers ment; SILVER (minimum of 10 years) Elvie Lizabeth Walton-Thompson Health Tip Address: Unit #2, Grand Plaza and PleaseBRONZE call:(minimum 326-3800 of 5 years). toWhen complete Convenience, and submit Service, entries $avings electronically and Time to MattersCustoms to using You andthe Yournew gatewayFamily Drinking alcohol and Blood (Opposite
Recommended publications
  • Karaoke Mietsystem Songlist

    Karaoke Mietsystem Songlist

    Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind.
  • …Just Listen and Get DEAFACT-Ed

    …Just Listen and Get DEAFACT-Ed

    …just listen and get DEAFACT-ed DEAFACT GbR Aureliaweg 6 Stand Oktober 2020 93055 Regensburg Track-Liste Kontakt: Tel.: +49 176 – 64676218 1 4 Minutes Madonna feat. Justin Timberlake Mail: [email protected] 2 A little Party Fergie 3 Ain´t no mountain high enough Marvin Gaye 4 Ain´t nobody Chaka Khan 5 Always there Incognito 6 Amadeus Falco 7 Another Star Stevie Wonder 8 Auf uns Andreas Bourani 9 Augenbling Seeed 10 Baby Love Mothers finest 11 Bad boy for life P. Diddy 12 Back to black Amy Winehouse 13 Baila Zucchero 14 Bang Bang Jessie J 15 Beautiful Pharrell Williams feat. Snoop Dogg 16 Bilder im Kopf Sido 17 Billy Jean Michael Jackson 18 Black & Yellow Wiz Khalifa feat. Snoop Dogg, T-Pain 19 Black or White Michael Jackson 20 Blurred Lines Robin Thicke 21 Break my heart Dua Lipa 22 Break your neck Busta Rhymes 23 Bück dich hoch Deichkind 24 California Girls Katy Perry feat. Snoop Dogg 25 California Love Tupac feat Dr. Dre 26 Can´t hold us Macklemore feat. Ryan Lewis 27 Cant´t stop Red Hot Chili Peppers 28 Can´t touch this MC Hammer 29 Car wash Christina Aguilera feat. Missy Elliot 30 Celebration Kool & the Gang 31 Could U be 2 Fatman Scoop 32 Crazy Britney Spears 33 Crazy in love Beyonce Knowles feat. Jay-Z 34 Cry me a river Justin Timberlake 35 Dear Future Husband Meghan Trainor 36 Déjà vu Beyonce Knowles feat. Jay-Z 37 Deliverance Bubba Sparxxx …just listen and get DEAFACT-ed DEAFACT GbR 38 Dickes B Seeed Aureliaweg 6 39 Die da Fanta 4 93055 Regensburg 40 Dirty Christina Aguilera 41 Disturbia Rihanna Kontakt: 42 Don´t start now Dua Lipa Tel.: +49 176 – 64676218 43 Don´t you worry child Swedish House Mafia Mail: [email protected] 44 Drop it like it´s hot Snoop Dogg feat.
  • Cricket As a Diasporic Resource for Caribbean-Canadians by Janelle Beatrice Joseph a Thesis Submitted in Conformity with the Re

    Cricket As a Diasporic Resource for Caribbean-Canadians by Janelle Beatrice Joseph a Thesis Submitted in Conformity with the Re

    Cricket as a Diasporic Resource for Caribbean-Canadians by Janelle Beatrice Joseph A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Exercise Sciences University of Toronto © Janelle Beatrice Joseph 2010 Cricket as a Diasporic Resource for Caribbean-Canadians Janelle Beatrice Joseph Doctor of Philosophy Graduate Department of Exercise Sciences University of Toronto 2010 Abstract The diasporic resources and transnational flows of the Black diaspora have increasingly been of concern to scholars. However, the making of the Black diaspora in Canada has often been overlooked, and the use of sport to connect migrants to the homeland has been virtually ignored. This study uses African, Black and Caribbean diaspora lenses to examine the ways that first generation Caribbean-Canadians use cricket to maintain their association with people, places, spaces, and memories of home. In this multi-sited ethnography I examine a group I call the Mavericks Cricket and Social Club (MCSC), an assembly of first generation migrants from the Anglo-Caribbean. My objective to “follow the people” took me to parties, fundraising dances, banquets, and cricket games throughout the Greater Toronto Area on weekends from early May to late September in 2008 and 2009. I also traveled with approximately 30 MCSC members to observe and participate in tours and tournaments in Barbados, England, and St. Lucia and conducted 29 in- depth, semi-structured interviews with male players and male and female supporters. I found that the Caribbean diaspora is maintained through liming (hanging out) at cricket matches and social events. Speaking in their native Patois language, eating traditional Caribbean foods, and consuming alcohol are significant means of creating spaces in which Caribbean- Canadians can network with other members of the diaspora.
  • UNIVERSITY of CALIFORNIA RIVERSIDE Take a Wine and Roll

