Season 2016/17
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La Flauta Màgica Die Zauberflöte Mozart
LA FLAUTA MÀGICA DIE ZAUBERFLÖTE MOZART En aquesta producció de la Komische Oper Berlin, el cinema mut i els seus grans personatges –com Tamino (Peter Sonn) i les tres dames (Ina Kringelborn, Karolina Gumos i Maija Skille)- fan que l’òpera de Mozart esdevingui una obra mestra visual. Foto: Iko Freese/drama-berlin.de 11 Fitxa 12 Repartiment Argument 17 Teresa Lloret 27 English Synopsis Sobre la producció 33 Barrie Kosky, Suzanne Andrade, Paul Barritt Dues petites incursions 35 en Die Zauberflöte Luís Gago La màgia continua 43 Jaume Radigales La flauta màgica 53 en clau maçònica Helman Castañeda Fantasia i realitat: l’univers de La flauta 61 màgica mitjançant els seus personatges Sara López Nicole Badaraco Òpera infantil 69 o Singspiel? Luis Alejandro Lluís Coll Cronologia 74 Jordi Fernández M. Testimoni 81 Milagros Poblador La flauta màgica al Liceu 85 Jaume Tribó Selecció discogràfica 93 Javier Pérez Senz Bibliografia recomanada 96 Aleix Pratdepàdua Biografies 98 Aina Vega LA FLAUTA MÀGICA DIE ZAUBERFLÖTE Singspiel en dos actes. Llibret d’Emanuel Schikaneder basat principalment en el conte Lulu oder die Zauberflöte d’August Jacob Liebeskind, inclòs en el recull de contes orientals Dschinnistan de Christoph Martin Wieland. Estrenes 30 de setembre de 1791: Theater auf der Wieden 15 de gener de 1925: Gran Teatre del Liceu 28 d’abril de 2012: darrera representació al Liceu Total de representacions en la programació del Liceu: 61 07 /2016 Torn 09 /2016 Torn 18 20.00 h A 12 20.00 h PA 20 20.00 h D 13 20.00 h PE 21 20.00 h B 15 20.00 h PC 22 20.00 h C 16 20.00 h PB 23 18.00 h F 17 18.00 h PD 24 17.00 h T 26 20.00 h H 27 20.00 h G 28 20.00 h E Durada aproximada: 2 h. -
MUSICWEB INTERNATIONAL Recordings of the Year 2018 This
MUSICWEB INTERNATIONAL Recordings Of The Year 2018 This is the fifteenth year that MusicWeb International has asked its reviewing team to nominate their recordings of the year. Reviewers are not restricted to discs they had reviewed, but the choices must have been reviewed on MWI in the last 12 months (December 2017-November 2018). The 130 selections have come from 25 members of the team and 70 different labels, the choices reflecting as usual, the great diversity of music and sources - I say that every year, but still the spread of choices surprises and pleases me. Of the selections, 8 have received two nominations: Mahler and Strauss with Sergiu Celibidache on the Munich Phil choral music by Pavel Chesnokov on Reference Recordings Shostakovich symphonies with Andris Nelsons on DG The Gluepot Connection from the Londinium Choir on Somm The John Adams Edition on the Berlin Phil’s own label Historic recordings of Carlo Zecchi on APR Pärt symphonies on ECM works for two pianos by Stravinsky on Hyperion Chandos was this year’s leading label with 11 nominations, significantly more than any other label. MUSICWEB INTERNATIONAL RECORDING OF THE YEAR In this twelve month period, we published more than 2400 reviews. There is no easy or entirely satisfactory way of choosing one above all others as our Recording of the Year, but this year the choice was a little easier than usual. Pavel CHESNOKOV Teach Me Thy Statutes - PaTRAM Institute Male Choir/Vladimir Gorbik rec. 2016 REFERENCE RECORDINGS FR-727 SACD The most significant anniversary of 2018 was that of the centenary of the death of Claude Debussy, and while there were fine recordings of his music, none stood as deserving of this accolade as much as the choral works of Pavel Chesnokov. -
