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A World Without Thieves
Art, Politics, and Commerce in Chinese Cinema
A World Without Thieves: Film Magic and Utopian Fantasies
This Is the Author's Version of a Work That Was Submitted/Accepted for Pub
University of Southampton Research Repository Eprints Soton
Middlebrow Cinema
Mise En Page 1
Genre Film, Media Corporations, and The
Movie Talk and Chinese Pirate Film Consumption from the Mid-1980S to 2005
The Chinese Film Industry: Features and Trends, 2010-2016
Film, Video, and Audio Sources
The Sentimental in Chinese Cinema Since the 1990S
Chinese Cinema Readings: Berry/Farquhar: Chapter 1
“Dialect” in Chinese Films Shun Yao University of Massachusetts Amherst
The Play of Morality in Feng Xiaogang's Films
Consumerist and Ideological Eco-Imaginaries in the Cinema of Feng Xiaogang Corrado Neri
Self, Other and Other-Self
Mo Yan in Context: Nobel Laureate and Global Storyteller
China Film Gala Dinner November 1 • Skirball Cultural Center
Top View
Into/Out of the Critical Divide: the Indeterminacy of Hero Vivian Lee, City University of Hong Kong, Hong Kong
Portrayals of Gay Characters in Chinese Movies: a Longitudinal Look Xuan Zhang Iowa State University
Hollywood and the Chinese Film Market: Crosscultural Communication Or Commercial Transaction?
View / Open Yang Mei Phd2011sp
Middlebrow Cinema
Dancing with Handcuffs and Shackles: How Product Placement Is
I Am Not Madame Bovary" - a Name Came to Symbolize in the West the Archetype of the "Bad Woman and Wife"
May 2017 Screening Day Programme
WEALTH and JUSTICE Contemporary Chinese Middlebrow Cinema
POPULAR FILM and TV DRAMA in POST-1989 CHINA by WING SHAN HO a DISSERTATION Presented to the Department of Ea
Big Shot's Funeral
"Dialect and Modernity in 21St Century Sinophone Cinema" by Sheldon Lu 1/10/08 12:12 PM
Download Article (PDF)
Hong Kong Cinema Moving Into the Mainland of China