    UNIVERSITY of CALIFORNIA RIVERSIDE Take a Wine and Roll

    UNIVERSITY OF CALIFORNIA RIVERSIDE Take a Wine and Roll “IT”!: Breaking Through the Circumscriptive Politics of the Trini/Caribbean Dancing Body A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Adanna Kai Jones March 2016 Dissertation Committee: Dr. Anthea Kraut, Chairperson Dr. Marta E. Savigliano Dr. Amalia Cabezas Copyright by Adanna Kai Jones 2016 The Dissertation of Adanna Kai Jones is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS You know how at fundraisers they say, “Every penny counts,” well the same applies to the process of dissertating. Every hug, every smile, every cheer, every piece of advice, every rough draft read, every second of listening, every book borrowed, every meal offered, every dollar granted, and every prayer sent on my behalf, all of these moments pushed me closer to the very real moment of completion. According to the south African philosophy of ubuntu, meaning “I am because we are,” I could only have made it here because of each and every one of you who hugged, smiled, cheered, mentored, read, listened, shared, cooked, and prayed for me. We all participated in a journey that has not only changed how I approach learning and teaching, but it has also changed how I view myself, as well as my purpose in this world. For each and every one of these necessary moments, I am eternally grateful. Thank you all from the bottom of my heart, mind, and soul. And now it is time for the “shout-outs!” With regards to funding for my research in both Trinidad and Barbados, I am grateful for the support of the Dissertation Research Grant and the Dissertation Year Program Fellowship, both of which were received through the University of California, Riverside.
  • Moving Dancehall Off the Island: Female Sexuality and Club Culture in Toronto

    Moving Dancehall Off the Island: Female Sexuality and Club Culture in Toronto

    Karen Flynn: Moving Dancehall Off the Island: Female Sexuality and Club Culture in Toronto Moving Dancehall Off the Island: Female Sexuality and Club Culture in Toronto Karen Flynn Associate Professor University of Illinois, Urbana-Champaign, IL, USA Abstract While there has been an exciting growth in scholarship on dancehall culture, primarily in the fields of cultural and literary studies as they relate to Jamaica, more attention needs to be given to its configuration in other geographical locations and other popular culture arenas. This article explores dancehall culture from a geographic site, in Toronto, which, despite its large Caribbean population, is often a mere footnote in larger diasporic studies. Moving beyond the proclivity of viewing dancehall culture and music from a purely patriarchal misogynistic viewpoint, the article focuses on the redemptive and empowering possibilities that this popular Black expressive form holds. It underscores how dancehall culture and music challenge hegemonic scripts predicated on stereotypes of Black women’s sexuality. Despite the contradictions inherent in the music and the performance of female artists such as Lady Saw and Tanya Stephens, dancehall culture evokes women as active agents who are able to articulate their sexual desires. Keywords: sexuality, dancehall music, Black/Caribbean women, dance 183 www.sta.uwi.edu/crgs/index.asp UWI IGDS CRGS Issue 8 ISSN 1995-1108 Dedication This article is dedicated to KaosKrew (especially Philip Cole), Slim & Trim (Michael Banfield and Leslie Corion) DJ’s Quincy, Bobby B, Mark Anthony, Mike Gibbs, Wayne; my brother DJ Extacy (Dwayne Reynolds), Eddie Williams, Andy Coward, the late Michael Charles and Dorian Major (RIP) and the rest of the Tdot promoters.
  • UC Berkeley Electronic Theses and Dissertations