1 Madama Butterfly I Personaggi E Gli Interpreti
1 G V M e i r a a s i d c o n o a e Madama Butterfly m m o o r a i Versione originale del 17 febbraio 1904 g i P B n u a u l c Giacomo Puccini e t c t d e i e n r l i f 1 l 7 y f e Stagione d’Opera 2016 / 2017 b b r a i o 1 9 0 4 S t a g i o n e d ’ O p e r a 2 0 1 6 / 2 0 1 7 Madama Butterfly Versione originale del 17 febbraio 1904 Tragedia giapponese in due atti Musica di Giacomo Puccini Libretto di Luigi Illica e Giuseppe Giacosa (da John L. Long e David Belasco) Nuova produzione Teatro alla Scala EDIZIONI DEL TEATRO ALLA SCALA TEATRO ALLA SCALA PRIMA RAPPRESENTAZIONE Mercoledì 7 dicembre 2016, ore 18 REPLICHE dicembre Sabato 10 Ore 20 – TurNo B Martedì 13 Ore 20 – TurNo A VeNerdì 16 Ore 20 – TurNo C DomeNica 18 Ore 20 – TurNo D VeNerdì 23 Ore 20 – TurNo E REPLICHE gennaio 2017 Martedì 3 Ore 20 – Fuori abboNameNto DomeNica 8 Ore 15 – Fuori abboNameNto ANteprima dedicata ai GiovaNi LaScalaUNDER30 Domenica 4 dicembre 2016, ore 18 SOMMARIO 5 Madama Butterfly . Il libretto 40 Il soggetto ArgumeNt – SyNopsis – Die HaNdluNg – ࠶ࡽࡍࡌ – Сюжет Claudio Toscani 53 Giacomo PucciNi Marco Mattarozzi 56 L’opera iN breve Claudio Toscani 58 La musica Virgilio Bernardoni 62 La prima Butterfly , uN ricoNoscimeNto morale all’Autore. UNa possibilità iN più di ascolto, coNfroNto e coNosceNza INtervista a Riccardo Chailly 67 “UNa vera sposa...”? INgaNNo e illusioNe Nella prima Arthur Groos scaligera di Madama Butterfly 83 Madama Butterfly, uNa tragedia iN kimoNo Michele Girardi 99 Come eseguire Madama Butterfly Dieter Schickling 110 Madama Butterfly alla Scala dal 1904 al 2007 Luca Chierici 137 Alvis HermaNis e Madama Butterfly Olivier Lexa Il gesto della fragilità 167 Riccardo Chailly 169 Alvis HermaNis 170 Leila Fteita 171 Kris t¯ıNe Jur j¯aNe 172 Gleb FilshtiNsky 173 INeta SipuNova 174 Alla Sigalova 175 Olivier Lexa 176 Madama Butterfly . -
Swedish Debut at Royal Opera Stockholm with Handel's „Xerxes“
Press release Greek conductor George Petrou – Swedish debut at Royal Opera Stockholm with Handel’s „Xerxes“: 6. February 2015 Greek conductor George Petrou will be making his Swedish debut at the Royal Opera in Stockholm: On 6. February 2015 he will be conducting the revival of “Xerxes” by Georg Friedrich Handel. Katija Dragojevic will be heard in the titel role; other main characters will be represented by Susanna Stern (Romilda), Vivianne Holmberg (Atalante), Johanna Rudström (Arsamenes), Katarina Leoson (Amastris), John Erik Eleby (Ariodates) and Jens Persson (Elviro). The production was directed by Daniel Slater, stage design, costumes and mask by Robert Innes Hopkins. Further performances: 11., 14., 17., 24., 27. February and 3. March. George Petrou has been established as one of the world's leading Handel specialists. Many of his Handel-opera-recordings received important classical music awards like the French Diapason d’Or and Choc du monde de la musique as well as the German ECHO Klassik. For George Petrou “Xerxes” in Stockholm is also a premiere even though he has already conducted selected arias of the opera in the past: “Serse was a turning point in Handel's operatic output. It looked ahead into the future, breaking a great deal of the Opera seria conventions. Apparently it quite shocked the public with its novelty of structure and style, and it wasn't understood. However, it remains one of Handel's top creations.” “Xerxes” is one of the most frequently played operas by Handel. The plot unfolds as a comic rollercoaster of love, jealousy and secret desires in which nothing is quite as it seems. -
