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A World Without Thieves

  • Art, Politics, and Commerce in Chinese Cinema

    Art, Politics, and Commerce in Chinese Cinema

  • A World Without Thieves: Film Magic and Utopian Fantasies

    A World Without Thieves: Film Magic and Utopian Fantasies

  • University of Southampton Research Repository Eprints Soton

    University of Southampton Research Repository Eprints Soton

  • Middlebrow Cinema

    Middlebrow Cinema

  • Mise En Page 1

    Mise En Page 1

  • Genre Film, Media Corporations, and The

    Genre Film, Media Corporations, and The

  • Movie Talk and Chinese Pirate Film Consumption from the Mid-1980S to 2005

    Movie Talk and Chinese Pirate Film Consumption from the Mid-1980S to 2005

  • The Chinese Film Industry: Features and Trends, 2010-2016

    The Chinese Film Industry: Features and Trends, 2010-2016

  • Film, Video, and Audio Sources

    Film, Video, and Audio Sources

  • The Sentimental in Chinese Cinema Since the 1990S

    The Sentimental in Chinese Cinema Since the 1990S

  • Chinese Cinema Readings: Berry/Farquhar: Chapter 1

    Chinese Cinema Readings: Berry/Farquhar: Chapter 1

  • “Dialect” in Chinese Films Shun Yao University of Massachusetts Amherst

    “Dialect” in Chinese Films Shun Yao University of Massachusetts Amherst

  • The Play of Morality in Feng Xiaogang's Films

    The Play of Morality in Feng Xiaogang's Films

  • Consumerist and Ideological Eco-Imaginaries in the Cinema of Feng Xiaogang Corrado Neri

    Consumerist and Ideological Eco-Imaginaries in the Cinema of Feng Xiaogang Corrado Neri

  • Self, Other and Other-Self

    Self, Other and Other-Self

  • Mo Yan in Context: Nobel Laureate and Global Storyteller

    Mo Yan in Context: Nobel Laureate and Global Storyteller

  • China Film Gala Dinner November 1 • Skirball Cultural Center

    China Film Gala Dinner November 1 • Skirball Cultural Center

  • Into/Out of the Critical Divide: the Indeterminacy of Hero Vivian Lee, City University of Hong Kong, Hong Kong

    Into/Out of the Critical Divide: the Indeterminacy of Hero Vivian Lee, City University of Hong Kong, Hong Kong

Top View
  • Portrayals of Gay Characters in Chinese Movies: a Longitudinal Look Xuan Zhang Iowa State University
  • Hollywood and the Chinese Film Market: Crosscultural Communication Or Commercial Transaction?
  • View / Open Yang Mei Phd2011sp
  • Middlebrow Cinema
  • Dancing with Handcuffs and Shackles: How Product Placement Is
  • I Am Not Madame Bovary" - a Name Came to Symbolize in the West the Archetype of the "Bad Woman and Wife"
  • May 2017 Screening Day Programme
  • WEALTH and JUSTICE Contemporary Chinese Middlebrow Cinema
  • POPULAR FILM and TV DRAMA in POST-1989 CHINA by WING SHAN HO a DISSERTATION Presented to the Department of Ea
  • Big Shot's Funeral
  • "Dialect and Modernity in 21St Century Sinophone Cinema" by Sheldon Lu 1/10/08 12:12 PM
  • Download Article (PDF)
  • Hong Kong Cinema Moving Into the Mainland of China


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