    UC Berkeley Electronic Theses and Dissertations

    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title "In Plenty and In Time of Need": Popular Culture and the Remapping of Barbadian Identity Permalink https://escholarship.org/uc/item/7d59h0c8 Author Bascomb, Lia Tamar Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California “In Plenty and In Time of Need”: Popular Culture and the Remapping of Barbadian Identity by Lia Tamar Bascomb A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in African American Studies in the Graduate Division of University of California, Berkeley Committee in charge: Professor Leigh Raiford, Chair Professor Brandi Catanese Professor Nadia Ellis Professor Laura Pérez Spring 2013 “In Plenty and In Time of Need”: Popular Culture and the Remapping of Barbadian Identity © 2013 by Lia Tamar Bascomb 1 Abstract “In Plenty and In Time of Need”: Popular Culture and the Remapping of Barbadian Identity by Lia Tamar Bascomb Doctor of Philosophy in African American Studies University of California at Berkeley Professor Leigh Raiford, Chair This dissertation is a cultural history of Barbados since its 1966 independence. As a pivotal point in the Transatlantic Slave Trade of the seventeenth and eighteenth centuries, one of Britain’s most prized colonies well into the mid twentieth century, and, since 1966, one of the most stable postcolonial nation-states in the Western hemisphere, Barbados offers an extremely important and, yet, understudied site of world history. Barbadian identity stands at a crossroads where ideals of British respectability, African cultural retentions, U.S. commodity markets, and global economic flows meet.
  • Cultural Maintenance and the Politics of Fulfillment in Barbados’S Junior Calypso Monarch Programme

    Cultural Maintenance and the Politics of Fulfillment in Barbados’S Junior Calypso Monarch Programme

    MASK AND MIRROR: CULTURAL MAINTENANCE AND THE POLITICS OF FULFILLMENT IN BARBADOS’S JUNIOR CALYPSO MONARCH PROGRAMME A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʻI AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN MUSIC MAY 2016 By Anjelica Corbett Thesis Committee: Frederick Lau, chairperson Ricardo Trimillos Njoroge Njoroge Keywords: Anjelica Corbett, Calypso, Carnival, Nationalism, Youth Culture, Barbados Copyright © 2016 Anjelica Corbett Acknowledgements Foremost, I would like to thank God because without him nothing would be possible. I would also like to thank the National Cultural Foundation, the Junior Calypso Monarch Programme participants, Chrystal Cummins-Beckles, and Ian Webster for welcoming into the world of Bajan calypso and answering my questions about this new environment. My gratitude also extends to the Junior Calypso Monarch Programme participants for allowing me to observe and their rehearsals and performances and sharing their love of calypso with me. I would like to thank Dr. Frederick Lau, Dr. Byong-Won Lee, Dr. Ricardo Trimillos, and Dr. Njoroge Njoroge, and the University of Hawai‘i at Mānoa's Music Department for approving this project and teaching me valuable lessons throughout this process. I would especially like to thank my fellow colleagues in the Ethnomusicology department for their emotional and academic support. Finally, I would like to thank my family for support and encouragement throughout my academic career. i Abstract Barbados, like other Caribbean nations, holds junior calypso competitions for Barbadian youth. These competitions, sponsored by Barbados’s National Cultural Foundation (NCF), allow the youth to express their opinions on society.
  • Popular Culture and the Remapping of Barbadian Identity

    Popular Culture and the Remapping of Barbadian Identity

    “In Plenty and In Time of Need”: Popular Culture and the Remapping of Barbadian Identity by Lia Tamar Bascomb A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in African American Studies in the Graduate Division of University of California, Berkeley Committee in charge: Professor Leigh Raiford, Chair Professor Brandi Catanese Professor Nadia Ellis Professor Laura Pérez Spring 2013 “In Plenty and In Time of Need”: Popular Culture and the Remapping of Barbadian Identity © 2013 by Lia Tamar Bascomb 1 Abstract “In Plenty and In Time of Need”: Popular Culture and the Remapping of Barbadian Identity by Lia Tamar Bascomb Doctor of Philosophy in African American Studies University of California at Berkeley Professor Leigh Raiford, Chair This dissertation is a cultural history of Barbados since its 1966 independence. As a pivotal point in the Transatlantic Slave Trade of the seventeenth and eighteenth centuries, one of Britain’s most prized colonies well into the mid twentieth century, and, since 1966, one of the most stable postcolonial nation-states in the Western hemisphere, Barbados offers an extremely important and, yet, understudied site of world history. Barbadian identity stands at a crossroads where ideals of British respectability, African cultural retentions, U.S. commodity markets, and global economic flows meet. Focusing on the rise of Barbadian popular music, performance, and visual culture this dissertation demonstrates how the unique history of Barbados has contributed to complex relations of national, gendered, and sexual identities, and how these identities are represented and interpreted on a global stage. This project examines the relation between the global pop culture market, the Barbadian artists within it, and the goals and desires of Barbadian people over the past fifty years, ultimately positing that the popular culture market is a site for postcolonial identity formation.
  • Title Artist Gangnam Style Psy Thunderstruck AC /DC Crazy In