Fondazione Teatro Regio Di Torino Bilancio Di Esercizio
FONDAZIONE TEATRO REGIO DI TORINO BILANCIO DI ESERCIZIO 2014 1 2 FONDAZIONE TEATRO REGIO DI TORINO Consiglio d’Indirizzo in carica dal 12 settembre 2014 Piero Fassino Presidente Paolo Cantarella Consigliere Angelica Corporandi D’Auvare Musy Consigliere Filippo Fonsatti Consigliere Cristina Giovando Consigliere Gianbattista Quirico Consigliere Vittorio Sabadin Consigliere Sovrintendente Walter Vergnano Collegio dei Revisori in carica dal 28 novembre 2014 Eugenio Schlitzer Presidente Carlo Messina Revisore Massimo Segre Revisore Revisore legale dei conti Pitagora Revisione S.r.l. 3 4 FONDAZIONE TEATRO REGIO DI TORINO Consiglio d’Amministrazione in carica fino all’11 settembre 2014 Piero Fassino Presidente Giovanni Zanetti Vice Presidente Paolo Cantarella Consigliere Maria Luisa Cosso Consigliere Cristina Giovando Consigliere Silvano Guidone Consigliere Vittorio Sette Consigliere Walter Vergnano Sovrintendente Sovrintendente Walter Vergnano Collegio dei Revisori in carica fino al 27 novembre 2014 Nadia Ribaudo Presidente Luigi Puddu Revisore Gianpaolo Valente Revisore Revisore legale dei conti Pitagora Revisione S.r.l. 5 6 RELAZIONE SULLA GESTIONE 7 8 FONDAZIONE TEATRO REGIO DI TORINO. Sede in Torino – Piazza Castello, 215 ISCRIZIONE R.E.A. DI TORINO n. 928405 Codice Fiscale n. 00505900019 □ □ □ BILANCIO AL 31 DICEMBRE 2014 RELAZIONE SULLA GESTIONE INTRODUZIONE ll Bilancio consuntivo 2014 che la Sovrintendenza presenta al parere dell’Assemblea dei Fondatori e all’approvazione del Consiglio di Indirizzo si riferisce al quindicesimo esercizio di gestione della Fondazione e presenta quale risultato di esercizio un utile pari a Euro 5.975. A tale risultato si è pervenuti dopo aver imputato a conto economico imposte dell’esercizio per Euro 209.204 e dopo aver calcolato ammortamenti e svalutazioni per Euro 2.134.617. -
9. Vivaldi and Ritornello Form
The HIGH BAROQUE:! Early Baroque High Baroque 1600-1670 1670-1750 The HIGH BAROQUE:! Republic of Venice The HIGH BAROQUE:! Grand Canal, Venice The HIGH BAROQUE:! VIVALDI CONCERTO Antonio Vivaldi (1678-1741) The HIGH BAROQUE:! VIVALDI CONCERTO Antonio VIVALDI (1678-1741) Born in Venice, trains and works there. Ordained for the priesthood in 1703. Works for the Pio Ospedale della Pietà, a charitable organization for indigent, illegitimate or orphaned girls. The students were trained in music and gave frequent concerts. The HIGH BAROQUE:! VIVALDI CONCERTO The HIGH BAROQUE:! VIVALDI CONCERTO The HIGH BAROQUE:! VIVALDI CONCERTO Thus, many of Vivaldi’s concerti were written for soloists and an orchestra made up of teen- age girls. The HIGH BAROQUE:! VIVALDI CONCERTO It is for the Ospedale students that Vivaldi writes over 500 concertos, publishing them in sets like Corelli, including: Op. 3 L’Estro Armonico (1711) Op. 4 La Stravaganza (1714) Op. 8 Il Cimento dell’Armonia e dell’Inventione (1725) Op. 9 La Cetra (1727) The HIGH BAROQUE:! VIVALDI CONCERTO In addition, from 1710 onwards Vivaldi pursues career as opera composer. His music was virtually forgotten after his death. His music was not re-discovered until the “Baroque Revival” during the 20th century. The HIGH BAROQUE:! VIVALDI