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Auteur

  • The Non-Native Language of Cyberpunk: from Retro-Diction to Pre-Diction and Back Again

    The Non-Native Language of Cyberpunk: from Retro-Diction to Pre-Diction and Back Again

  • FLM201 Film Genre: Understanding Types of Film (Study Guide)

    FLM201 Film Genre: Understanding Types of Film (Study Guide)

  • Bollywood and Postmodernism Popular Indian Cinema in the 21St Century

    Bollywood and Postmodernism Popular Indian Cinema in the 21St Century

  • Understanding Style and Artistry of Hansal Mehta- Through the Prism of Auteur Theory

    Understanding Style and Artistry of Hansal Mehta- Through the Prism of Auteur Theory

  • Studying Film with André Bazin

    Studying Film with André Bazin

  • Analyzing Imtiaz Ali As an Auteur

    Analyzing Imtiaz Ali As an Auteur

  • I Give Permission for Public Access to My Honors Paper and for Any

    I Give Permission for Public Access to My Honors Paper and for Any

  • A Case Study on Film Authorship: Exploring the Theoretical and Practical Sides in Film Production

    A Case Study on Film Authorship: Exploring the Theoretical and Practical Sides in Film Production

  • IDB©L3®OY. GENRE, AUTEUR by Robin Wood

    IDB©L3®OY. GENRE, AUTEUR by Robin Wood

  • Visual Parallels Between Two Auteur Directors in Hindi Cinema: Vishal Bhardwaj & Sanjay Leela Bhansali

    Visual Parallels Between Two Auteur Directors in Hindi Cinema: Vishal Bhardwaj & Sanjay Leela Bhansali

  • De L'homosocialité À L'homoérotisme, Le Décodage Yaoi Queerisant Du

    De L'homosocialité À L'homoérotisme, Le Décodage Yaoi Queerisant Du

  • Cinema Studies: the Key Concepts

    Cinema Studies: the Key Concepts

  • Authorship and Post-Classical Hollywood

    Authorship and Post-Classical Hollywood" (2015)

  • Classified by Genre: Rhetorical Genrefication in Cinema by © 2019 Carl Joseph Swanson M.A., Saint Louis University, 2013 B.L.S., University of Missouri-St

    Classified by Genre: Rhetorical Genrefication in Cinema by © 2019 Carl Joseph Swanson M.A., Saint Louis University, 2013 B.L.S., University of Missouri-St

  • "Art Cinema" Narration: Breaking Down a Wayward Paradigm Eleftheria Thanouli, University of Thessaloniki, Greece

  • Introduction to Component 1 Section A

    Introduction to Component 1 Section A

  • LE MÉPRIS, ULISSE, L'odissea Christian Pischel T

    LE MÉPRIS, ULISSE, L'odissea Christian Pischel T

  • Film and Media Studies 1

    Film and Media Studies 1

Top View
  • Genre, Authorship and Contemporary Women Filmmakers
  • Film Auteur Sergio Leone
  • Semiotic Ghosts
  • Genre, Auteur and Identity in Contemporary Hollywood Cinema: Clint Eastwood’S White Hunter, Black Heart1
  • MFCO 319: Topic in Contemporary American Cinema: Authorship and the New Hollywood
  • Animation: Genre and Authorship
  • CLASSICAL HOLLYWOOD, 1928–1946: Editing Paul Monticone
  • Film Terms Glossary Cinematic Terms Definition and Explanation Example (If Applicable) 180 Degree Rule a Screen Direction Rule T
  • The Auteur Perspective of David Fincher
  • Danza Macabra: the Reevaluation of Antonio Margheriti Through His Film Castle of Blood Nicholas Diak a Thesis Submitted in Parti
  • Authoring Hal Ashby: the Myth of the New Hollywood Auteur, by Aaron Hunter
  • Cyberpunk and the Future of Genre Margaret
  • Experimental Film
  • Film Music and Film Genre
  • The Director-Function. Auteur Theory and Poststructuralism
  • Stanley Kubrick Didactics
  • Film Studies Component 2
  • From Bombay to Bollywood


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