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- Genre, Authorship and Contemporary Women Filmmakers
- Film Auteur Sergio Leone
- Semiotic Ghosts
- Genre, Auteur and Identity in Contemporary Hollywood Cinema: Clint Eastwood’S White Hunter, Black Heart1
- MFCO 319: Topic in Contemporary American Cinema: Authorship and the New Hollywood
- Animation: Genre and Authorship
- CLASSICAL HOLLYWOOD, 1928–1946: Editing Paul Monticone
- Film Terms Glossary Cinematic Terms Definition and Explanation Example (If Applicable) 180 Degree Rule a Screen Direction Rule T
- The Auteur Perspective of David Fincher
- Danza Macabra: the Reevaluation of Antonio Margheriti Through His Film Castle of Blood Nicholas Diak a Thesis Submitted in Parti
- Authoring Hal Ashby: the Myth of the New Hollywood Auteur, by Aaron Hunter
- Cyberpunk and the Future of Genre Margaret
- Experimental Film
- Film Music and Film Genre
- The Director-Function. Auteur Theory and Poststructuralism
- Stanley Kubrick Didactics
- Film Studies Component 2
- From Bombay to Bollywood
- An Application of the Auteur Theory of Filmmaking
- Chapter 11 French New Wave
- The Main Genres of Films Genre Categories: They Are Broad Enough to Accommodate Practically Any Film Ever Made, Although Film Categories Can Never Be Precise
- Liberating Cels: Forms of the Female in Japanese Cyberpunk Animation
- Classical Hollywood in a New Light Wesley D
- Film Studies Component 2
- New Manga, Manfra, Franga: Varied and Reciprocal Influences Between Manga and "BD"
- A History of the French New Wave Cinema
- Hitchcock As Auteur - Student Guide
- Lettrist Film
- Modernity Leave: the Sexual Mother of the French New Wave & Beyond
- Pulp Fiction (1994)
- Comics Worlds and the World of Comics: Towards Scholarship on a Global Scale (Series Global Manga Studies, Vol
- The Letterists
- Jean-Luc Godard and Francois Truffaut
- Female Auteurs and Their Perceptions of Gender, Sexuality, and National Identity
- Auteur Theory and Its Implications
- Chapter 1. Four Faces of New Hollywood