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Film and Media Studies 1 automatically enter consideration for honors; however, the class is not a FILM AND MEDIA STUDIES requirement for honors. Departmental Office: 513 Dodge; 212-854-2815 Faculty http://arts.columbia.edu/film Vito Adriaensens Director of Undergraduate Studies: Prof. Robert King, Tuesday 9-12, Nico Baumbach Dodge 601C or https://columbiauniversity.zoom.us/j/2037291445 Loren-Paul Caplin Jane Gaines The major in film studies is scholarly, international in scope, and writing- Ronald Gregg intensive. Students choose to major in film if they want to learn more Annette Insdorf about the art form, from technology to cultural significance; want to work Caryn James in the film industry; or are interested in a major that combines arts and Robert King humanities. Richard Peña James Schamus Students usually declare the major toward the end of the second year by Edward Turk meeting with the departmental adviser; together, they create a program of twelve required courses within the major, often supplemented by courses outside the department. In the lecture classes and seminars, there tends Major in Film Studies to be a mixed population of undergraduate majors and graduate film The major in film studies requires a minimum of 36 points distributed as students. follows: Students have the opportunity to gain additional experience by taking Introductory Courses advantage of internship opportunities with film companies, working on FILM UN1000 Introduction to Film and Media Studies graduate student films, and participating in the Columbia Undergraduate FILM GU4000 Film and Media Theory Film Productions (CUFP), an active, student-run organization that History Courses provides film-making experience to Columbia undergraduate producers Select two of the following courses, one of which must either be and directors. In addition to careers in screenwriting, directing, and FILM UN2010 or FILM UN2020: producing, alumni have gone on to work in film distribution, publicity, FILM UN2010 Cinema History 1: Beginning-1930 archives, and festivals, and to attend graduate school to become FILM UN2020 Cinema History 2: 1930-60 teachers and scholars. FILM UN2030 Cinema History 3: 1960-90 The trajectory of the major is from introductory-level courses (three FILM UN2040 Cinema History 4: after 1990 are required), to intermediate and advanced-level courses (two are Laboratories required, plus seven electives). While film studies majors take workshops Select one of the following courses: in screenwriting and film-making, the course of study is rooted in film FILM UN2410 LAB IN WRITING FILM CRITICISM history, theory, and culture. FILM UN2510 Laboratory in Fiction Filmmaking FILM UN2420 Laboratory in Screenwriting The prerequisite for all classes is Introduction to Film and Media Studies (FILM UN1000) offered each term at Columbia as well as at Barnard, and FILM UN2520 Laboratory In Nonfiction Filmmaking open to first-year students. Subsequently, majors take a combination of Electives history survey courses; workshops ("Labs"); and advanced classes in Select seven of the following electives, one of which must be an theory, genre study, national cinemas, auteur study, and screenwriting. international course: FILM UN1010 Genre Study The educational goal is to provide film majors with a solid grounding in FILM UN2310 The Documentary Tradition the history and theory of film; its relation to other forms of art; and its FILM UN2190 TOPICS IN AMERICAN CINEMA synthesis of visual storytelling, technology, economics, and sociopolitical FILM UN3020 Interdisciplinary Studies context, as well as the means to begin writing a script and making a short FILM UN3900 Senior Seminar in Film Studies film. FILM UN3910 Senior Seminar in Filmmaking Students who wish to graduate with honors must take the Senior Seminar FILM UN3920 Senior Seminar in Screenwriting in Film Studies (FILM UN3900), writing a thesis that reflects mastery FILM UN3925 Narrative Strategies in Screenwriting of cinematic criticism. The essay is submitted after the winter break. FILM UN3930 Seminar in International Film Students decide upon the topic with the professor and develop the essay FILM UN3950 Seminar in Media: Seriality during the fall semester. FILM UN2400 Script Analysis Since film courses tend to be popular, it is imperative that students attend FILM UN3010 AUTEUR STUDY the first class. Registration priority is usually given to film majors and FILM UN2290 Topics in World Cinema: Arab and Africa seniors. FILM GU4310 Experimental Film and Media FILM GU4320 New Directions in Film and Philosophy Departmental Honors FILM GU4910 Seeing Narrative In order to qualify for departmental honors, students must have a GPA of 3.75 in the major and distinction in their overall achievements in film study. Students who take FILM UN3900 Senior Seminar in Film Studies 2 Film and Media Studies FILM UN1000 Introduction to Film and Media Studies. 3 points. FILM UN2020 Cinema History 2: 1930-60. 