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Giuseppe Verdi DON CARLO Giuseppe Verdi AUDITORIO DE TENERIFE MARZO’18 10, 14 Y 17 | 19:30 h Sala Sinfónica 2018 Depósito legal: TF 279-2018 2 ÓPERA DE TENERIFE 17/18 ÍNDICE 5 Título 3 6 Ficha artística 8 Ficha técnica 11 Argumento 17 Una Corte in lutto ÓPERA DE TENERIFE 17/18 20 Biografías 4 ÓPERA DE TENERIFE 17/18 Giuseppe Verdi foto tomada por Ferdinand Mulnier en 1870 DON CARLO GIUSEPPE VERDI (10 de octubre de 1813, Busseto - 27 de enero de 1901, Milán) Libreto François Joseph Méry Camille du Locle 5 Traducción italiana Achille de Lauzières Angelo Zanardini Estreno Théâtre Impérial de l’Opéra (Palais Garnier, Paris) 11 de marzo de 1867 ÓPERA DE TENERIFE 17/18 Estreno versión revisada Teatro alla Scala, Milán 10 de enero de 1884 Representaciones Marzo 2018 S10, X14 y S17 | 19:30 h Lugar Auditorio de Tenerife Sala Sinfónica Duración 3h 30 min aprox. FICHA ARTÍSTICA REPARTO Filippo II Riccardo Zanellato Don Carlo José Bros Rodrigo Simone Alberghini Il grande Inquisitore Luiz-Ottavio Faria Un frate Lorenzo Malagola Elisabetta di Valois Yolanda Auyanet Principessa di Eboli Ildikó Komlósi 6 Tebaldo Nina Solodovnikova Il Conte di Lerma / Araldo reale David Astorga Una voce dal cielo Gloria Giurgola Orquesta Sinfónica de Tenerife ÓPERA DE TENERIFE 17/18 Coro Ópera de Tenerife Figuración Indira Pérez, Laura Fernández, David Ponte-Lira, Carlos Rojas, Gabriel Castells, Yeray J. Vera, Esteban Sokolic, Santiago García, David Sanabria, Jonatan Fernández, Fabio Urquía,Juan P. Domínguez, Óliver Stevens, Manuel Castañeda, Anac Noé Martín, Eusebio Castillo, Santiago Y. Ledesma, Francisco Dorta L., Adrián Goya y Francisco Dorta G. Director Musical Jader Bignamini Asistente Dir. Musical Alessandro Palumbo Maestra Repetidora Hana Lee Maestro Repetidor José Miguel Román Director de Escena Cesare Lievi Director de Escena de la reposición Raúl Vázquez 7 Escenógrafo y Diseñador de Vestuario Maurizio Baló Asistente de Escenografía Andrea de Micheli Asistente de Vestuario Marianna Carbone Diseño Iluminación Andrea Borelli ÓPERA DE TENERIFE 17/18 Directora del Coro Carmen Cruz Maestra Repetidora del Coro Patricia Rancel Jefe de Atrezzo Noemí Lotito Ayudante de Atrezzo Sergio Díaz FICHA TÉCNICA Dirección artística Auditorio de Tenerife José Luis Rivero Intendente de Ópera de Tenerife Alejandro Abrante Secretaria artística Ópera de Tenerife Dácil González Edición partituras Kalmus Coproducción Teatro Regio di Parma Teatro Carlo Felice di Genova 8 Auditorio de Tenerife Regidor y regidor de luces Luis Lopez Tejedor Jefe producción técnica Jorge Cabrera Ayudante producción técnica Víctor L. Lentini y Flavia Díaz ÓPERA DE TENERIFE 17/18 Jefe de maquinaria Giambattista Turi Dpto. Maquinaria Ardiel Tovar, Agustín Rodríguez, Roberto Hernández, Jesús Negrín y Francisco Darias Dpto. Iluminación Miguel Ponce, Daniel Badal, Belén Acosta y Fisco Ponce Dpto. Audiovisuales Miguel Sánchez y Ángel Díaz Dpto. Producción Roger Montes de Oca, Ángeles Rodríguez y Paolo V. Montanari 9 Marketing y Comunicación Blanca Campos, Raquel Mora, Beatriz Pérez, Sandra Kouwenberg, Javier Oliver, Verónica Galán, Nayra Martín y Gustavo Reneses Jefe de Sastrería Massimo Carlotto Coordinadora Dpto. Sastrería María Inés Herrera ÓPERA DE TENERIFE 17/18 Sastrería Ángeles Delgado, Victoria Álvarez y Karina Martín Coordinadora Dpto. maquillaje y peluquería Geni Afonso Asistentes de maquillaje y peluquería Yaiza Suárez, Carlos Montesdeoca, Enrique González, Óscar García, Iván Cabrera, Carlos Remón y Zebenzui Rodríguez Sobretitulación Patricia Rancel ...saca su espada contra él. 10 El rey pide ayuda, pero nadie se atreve a hacer frente a Don Carlos ÓPERA DE TENERIFE 17/18 ARGUMENTO ACTO I Escena I En el Monasterio de Yuste los monjes de Posa, quien le aconseja que olvide rezan por el alma del emperador Carlos ese amor prohibido y abandone España V. Su nieto, el infante Don Carlos, está rumbo a Flandes, donde podrá ayudar al visiblemente angustiado porque Isabel pueblo flamenco oprimido por la milicia de Valois, la mujer a la que ama y que, española. El rey Felipe II y su nueva además, había sido su prometida, está esposa entran para rendir honores a la ahora casada con su padre, el rey de tumba de Carlos V. Don Carlos y Rodrigo España, Felipe II. Carlos revela este juran una amistad eterna. secreto a su amigo Rodrigo, Marqués ACTO I Escena II Las mujeres de la corte entran en el jardín Entra el rey y descubre que la reina del monasterio y mientras aguardan a la está sola, sin gente que la atienda y la reina, la princesa de Éboli sugiere que controle. Ordena entonces a la dama de 11 canten para pasar el tiempo. Entonces compañía que tenía que estar con ella comienza a entonar la Canción del Velo, ese día, la condesa de Aremberg, que se que cuenta la historia de un