CONCERTO Vivaldi constructs The Model of the Baroque Concerto Form from elements of earlier instrumental composers *The Concertato idea *The Ritornello as a structuring device *The works and tonality of Corelli The HIGH BAROQUE:! VIVALDI CONCERTO The term “concerto” originates from a term used in the early Baroque to describe pieces that alternated and contrasted instrumental groups with vocalists (concertato = “to contend with”) The term is later applied to ensemble instrumental pieces that contrast a large ensemble (the concerto grosso or ripieno) with a smaller group of soloists (concertino) The HIGH BAROQUE:! VIVALDI CONCERTO Corelli creates the standard concerto grosso instrumentation of a string orchestra (the concerto grosso) with a string trio + continuo for the ripieno in his Op. -
Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
Natura Artificiale Di Vivaldi
TORINO Martedì 5 settembre Conservatorio Giuseppe Verdi ore 17 LA NATURA ARTIFICIALE DI VIVALDI natura www.mitosettembremusica.it LA NATURA ARTIFICIALE DI VIVALDI Nei primissimi anni del Settecento, intrisi di razionalismo, si parla in continuazione di «Natura» come modello, e la naturalezza è il fine d’ogni arte. Quello che crea Vivaldi, molto baroccamente, è una finta natura: l’estremo artificio formale mascherato da gesto normale, spontaneo. E tutti ci crederanno. Il concerto è preceduto da una breve introduzione di Stefano Catucci Antonio Vivaldi (1678-1741) Concerto in la minore per due violini e archi da L’Estro Armonico op. 3 n. 8 RV 522a Allegro – [Adagio] – [Allegro] Sonata in sol maggiore per violino, violoncello e basso continuo RV 820 Allegro – Adagio – Allegro Concerto in re minore per violino, archi e basso continuo RV 813 (ms. Wien, E.M.) Allegro – [Adagio] – Allegro – Adagio – Andante – Largo – Allegro Concerto in sol maggiore per flauto traversiere, archi e basso continuo RV 438 Allegro – Larghetto – Allegro Sonata in re minore per due violini e basso continuo “La follia” op. 1 n. 12 RV 63 Tema (Adagio). Variazioni Giovanni Stefano Carbonelli (1694-1772) Sonata op. 1 n. 2 in re minore Adagio – Allegro Allegro Andante Aria Antonio Vivaldi Concerto in mi minore per violino, archi e basso continuo da La Stravaganza op. 4 n. 2 RV 279 Allegro – Largo – Allegro Modo Antiquo Federico Guglielmo violino principale Raffaele Tiseo, Paolo Cantamessa, Stefano Bruni violini Pasquale Lepore viola Bettina Hoffmann violoncello Federico Bagnasco contrabbasso Andrea Coen clavicembalo Federico Maria Sardelli direttore e flauto traversiere /1 Vivaldi natura renovatur. -
WAGNER Die Walküre
660172-74 bk Walküre US 17/7/06 10:28 Page 16 3 CDs Recorded at the Staatsoper Stuttgart, Germany, WAGNER on 29th September 2002 and 2nd January 2003. General Director: Prof. Klaus Zehelein Die Walküre Executive Producers: Dr Reinhard Ermen (SWR Radio), Gambill • Jun • Rootering • Denoke • Behle • Vaughn Dr Dietrich Mack (SWR TV) and Paul Smaczny (EuroArts) Staatsoper Stuttgart • Staatsorchester Stuttgart Producer: Thomas Angelkorte Editor: Irmgard Bauer Lothar Zagrosek Engineers: Brigitte Hermann and Karl-Heinz Runde This performance of Die Walküre is the second part of Wagner’s Ring cycle recorded live during Stuttgart Opera’s 2002/2003 season. For the first time in the history of the Ring cycle each of the four operas was staged with separate producers and casts. A production of EuroArts Music International GmbH and Südwestrundfunk in co-operation with ARTE Gefördert