3 points. Lecture and discussion. Priority given to declared film majors. Fee: $75. Discussion Section Required Priority given to film majors. Fee: $75. Prerequisites: Discussion section FILM UN1001 is a required corequisite This course serves as an introduction to the study of film and related This course examines major developments and debates in the history of visual media, examining fundamental issues of aesthetics (mise-en- cinema between 1930 and 1960, from the consolidation of the classic scene, editing, sound), history (interaction of industrial, economic, and Hollywood studio system in the early sound era to the articulation of technological factors), theory (spectatorship, realism, and indexicality), emergent “new waves” and new critical discourses in the late 1950s. Our and criticism (auteurist, feminist, and genre-based approaches). The approach will be interdisciplinary in scope, albeit with an emphasis on course also investigates how digital media change has been productive social and cultural history – concerned not only with how movies have of new frameworks for moving image culture in the present. FILM developed as a form of art and medium of entertainment, but also with UN1001 is required discussion section for this course. cinema’s changing function as a social institution. FILM W2021 Fall 2021: FILM UN1000 Fall 2021: FILM UN2020 Course Section/Call Times/Location Instructor Points Enrollment Course Section/Call Times/Location Instructor Points Enrollment Number Number Number Number FILM 1000 001/11785 T 1:10pm - 2:25pm Robert King 3 100/100 FILM 2020 001/11796 M 2:10pm - 3:25pm Richard Pena 3 60/60 Kob Lenfest Center For Kob Lenfest Center For The Arts The Arts FILM 1000 001/11785 Th 1:10pm - 3:55pm Robert King 3 100/100 FILM 2020 001/11796 W 2:10pm - 4:55pm Richard Pena 3 60/60 Kob Lenfest Center For Kob Lenfest Center For The Arts The Arts FILM 2020 AU1/18961 M 2:10pm - 3:25pm Richard Pena 3 0/30 FILM UN1010 Genre Study. 3 points. Room TBA Fee: Course Fee - 75 FILM 2020 AU1/18961 W 2:10pm - 4:55pm Richard Pena 3 0/30 Room TBA Prerequisites: This lecture course will have 3 discussion sections, capped at 20, listed as UN 1011 Genre Study - Disc. There will also be a film FILM UN2030 Cinema History 3: 1960-90. 3 points. screening, scheduled immediately after one of the lecture sessions. Discussion Section Required This course examines how globalization and the global success of Priority given to film majors and seniors. Fee: $75. American blockbuster films have affected Hollywood film production, By closely watching representative classics from countries including Italy, stardom, distribution, and exhibition. The course will analyze blockbuster Poland, Russia and Argentina, we will study the distinctive trends and aesthetics, including aspects of special effects, 3-D, sound, narration, masters of this vibrant era. Special attention will be paid to the French genre, and editing. We will also study the effects of new digital New Wave (60s); the New German Cinema (70s); the reformulation of technologies on Hollywood and the cross-pollination among Hollywood, Hollywood studio filmmaking in the 70s (Altman, Cassavetes, Coppola), art house, and other national cinemas. Finally, we will examine the effects and the rise of the independent American cinema (80s). FILM W2031 of 9/11, the “war on terrorism,” climate change and other global concerns on marketing, aesthetics and other aspects of this cinema Fall 2021: FILM UN2030 FILM UN2010 Cinema History 1: Beginning-1930. 3 points. Course Section/Call Times/Location Instructor Points Enrollment Number Number This course rethinks the “birth of cinema” from the vantage of “when FILM 2030 001/11809 Th 2:10pm - 6:00pm Annette 3 48/50 old media was new.” Following standard approaches, it moves from 511 Dodge Building Insdorf actualities to fiction, from the “cinema of attractions” to narrative, from the cinématographe to cinema, from cottage industry to studio system. FILM UN2040 Cinema History 4: after 1990. 3 points. Units in silent film music, early genres, film piracy and copyright, word This course brings our survey of the development of the art, technology, and moving image, and restoration—the film archivist’s dilemma in the and industry of motion images up to the present. During this era, most digital era. FILM W2011 people no longer watched movies (perhaps the most neutral term) in theaters, and digital technology came to dominate every aspect of Spring 2021: FILM UN2010 production, distribution, and exhibition. Highlighted filmmakers include Course Section/Call Times/Location Instructor Points Enrollment Michael Haneke, Lars von Trier, Wong Kar-wei, and Steve McQueen. Number Number Topics range from contemporary horror to animation. Requirements: FILM 2010 001/13874 F 10:10am - 12:40pm Vito 3 38/40 Online Only Adriaensens short (2-3 pages) papers on each film shown for the class and a final, take-home exam. FILM W2041 Spring 2021: FILM UN2040 Course Section/Call Times/Location Instructor Points Enrollment Number Number FILM 2040 001/13877 T Th 2:10pm - 3:25pm Richard Pena 3 46/60 Kob Lenfest Center For The Arts FILM 2040 001/13877 Th 3:25pm - 4:55pm Richard Pena 3 46/60 Kob Lenfest Center For The Arts Film and Media Studies 3 FILM UN2190 TOPICS IN AMERICAN CINEMA.
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