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Barong (mythology)

  • Balinese Dances As a Means of Tourist Attraction

    Balinese Dances As a Means of Tourist Attraction

  • The Islamic Traditions of Cirebon

    The Islamic Traditions of Cirebon

  • Bonnie Simoa, Dance

    Bonnie Simoa, Dance

  • JURNAL SIMBOLIKA Ritualisasi Kesenian Barong Dalam Estetika

    JURNAL SIMBOLIKA Ritualisasi Kesenian Barong Dalam Estetika

  • Story of Barong Bangkung

    Story of Barong Bangkung

  • Indonesian Journal of Social Sciences Volume 4, Nomer 1, Cultural

    Indonesian Journal of Social Sciences Volume 4, Nomer 1, Cultural

  • Studi Kasus Kampung Betawi, Jagakarsa, Jakarta Selatan)

  • Pakaian Adat Betawi Jadi Pakaian Khas Depok

    Pakaian Adat Betawi Jadi Pakaian Khas Depok

  • The Prince of Nusa Penida Redeems His Vow1 a Prèmbon (Arja – Balinese Sung Dance-Drama with Some Characters Masked)

    The Prince of Nusa Penida Redeems His Vow1 a Prèmbon (Arja – Balinese Sung Dance-Drama with Some Characters Masked)

  • “Mr. Tepis” to Balinese Topeng Masked Dance Theatre I Wayan

    “Mr. Tepis” to Balinese Topeng Masked Dance Theatre I Wayan

  • Daftar Arsip Statis Video Sekretariat Negara Ri Tahun 1982

    Daftar Arsip Statis Video Sekretariat Negara Ri Tahun 1982

  • LCSH Section B

    LCSH Section B

  • BALINESE THEATRE by Rucina Ballinger, I Wayan Dibia and Made Sidia

    BALINESE THEATRE by Rucina Ballinger, I Wayan Dibia and Made Sidia

  • Art Conservation for the Classical Masks at Sonobudoyo Museum, Yogyakarta

    Art Conservation for the Classical Masks at Sonobudoyo Museum, Yogyakarta

  • Seap Archive Copy Do Not Remove

  • Mapping of Batuan Tourism Area, Gianyar Bali

    Mapping of Batuan Tourism Area, Gianyar Bali

  • Isbn: 978 602 294 3044

    Isbn: 978 602 294 3044

  • Towards the Embodiment of the Mask Balinese Topeng in Contemporary Practice

    Towards the Embodiment of the Mask Balinese Topeng in Contemporary Practice

Top View
  • No Jenis Kesenian Jumlah Keterangan 1 Arumba 1 2
  • Ritualizing Barong and Rangda: Repercussions of a Collaborative Field Experience in Kerambitan, Bali
  • Balinese Art May 3—September 22, 2019 Galleries 225, Main Building
  • Kawi Dalang: Creativity in Wayang Theatre
  • Bali 1928 Vol V
  • The New Tradition of Putu Wijaya 105
  • Bab I Pendahuluan
  • Tri Hita Karana, Sacred Artistic Practices, and Musical Ecology in Bali
  • The Cinematographic Works of an Artist Walter Spies About Balinese Culture: Ethnographic Spectacles in the Social-Cultural Context of 1930-S
  • Bali's Rangda and Barong in Cosmic Balancing
  • Bab 1 Pendahuluan
  • Bentuk Penyajian Kesenian Singa Depok Di Desa Lingga Kuamang Dalam Acara Khitanan
  • 208 Ondel-Ondel Sebagai Ikon Seni Tradisi Betawi
  • Glossary Angklung Four–Tone Gamelan Most Often Associated with Cremation Rituals but Also Used for a Wide Range of Ceremonies and to Accompany Dance
  • Transformation of Tradition of Barong Ngelawang in Tourism Area of Ubud, Gianyar, Bali
  • Dance As a Part of Touristic Attraction on Bali
  • Shaping Barong Dance Drama in Paradise Bali: Oriental Discourse by Miguel Covarrubias and His Networks
  • Barong Landong: Fungsi Dan Pelestariannya Sebagai Identitas Budaya Orang Lembak Di Kota Bengkulu


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