von der Medien- und Filmgesellschaft Baden-Württemberg 8.660172-74 16 660172-74 bk Walküre US 17/7/06 10:28 Page 2 Die Walküre Stuttgart Staatsorchester (The Valkyrie) Established in 1589 as the Court Orchestra of Württemberg, the Württemberg Stuttgart State Orchestra has a history The First Day of over four hundred years. Over the generations there have been collaborations with musicians of distinction, among them Leonhard Lechner, the Frobergers, Niccolò Jommelli, Johann Rudolf Zumsteeg, Konradin Kreutzer, of Johann Nepomuk Hummel and Carl Maria von Weber. Berlioz praised the orchestra, when he appeared with it as Der Ring des Nibelungen conductor, and in the 1880s Stuttgart was one of the first to stage the complete Ring cycle, conducted by the then (The Ring of the Nibelung) General Music Director Herman Zumpe, who had assisted Wagner at the first Bayreuth Festival. -
Magazin Saison 2015 /2016 November ––– Dezember
MAGAZIN SAISON 2015/2016 NOVEMBER ––– DEZEMBER Premieren: Der fliegende Holländer Der Graf von Luxemburg Wiederaufnahmen: Don Carlo Lucia di Lammermoor Die diebische Elster 1 ERHABEN WOHNEN. AUCH ÜBER DEN ZEITGEIST. TROGERSTRASSE 19, MÜNCHEN Wo Bogenhausen und Haidhausen zusammen kommen, wenige Schritte von der Prinzregentenstraße entfernt, ent- stehen 26 Zwei- bis Vier-Zimmer-Wohnungen von ca. 77 m bis ca. 218 m. Der Entwurf von Landau + Kindelbacher setzt Maßstäbe: Während das Vor der- gebäude subtil mit der Jugendstilnachbarschaft harmonisiert, zeichnet sich das Rückgebäude durch radikale Modernität aus. Off en konzipierte Grundrisse und Details wie Naturstein in den Bädern oder transparente Brüstungen voll- en den die Ausnahme-Architektur. „Eines der schönsten Kauf- objekte 2015“ EnEV 2014 EA-B · HZG BHKW Beratung und provisionsfreier Verkauf: 089 415595-15 2Bj. (EA) 2016 www. bauwerk . de 45 kWh/(m²a) Energieeffi zienzklasse A Bauwerk Capital GmbH & Co . KG , Prinzregentenstraße 22 , 80538 München BWC_AZ_T19_EngelslBayStaatsoper_210x297_f39.indd 1 07.10.15 11:00 Wir bedanken uns herzlich für die Die Oper Frankfurt ist »Opernhaus des Jahres« 2015 großzügige finanzielle Unterstützung Internationale Kritikerumfrage der Fachzeitschrift Opernwelt bei unseren Partnern. Bestes Theater-Gesamtprogramm der Saison 2014 / 2015 Hauptförderer Überzeugende Gesamtleistung des Opernhauses und Würdigung von Ur- und Erstaufführungen Bernd Loebe als herausragendem Opernmanager. Autorenumfrage des Theatermagazins Die Deutsche Bühne Damit nimmt die Oper Frankfurt seit der Intendanz von Bernd Loebe ERHABEN WOHNEN. erstmals den Spitzenplatz bei beiden Kritikerumfragen ein. AUCH ÜBER DEN ZEITGEIST. Hauptförderer Opernstudio TROGERSTRASSE 19, MÜNCHEN Wo Bogenhausen und Haidhausen zusammen kommen, wenige Schritte von der Prinzregentenstraße entfernt, ent- Inhalt stehen 26 Zwei- bis Vier-Zimmer-Wohnungen von ca. -
Spiel Zeit 2018/ 19
Deutsche Oper am Rhein Ballett am Rhein OPER SPIEL ZEIT 2018/ & 19 BAL LETT SPIEL ZEIT 2018/ 19 63. Spielzeit der Theatergemeinschaft Deutsche Oper am Rhein Düsseldorf Duisburg Generalintendant: Prof. Christoph Meyer Geschäftsführende Direktorin: Alexandra Stampler-Brown Generalmusikdirektor: Unsere Initiative: Axel Kober Kundennähe und Spezialkompetenz. Ballett am Rhein Düsseldorf Duisburg Als Spitzeninstitut für die rund 1.000 Genossenschaftsbanken in Deutschland fungiert die DZ BANK als Impulsgeber für die gesamte Genossenschaftliche Künstlerischer Direktor & Chefchoreograph: FinanzGruppe