    Title Artist Gangnam Style Psy Thunderstruck AC /DC Crazy In

    Title Artist Gangnam Style Psy Thunderstruck AC /DC Crazy In Love Beyonce BoomBoom Pow Black Eyed Peas Uptown Funk Bruno Mars Old Time Rock n Roll Bob Seger Forever Chris Brown All I do is win DJ Keo Im shipping up to Boston Dropkick Murphy Now that we found love Heavy D and the Boyz Bang Bang Jessie J, Ariana Grande and Nicki Manaj Let's get loud J Lo Celebration Kool and the gang Turn Down For What Lil Jon I'm Sexy & I Know It LMFAO Party rock anthem LMFAO Sugar Maroon 5 Animals Martin Garrix Stolen Dance Micky Chance Say Hey (I Love You) Michael Franti and Spearhead Lean On Major Lazer & DJ Snake This will be (an everlasting love) Natalie Cole OMI Cheerleader (Felix Jaehn Remix) Usher OMG Good Life One Republic Tonight is the night OUTASIGHT Don't Stop The Party Pitbull & TJR Time of Our Lives Pitbull and Ne-Yo Get The Party Started Pink Never Gonna give you up Rick Astley Watch Me Silento We Are Family Sister Sledge Bring Em Out T.I. I gotta feeling The Black Eyed Peas Glad you Came The Wanted Beautiful day U2 Viva la vida Coldplay Friends in low places Garth Brooks One more time Daft Punk We found Love Rihanna Where have you been Rihanna Let's go Calvin Harris ft Ne-yo Shut Up And Dance Walk The Moon Blame Calvin Harris Feat John Newman Rather Be Clean Bandit Feat Jess Glynne All About That Bass Megan Trainor Dear Future Husband Megan Trainor Happy Pharrel Williams Can't Feel My Face The Weeknd Work Rihanna My House Flo-Rida Adventure Of A Lifetime Coldplay Cake By The Ocean DNCE Real Love Clean Bandit & Jess Glynne Be Right There Diplo & Sleepy Tom Where Are You Now Justin Bieber & Jack Ü Walking On A Dream Empire Of The Sun Renegades X Ambassadors Hotline Bling Drake Summer Calvin Harris Feel So Close Calvin Harris Love Never Felt So Good Michael Jackson & Justin Timberlake Counting Stars One Republic Can’t Hold Us Macklemore & Ryan Lewis Ft.
  • Artist – Track Count Gary Glitter

    Artist – Track Count Gary Glitter

    Artist – Track Count gary glitter - ROCK'N'ROLL PART 2 1 eddie rabbit - I LOVE A RAINY NIGHT 1 roger miller - KING OF THE ROAD 1 zayn & taylor swift - I DON'T WANNA LIVE FOREVER 1 barry white - I'M GONNA LOVE YOU JUST A LITT 1 double/kurt maloo - THE CAPTAIN OF HER HEART 1 robbie williams - MIXED SIGNALS 1 neil young - HEART OF GOLD_ 1 sam brown - STOP 1 dave edmunds - I HEAR YOU KNOCKING 1 alannah myles - LOVER OF MINE 1 t'pau - HEART AND SOUL 1 richard marx - TOO LATE TO SAY GOODBYE 1 stereophonics - MAYBE TOMORROW 1 level 42 - LOVE GAMES 1 soft cell - TAINTED LOVE 1 red hot chili peppers - THE ADVENTURES OF RAIN DANCE MAGGIE 1 harold faltermeyer - AXEL F. 1 marc anthony - I NEED TO KNOW 1 james morrison - nelly furtado - BROKEN STRINGS 1 gipsy kings - BAILA ME 1 sophie ellis bextor - MURDER ON THE DANCEFLOOR 1 pointer sisters - NEUTRON DANCE 1 cyndi lauper - I DROVE ALL NIGHT 1 the beatles - A HARD DAY'S NIGHT 1 adele - SOMEONE LIKE YOU 1 enrique iglesias - RHYTHM DIVINE (REMIX) 1 spencer dav/steve winwoo - GIMME SOME LOVIN' 1 pop smoke; lil baby; dababy - FOR THE NIGHT 1 talking head/david byrne - ROAD TO NOWHERE 1 prince - CONTROVERSY 1 vanessa amorosi - HAVE A LOOK 1 the neville brothers - YELLOW MOON 1 aura dione feat rock mafia - FRIENDS 1 flash & the pan - MIDNIGHT MAN 1 madonna - VOGUE 1 bryan ferry - LET'S STICK TOGETHER (88' remi 1 robert palmer - I'LL BE YOUR BABY TONIGHT 1 blood,sweat & tears - SPINNING WHEEL 1 fine young cannibals - GOOD THING 1 gipsy kings - BAMBOLEO 1 eric clapton - CHANGE THE WORLD 1 avril lavigne - WHEN
  • Carnival, Women, Sexuality and Sex in the Caribbean

