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Amampondo
The Characteristics of Trauma
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
Footprints on the Sands of Time;
Local Worlds
South African Festivals in the United States: an Expression of Policies
Marimbas in South African Schools: Gateway Instruments for the Indigenous African Music Curriculum
Humanities Update 2016 HUMANITIES UPDATE Inside This Issue Faculty News: Greetings to Faculty 3 Dean’S Welcome 30 Student Bags National Excellence Award
Asylum Seekers and Refugees;
By Submitted in Partial Fulfilment of the Requirements for the Degree Doctor
University of Cape Town
[Ghanabib 1819 – 1979 Prepared 23/11/2011] [Ghanabib 1980 – 1999 Prepared 30/12/2011] [Ghanabib 2000 – 2005 Prepared 03/03
MUSIC for CLASSICAL GUITAR by SOUTH AFRICAN COMPOSERS a Historical Survey, Notes on Selected Works and a General Catalogue
'Alive with Possibility'
Music As Social Action in Southern Africa a Report on Native Music in South Africa, Botswana and Swaziland (Kenan Grant, 2005)
On Rediscovering Reconciliation in Post-1994 South Africa
Beyond Memories Text Final LS.Indd
A STUDY of the LINKAGES BETWEEN POPULAR MUSIC and POLITICS in SOUTH AFRICA UNDER APARTHEID in the 1980S
An Investigation Into the Role of Xhosa Male Initiation in Moral Regeneration
Top View
Dizu Plaatjies and the Amampondo: Music, Agency and Social Transformation