Volksbanken Raiffeisenbanken. Zusammen verbinden wir Martin Schläpfer regionale Kundennähe mit globaler Finanzmarktexpertise und bieten ein Ballettdirektor: flächendeckendes Allfinanzangebot, sehr hohe Bonität und individuelle Remus Şucheană Lösungen für den Mittelstand. Alles rund um unsere Produkte erfahren Sie unter dzbank.de SPIELZEIT 2018/19 SPIELZEIT 2018/19 2 3 WILLKOMMEN JUNGE OPER GRUSSWORT 5 VORWORT 1 19 VORWORT 6 PREMIEREN & WIEDERAUFNAHMEN 120 PROJEKTE & ANGEBOTE 122 OPER ORCHESTER DER RING AM RHEIN 10 PREMIEREN & WIEDERAUFNAHMEN 20 DÜSSELDORFER SYMPHONIKER 128 ENSEMBLE & GÄSTE 48 DUISBURGER PHILHARMONIKER 130 OPERNSTUDIO 56 CHOR 57 GALAS 60 KONZERTE IM FOYER 62 SERVICE FREUNDESKREIS DER DEUTSCHEN 81 OPER AM RHEIN SPIELPLAN 132 KARTEN & ABOSERVICE 136 SAALPLÄNE 142 MITARBEITERINNEN & MITARBEITER 146 BALLETT THEATERGEMEINSCHAFT 150 DÜSSELDORF DUISBURG PREMIEREN & REPRISEN 82 ON TOUR 106 BALLETTSCHULE 108 BALLETTFREUNDE DER DEUTSCHEN 109 IMPRESSUM 159 OPER AM RHEIN COMPAGNIE 110 SPIELZEIT 2018/19 SPIELZEIT 2018/19 4 5 UNSERE PARTNER 2018/19 Wir danken den Bürgerinnen und Bürgern der Landeshauptstadt Düsseldorf und der Stadt Duisburg. Gesellschafter Sehr geehrte Damen und Herren, Allen Mitwirkenden, die zu einer gelungenen Spielzeit bei- tragen werden, gelten ein herzlicher Dank und unsere besten wir heißen Sie herzlich willkommen zur Spielzeit 2018/19 der Wünsche: Den Akteurinnen und Akteuren vor und hinter den Deutschen Oper am Rhein Düsseldorf Duisburg. -
Rossini Propició El Futuro De La Ópera
www.proopera.org.mx • año XXVI • número 1 • enero – febrero 2018 • sesenta pesos ENTREVISTAS Andeka Gorrotxategi Óscar Martínez ENTREVISTAS EN LÍNEA Mojca Erdmann Nancy Fabiola Herrera Willy Anthony Waters FESTIVALES Cervantino XLV OBITUARIO Dmitri Hvorostovsky JohnJohn OsbornOsborn “Rossini“Rossini propiciópropició el futuro de la ópera”pro opera¾ DIRECTORIO REVISTA COMITÉ EDITORIAL Adriana Alatriste índice Luis Gutiérrez Ruvalcaba Andrea Labastida Charles H. Oppenheim 3 Carta del Presidente FUNDADOR Y DIRECTOR EMÉRITO CONCIERTOS Xavier Torres Arpi 4 Juan Diego Flórez: Canto a México EDITOR Charles H. Oppenheim 6 En breve 6 [email protected] CORRECCIÓN DE ESTILO CRÍTICA Darío Moreno 8 Otello en Bellas Artes COLABORAN EN ESTE NÚMERO 10 Ópera en México Othón Canales Treviño Carlos Fuentes y Espinosa Luis Gutiérrez Ruvalcaba PROTAGONISTAS Ingrid Haas 12 Andeka Gorrotxategi: Ramón Jacques “Me encantaría tener puestas José Noé Mercado todas las óperas de Puccini” David Rimoch Vladimiro Rivas Iturralde RESEÑA Gamaliel Ruiz 15 Arreglo de bodas en el Cenart José Andrés Tapia Osorio David Josué Zambrano de León 16 Ópera en los estados 15 www.proopera.org.mx. FESTIVALES CORRESPONSALES EN ESTE NÚMERO 20 Cervantino XLV Eduardo Benarroch Francesco Bertini Abigaíl Brambila ENTREVISTA Jorge Binaghi 22 Óscar Martínez: John Koopman Un cantante versátil Daniel Lara y un maestro ecléctico Gregory Moomjy Maria Nockin OBITUARIO Gustavo Gabriel Otero 25 Dmitri Hvorostovsky (1962-2017) Joel Poblete Roberto San Juan Ximena Sepúlveda PORTADA Massimo Viazzo 26 John Osborn: “Rossini propició el futuro de la ópera” FOTOGRAFIA Ana Lourdes Herrera ESTRENO 25 DISEÑO GRAFICO 32 La degradación de la burguesía: Ida Noemí Arellano Bolio The Exterminating Angel, desde Nueva York DISEÑO PÁGINA WEB TESTIMONIAL Christiane Kuri – Espacio Azul 34 Pro Ópera en Los Ángeles DISEÑO LOGO 36 México en el mundo Ricardo Gil Rizo IMPRESION ÓPERA EN EL MUNDO Grupo Gama.