    Carnival, Women, Sexuality and Sex in the Caribbean

    Open Journal of Women's Studies Volume 1, Issue 2, 2019, PP 6-24 Their story: Carnival, Women, Sexuality and Sex in the Caribbean Shivaughn Hem-Lee-Forsyth PhD, St. George‟s University, St. George‟s, Grenada, Caribbean. *Corresponding Author: Shivaughn Hem-Lee-Forsyth, PhD, St. George‟s University, St. George‟s, Grenada, Caribbean. [email protected] ABSTRACT HIV and AIDS is a worldwide public health issue. The Caribbean region is at the forefront of this pandemic; especially during the festive Carnival period. HIV and AIDS is the leading cause of death among males and females between the ages of 20-59 (World Health Organization, 2014a). Women are currently contracting HIV at a disproportionate rate to men (UN Women, 2015). These trends have led health agencies and gender organizations, at both local and regional levels, to unite in support of reversing the HIV epidemic. The incidence of sexually transmitted diseases increases right after Carnival. On an annual basis, there is a peak in the birth rate nine months post Carnival. This paper addresses the following issues: the perception of Carnival culture on the human psyche; the value of Carnival celebrations and their impact on the lives of women; whether Carnival dress and alcohol use are considered conducive to [influencers of/catalysts for?] increased sexual activity; whether the provocative dance movements and musical lyrics influence sexual behaviours; and lastly, whether certain classes of women are considered to be more at risk of STIs owing to their sexual practices at Carnival time. Keywords: HIV/AIDS, Stis, Caribbean, Carnival, Culture, Women . INTRODUCTION 2010).
  • UNIVERSITY of CHICHESTER Department of Dance Bruk Out

    UNIVERSITY of CHICHESTER Department of Dance Bruk Out

    UNIVERSITY OF CHICHESTER Department of Dance Bruk Out Feminism in the Intercultural Dancehall Queen Scene by Celena Luz Monteiro, BA (Hons), MA (dist) Thesis for the degree of Doctor of Philosophy March 2020 UNIVERSITY OF CHICHESTER ABSTRACT DEPARTMENT OF DANCE Dance Thesis for the degree of Doctor of Philosophy BRUK OUT FEMINISM IN THE INTERCULTURAL DANCEHALL QUEEN SCENE by Celena Luz Monteiro i The focus of this thesis is the intercultural Dancehall Queen (DHQ) scene, as manifested between Jamaica and Europe, within the broader culture of dancehall. Dancehall is a performance culture that first developed as a resistant expression toward a postcolonial Jamaican climate in the late 1970s (Cooper, 2004). According to several dancehall scholars including Carolyn Cooper, dancehall articulates the condition of a working-class black Jamaican population. As such, much of the academic research on dancehall to date has focused on its relationship to its Jamaican socioeconomic and cultural context. Dancehall has also been found to be relevant to women outside Jamaica (Bakare- Yusuf, 2006b), but very little of the literature looks specifically at this dimension. This thesis sets out to examine the practices of Jamaican and European women in dancehall from an intercultural perspective, looking at the connectivities and tensions within this diversely positioned collective. The research, which used a reflexive physical/digital multi-sited ethnographic methodology, offers a model for conducting research into intercultural black feminist phenomena that span transnational sites and virtual/physical embodiment and connectivity. The methodology recognises the ethnographic encounter as a performative space between researcher and participant, and develops accountable strategies for reading silence and embodied expressivity, in dialogue with verbal, textual and visual research materials in intercultural research settings.