rey moro marche de España y vuelva a Francia. Al que, cansado de su mujer, se enamora de comunicárselo la joven dama rompe a una misteriosa mujer con velo que al final llorar y la reina, conmovida, la consuela, resulta tratarse de su misma esposa. mientras que las otras damas y caballeros Cuando entra la reina, Rodrigo se acerca de la corte presentes muestran también y le entrega discretamente una carta su sorpresa por el despectivo trato del rey ÓPERA DE TENERIFE 17/18 de parte de Carlos, en la que le pide un a su esposa. encuentro secreto. Isabel, pese a mostrar miedo, acepta encontrase con el infante. Cuando todos salen, el rey pide a Rodrigo que se quede para tratar diversos Cuando están a solas, Carlos explica a temas a solas. En el transcurso de Isabel su sentimiento de infelicidad por la conversación, el amigo del infante permanecer en España y le pide que confiesa al monarca su disconformidad interceda ante el rey para que lo envíe a con la política de terror practicada en Flandes. Ella se muestra conforme con Flandes. Felipe II, lejos de ofenderse, le tal rapidez que Carlos, sorprendido, la propone que sea su consejero en gratitud acusa de frialdad, realizando una nueva por su gesto de sinceridad, aunque le declaración de amor. Isabel no puede advierte de guardarse del Gran Inquisidor. esconder su afecto, pero no puede El soberano también abre su corazón corresponderle porque ahora está casada compartiendo sus sospechas acerca de con su padre y el deber moral le obliga una posible relación amorosa entre su a rechazarlo. Don Carlos huye frenético hijo y su esposa, por lo que le ordena gritando al cielo que debe estar maldito. vigilarlos. ACTO II Escena I Carlos ha recibido una nota anónima revelar a Felipe II su amor prohibido. que le emplaza a un encuentro nocturno En ese momento entra Rodrigo y, en en los Jardines de la Reina de Madrid. un intento por salvar a su amigo, hace Esperando encontrar a su amada Isabel, un amago de apuñalar a Éboli, aunque el infante declara una vez más su amor Carlos se lo impide en última instancia. ante una mujer ataviada con un velo que La Princesa huye mientras clama ansias al descubrirse resulta ser la princesa de de venganza. Temiendo que Carlos pueda Éboli, que está enamorada de él. Al ver ser investigado, Rodrigo le pide que su sorpresa, Éboli se da cuenta que la confíe en él cualquier documento político mujer que él esperaba no es ella, sino comprometido. Isabel y, despechada, lo amenaza con ACTO II Escena II La coronación de Felipe II en Valladolid saca su espada contra él. El rey pide queda marcada por un auto de fe, una ayuda, pero nadie se atreve a hacer matanza ceremonial de herejes por frente a Don Carlos. Rodrigo intercede y 12 parte de la Santa Inquisición. El acto es lo persuade para que desista y entregue interrumpido por la repentina llegada de su espada. Esta acción le vale para ser Don Carlos que encabeza una delegación recompensado por el rey quien le otorga política de flamencos, quienes piden el título de duque, mientras que Carlos al monarca la libertad de su país. En es llevado a prisión. Los herejes son una muestra de fuerza, Felipe II ordena conducidos a la hoguera, mientras se oye el arresto inmediato de los diputados una voz celestial prometiendo paz eterna flamencos, momento en el que el infante a las almas condenadas. ÓPERA DE TENERIFE 17/18 ACTO III Escena I Felipe II ha pasado la noche en vela en que también entregue al Santo Oficio a su palacio debido a la profunda tristeza Rodrigo, a quien considera ser el artífice que le corroe. Es consciente de que su de la rebelión en Flandes. El rey rechaza mujer no le ama y que su hijo conspira matar a su consejero, a quien admira y contra él. Ante las grandes dudas que aprecia, pero el Inquisidor le recuerda tiene llama al Gran Inquisidor, para que la Iglesia tiene el poder de abatir a preguntarle si la Iglesia le absolvería en cualquier rey. caso de que condene a muerte a Carlos. El inquisidor replica que el propio Dios Isabel entra angustiada en las estancias sacrificó a su hijo y le exige, además, reales porque no encuentra su joyero. > 14 ...emerge de la tumba Carlos V, quien arrastra a su nieto al sepulcro salvándolo así ÓPERA DE TENERIFE 17/18 de la ira de su padre y de la Iglesia. Felipe II lo toma de su escritorio y lo abre Reina que fue ella misma quien la acusó delante de ella, señalando el retrato de ante el rey, para vengarse del rechazo Don Carlos que contiene. Isabel se intenta de Carlos. Isabel conmovida la perdona, justificar alegando que el retrato se lo pero cuando Éboli además le reconoce regalaron en Francia antes de casarse que es la concubina del rey, Isabel se con él, cuando todavía estaba prometida horroriza y la sentencia al exilio o al con su hijo Carlos.
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