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- Annual Report
- The Journal of John Waldie Theatre Commentaries, 1799-1830
- Unknown Senesino: Francesco Bernardi's Vocal Profile and Dramatic Portrayal, 1700-1740 Randall Scotting Submitted in Fulfilmen
- LULLY Armide
- Ann Radcliffe's Incorporation of Music in the Mysteries of Udolpho
- Voices, Bodies, Identities: the Modern Imagery of Castratos in Contemporary Performance Bianca De Mario (Università Degli Studi Di Milano)
- Mythological and Historical Themes
- Dvorak's Armida and the Czech Oriental "Self"
- 4 FEBRUARY WEDNESDAY SERIES 10 Helsinki Music Centre at 19
- Canto X of Torquato Tasso's Gerusalemme Liberata
- The Excursion
- Volume 32, Number 07 (July 1914) James Francis Cooke
- A Light in the Darkness
- Louis XIV of France 1638-1715
- Lighting up Our Lives the Hammer Center and the Prayer Gardens Were Alight for Christmas 2013
- Browne4 and Me. This Morning Indeed I Was at a Very Fine Concert
- Confronting the Baroque Body of the Castrato Author(S): Roger Freitas Freitas Source: the Journal of Musicology, Vol
- Gluck's Armide and the Creation of Supranational Opera By
- Jerusalem Delivered
- Download Thesis
- Das Rheingold
- HANDEL Rinaldo
- Rinaldo and Armida
- Transcripts of Dramatic Musical Works in Full Score at the Library of Congress
- Armide Armida
- Hwv 7 Synopsis-Translation
- Ballet De La Nuit: Staging the Absolute Monarchy of Louis XIV
- Torquato Tasso: Gerusalemme Liberata [Jerusalem Delivered]
- Adolphe Nourrit, Gilbert Duprez, and the High C
- The Performing Arts and the Court of Louis XVI Paul F
- André-Ernest-Modeste GRÉTRY L’Épreuve Villageoise (The Village Trial)
- Performing Editions of the Handel Cantatas HWV 81, 105, and 113 For
- Committee Meeting to Be Held Remotely
- Mark-Anthony Turnage Nov 16
- Robert Schumann's Part-Songs for Men's Chorus and a Detailed Analysis of Fü F Gesä Ge
- 2018 Annual Report Informe Anual Encounter Mr
- A Resource Guide to Standard Handel Opera Roles for the Countertenor
- Luigi Marchesi: Life and Voice
- 250 Years After the Premiere of Salieri's Armida, Les Talens Lyriques Release First Full Recording and Give First Modern Perfo
- There, Who Calls Himself Peter III Claims the Crown for His Pre Tended Son, and Has Beaten the Troops Sent Against Him
- Performing Arts and Technical Issues
- Specificity of Plot Composition of G.F. Handel's Opera “Rinaldo”
- Theater As Machine, Theater of Machines in Seventeenth-Century France
- Joseph Haydn : Orfeo Ed Euridice (L'anima Del Filosofo) : Dramma Der Musica, London, 1791
- Armida (Review) Roland Graeme
- ARMIDE Drame Héroique in Cinque Atti Libretto Di Philippe Quinault